Iranian filmmaker Mani Haghighi Has Passport Confiscated, Prevented From Boarding U.K. Flight for London Film Festival

Austrian filmmaker Marie Kreutzer clinched the best film award in the main Official Competition of the 66th London Film Festival with her latest feature Corsage, starring Vicky Krieps.

Emily Blunt is looking lovely for her latest red carpet appearance!

Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.

An enthusiastic rendition of Happy Birthday rang through the auditorium at the world premiere of Guillermo del Toro’s Pinocchio as the London audience was informed Gregory Mann, the film’s lead voice actor, had just turned 13. 

Mani Haghighi is the latest film director who has been impacted by Iran’s ongoing restraint on filmmakers.

Elsa Keslassy International Correspondent Pathé and Chapter 2, a Mediawan company, are set to reteam with “Three Musketeers” director Martin Bourboulon on a riveting thriller set in the backdrop of the fall of Kabul and the takeover by the Taliban. The film is an adaptation of “13 days, 13 Nights, in the Hell of Kabul,” a sprawling real-life account of the events written by commander Mohamed Bida and published by Denoël last month. Bourboulon, who recently completed shooting “The Three Musketeers,” a big-budget two-part saga based on Alexandre Dumas’ masterpiece, will be filming the movie in French and English with an immersive and ultra-realistic style.

Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon. 

Iranian filmmaker Mani Haghighi will no longer attend the London Film Festival premiere of his latest film Subtraction after authorities stopped him from boarding a flight to London. 

Olivia Colman is gracing the red carpet at the 2022 BFI London Film Festival!

Brendan Fraser was the recipient of a very rare event at the 2022 BFI London Film Festival.

Producers Tristan Goligher (Supernova) and Mike Goodridge (Triangle of Sadness) highlighted the importance of working across platforms and developing projects over an extended period during an industry keynote at the London Film Festival Tuesday. 

An elaborately beaded red shimmy dress becomes a talisman of beauty, truth and freedom in Dionne Edwards’ debut feature, BFI London Film Festival premiere Pretty Red Dress, a vivid portrait of a family with at least one too many secrets lurking in the closet along with that alluring frock.

Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.

Vanessa Kirby shows off the details on the back of her black velvet mini dress at the premiere of her movie, The Son, in London, England on Monday (October 10).

Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.

The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.

K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”

There are stories so good they can withstand any amount of retelling. Matilda began life as Roald Dahl’s rollicking tale of an outrageously spirited, clever little girl who defeats the bullying headmistress whose vocation is to make children miserable. The Royal Shakespeare Company turned it into a Christmas musical that burst the banks of the festive season, running for years and winning seven Olivier Awards in 2012 in London, then five Tonys the following year in New York. Now, director Matthew Warchus, along with writer Dennis Kelly and songwriter Tim Minchin, has directed the London Film Festival opener Roald Dahl’s Matilda the Musical for the screen. And once again, it is an absolute blast.