Austrian filmmaker Marie Kreutzer clinched the best film award in the main Official Competition of the 66th London Film Festival with her latest feature Corsage, starring Vicky Krieps.
15.10.2022 - 16:51 / deadline.com
As you might expect from the billing, Guillermo del Toro’s Pinocchio — which had its world premiere at the BFI London Film Festival today — is a very different beast to the 1940 Disney animation, and just as cavalier with the picaresque elements of Carlo Collodi’s 1883 novel. The factor that unifies all three is that the main character — a wooden puppet blessed with life — longs to be a real, human boy, but it’s no spoiler to reveal that del Toro, champion of monsters and misfits, doesn’t see the appeal of that.
Instead, this sophisticated animation fantasy — made in conjunction with The Jim Henson Company and pushing the art of stop-motion to a whole new artistic level — takes a macabre approach that even Collodi might have found a bit much. The result is a very grown-up kids’ film that isn’t suitable for the very young (it comes with a 12 rating on Netflix ) and doesn’t have very much to offer little girls with its constant affirmation of the unabashedly sentimental father-son relationship that anchors it.
It begins with that very subject, sketching in the backstory of Gepetto (David Bradley), a carpenter and “model Italian citizen” whose masterpiece — a crucified Christ commissioned by the local priest — is left unfinished after his young son Carlo is killed in church by a bomb blast in 1916.
Years pass, and Gepetto, now an unhappy drunk, decides to knock up a surrogate son from a chunk of pine. This wholly unexpected origins scene is perhaps the film’s most intriguing idea, filmed with a gothic relish worthy of James Whale’s 1930s Frankenstein movies. Gepetto is a master craftsman, but Pinocchio is a rush job with nails sticking out of his back, and while the old man is sleeping, the spirits of the forest visit
Austrian filmmaker Marie Kreutzer clinched the best film award in the main Official Competition of the 66th London Film Festival with her latest feature Corsage, starring Vicky Krieps.
Director Asif Kapadia makes slick work of Akram Khan’s ballet in Creature, which world premiered at the BFI London Film Festival. Based on Khan’s original concept and choreography, the English National Ballet Production is produced by Uzma Hasan for Little House Productions, and brings an intense cinematic sensibility to the bleak story exploring power, nature, connection and more.
Emily Blunt is looking lovely for her latest red carpet appearance!
Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.
An enthusiastic rendition of Happy Birthday rang through the auditorium at the world premiere of Guillermo del Toro’s Pinocchio as the London audience was informed Gregory Mann, the film’s lead voice actor, had just turned 13.
Guy Lodge Film Critic The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t slap their own names on “Bram Stoker’s Dracula” and “William Shakespeare’s Romeo + Juliet,” respectively. Still, you can hardly blame del Toro’s stop-motion spin on Carlo Collodi’s 19th-century chestnut “The Adventures of Pinocchio” for wanting to advertise its distinguishing vision up top: After umpteen tellings of the wooden-boy tale, and coming on the heels of Robert Zemeckis’ wretched Disney remake, Netflix’s rival adaptation has to announce itself as something different. That it is; it’s often delightful too.
Writer-director Fridtjof Ryder makes an impressive debut with Inland, which had its world premiere at the BFI London Film Festival this evening. The German-English filmmaker – who also produces – has delivered an atmospheric meditation on family, loss, nature and the environment, with terrific turns from Mark Rylance and newcomer Rory Alexander.
Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon.
Elsa Keslassy International Correspondent Iranian filmmaker Mani Haghighi had his passport confiscated at the airport as he was about to board a flight to attend the BFI London Film Festival. Haghighi was expected to present there the U.K. premiere of his latest film, “Subtraction.” A BFI London Film Festival spokesperson confirmed the news to Variety and issued the following statement: “The Iranian filmmaker Mani Haghighi was due to travel to London today to support the UK premiere of his film Subtraction which is screening tomorrow at the BFI London Film Festival, but has been prevented from boarding his flight to the UK. He was turned away by authorities in Iran and has his passport confiscated. He has returned to his home in Tehran. We understand that no reason has been given to Mani Haghighi for the confiscation. The BFI London Film Festival supports Haghighi and all filmmakers in their freedom to make their films and present them around the world.
Olivia Colman is gracing the red carpet at the 2022 BFI London Film Festival!
Brendan Fraser was the recipient of a very rare event at the 2022 BFI London Film Festival.
The 16th Film London Production Finance Market opened Tuesday morning with a keynote talk featuring BFI CEO Ben Roberts who spoke at length about his 10-year funding plan for British cinema and the financial issues hitting the industry, including the recent shuttering of the Edinburgh Film Festival.
An elaborately beaded red shimmy dress becomes a talisman of beauty, truth and freedom in Dionne Edwards’ debut feature, BFI London Film Festival premiere Pretty Red Dress, a vivid portrait of a family with at least one too many secrets lurking in the closet along with that alluring frock.
Kill List star Neil Maskell makes his feature directorial debut with the dark comedy Klokkenluider, which had its world premiere at the BFI London Film Festival. The title is Dutch for “whistleblower,” and Maskell’s script sees a couple hiding out in a remote Belgian cottage, nervously preparing to spill the beans to a newspaper journalist. When they’re joined by two bodyguards, tensions rise but relationships are formed. It’s an involving character-driven drama/thriller that recalls cult British fare such as Black Mirror, as well as the work of Maskell’s regular cohort Ben Wheatley.
Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.
Vanessa Kirby shows off the details on the back of her black velvet mini dress at the premiere of her movie, The Son, in London, England on Monday (October 10).
Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.
The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.
A beloved children’s novel is turned into a charming animation in My Father’s Dragon, which is world premiering at the BFI London Film Festival. Oscar-nominated director Nora Twomey (The Breadwinner) helms a story of childhood friendship based on the 1948 novel by Ruth Stiles Gannett, with animation from Cartoon Saloon (The Secret of Kells, Song of the Sea, Wolfwalkers) and a screenplay by Meg LeFauve (Inside Out). It’s a sweet adventure with appeal for young kids and a starry voice cast including Jacob Tremblay as hero Elmer, and – in one of the film’s more amusing moments – Whoopi Goldberg as a cat.