BFI CEO Ben Roberts On Edinburgh Film Festival Closure & “Naive” Tweets: “We Don’t Have The Funds To Crisis Support Organizations” — London Film Festival

Netflix Shows To Be Preserved In BFI Archive

Steven Spielberg’s semi-autobiographical, coming-of-age drama The Fabelmans has been announced as the opening film of 44th Cairo International Film Festival, running from November 13 to 22.

Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.

Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon. 

Elsa Keslassy International Correspondent Iranian filmmaker Mani Haghighi had his passport confiscated at the airport as he was about to board a flight to attend the BFI London Film Festival. Haghighi was expected to present there the U.K. premiere of his latest film, “Subtraction.”  A BFI London Film Festival spokesperson confirmed the news to Variety and issued the following statement: “The Iranian filmmaker Mani Haghighi was due to travel to London today to support the UK premiere of his film Subtraction which is screening tomorrow at the BFI London Film Festival, but has been prevented from boarding his flight to the UK.  He was turned away by authorities in Iran and has his passport confiscated.  He has returned to his home in Tehran. We understand that no reason has been given to Mani Haghighi for the confiscation. The BFI London Film Festival supports Haghighi and all filmmakers in their freedom to make their films and present them around the world.

While your future planning probably only extends to Thanksgiving, the Sundance Film Festival is already thinking ahead to January, the 2023 edition of their festival. Today,  the nonprofit Sundance Institute announced today the first two films in the lineup for the 2023 Sundance Film Festival and they are the 25th Anniversary and digital restoration screening of “SLAM” and the uncensored director’s cut and restoration of “The Doom Generation.” Directed by Marc Levin and written by Levin, Saul Williams, Sonja Sohn, and Richard Stratton, “SLAM” was first introduced to audiences at the 1998 Sundance Film Festival, where it premiered in the U.S.

Hollywood’s biggest names jetted to London to celebrate film and fashion at the 2022 BFI London Film Festival. Jessica Chastain, Vanessa Kirby and more dazzled Us with vibrant gowns, skintight frocks and tailored suits.

Japanese director Naomi Kawase will preside over the international jury of the 44th edition of the Cairo International Film Festival, running November 13 to 22.

Naman Ramachandran Zahan Kapoor debuts as the lead in “Faraaz,” which has its world premiere at the BFI London Film Festival’s Thrill strand. The film is based on based on an incident in July 2016, where armed gunmen held up customers at the Holey Artisan Bakery for 12 hours, before killing 20 of them and two of the bakery staff. Two police officers and five of the gunmen died in a shootout. “Faraaz” is directed by Hansal Mehta (“Scam 1992: The Harshad Mehta Story”) and produced by T-Series, part of its 100-film slate, Anubhav Sinha’s Benaras Mediaworks (“Article 15”) and Mahana Films.

Brendan Fraser was the recipient of a very rare event at the 2022 BFI London Film Festival.

Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.

Vanessa Kirby shows off the details on the back of her black velvet mini dress at the premiere of her movie, The Son, in London, England on Monday (October 10).

Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.

The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.

Jennifer Lawrence wears a sheer dress covered in pearls for the 2022 BFI London Film Festival premiere of her new movie Causeway.

K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”

K.J. Yossman Centre for the Moving Image (CMI), the Scottish arts company behind the Edinburgh International Film Festival, have appointed administrators. They are the first high-profile victim of the looming recession currently gripping the U.K, which follows the two-year COVID-19 pandemic. In a statement, CMI’s board said: “The charity is facing the perfect storm of sharply rising costs, in particular energy costs, alongside reduced trade due to the ongoing impacts of the pandemic and the cost of living crisis. The combination and scale of these challenges is unprecedented and means that there was no option but to take immediate action.”

The trustees in charge of the Centre for the Moving Image (CMI), the charity which runs the Edinburgh International Film Festival, Filmhouse Cinema in Edinburgh, and Belmont Filmhouse in Aberdeen, have appointed administrators.