Cailee Spaeny Attends 'Priscilla' Screening at London Film Festival!

Jacob Elordi plays Elvis Presley in Sofia Coppola‘s Priscilla, a film that chronicles the life of Priscilla Presley and the King of Rock ‘n’ Roll.

Valerie Wu Intern Before starring as Elvis Presley in Sofia Coppola’s “Priscilla,” Jacob Elordi was only familiar with the King of Rock and Roll from Disney’s “Lilo & Stitch.” During a recent appearance on “The Tonight Show With Jimmy Fallon,” Elordi sat down to discuss his role in the film, which centers on the life of Priscilla Presley (Cailee Spaeny) and her relationship with Elvis. “The most I know of Elvis was in ‘Lilo & Stitch,'” Elordi admitted.

Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there.

There’s a soaring ambition but only a modest intent in Kibwe Tavares and Daniel Kaluuya’s sober debut The Kitchen, a visually impressive depiction of things to come that simmers with all manner of protest but never hits boiling point. On the one hand, it’s a shame, ending on a quiet moment of understanding just as all hell is about to break loose. But on the other, it’s refreshing to see two young filmmakers trying to hone their storytelling skills rather than pour everything into a spectacular calling card. If Attack the Block hadn’t been so slavish in trying to siphon inspiration from much better cult movies to become a cult movie in its own right, it might have looked like this: a genuine vision of a nightmarish, dystopian future that will ring alarm bells for any city-dweller familiar with the depressing effects of gentrification.

Jacob Elordi brings Elvis Presley to life in Sofia Coppola‘s new movie Priscilla, but it turns out that he didn’t know much about the King of Rock before he was offered the role.

This strike-filled year has been tough for everyone, but in this chaos, some stars are starting to rise. Jacob Elordi had already made a name for himself on HBO‘s “Euphoria.” 2023 has brought critical acclaim for his performances in Emerald Fennell‘s “Saltburn” and stepping into the blue suede shoes of Elvis Presley in Sofia Coppola’s “Priscilla.” Cailee Spaeny landed the first major leading role of her career in “Priscilla” and walked away with the Best Actress honor at the 2023 Venice Film Festival.

Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.

Ellise Shafer Ryusuke Hamaguchi’s “Evil Does Not Exist” was named the best film in the official competition at this year’s BFI London Film Festival Awards. “Paradise Is Burning” by Mika Gustafson received the Sutherland Award in the first feature competition, while Lina Soualem’s “Bye Bye Tiberias” took home the Grierson Award in the documentary competition and “The Archive: Queer Nigerians” directed by Simisolaoluwa Akande won the short film competition. The jury presidents for this year’s awards included Amat Escalante (official competition), Raine Allen-Miller (first feature competition), Rubika Shah (documentary competition) and Charlotte Regan (short film competition).

Japanese filmmaker Ryusuke Hamaguchi has clinched the best film award in the main official competition of the 67th London Film Festival with his latest feature, Evil Does Not Exist. 

EXCLUSIVE: The BFI London Film Festival closes Sunday with the world premiere of The Kitchen, a movie set in a dystopian London where an impoverished community is forced to fend for themselves in ramshackle apartment blocks. It marks the feature directorial debut of Oscar- winning actor Daniel Kaluuya and architect-turned-filmmaker Kibwe Tavares.

Kit Connor is enjoying a movie screening in London!

By any metric, 23 years is a long time to wait for a sequel to Chicken Run, even when you factor in the fiendishly slow gestation of Aardman Animations’ meticulous stop-motion process. Surprisingly, it still feels fresh, not just because of the spring-clean of the core voice cast — Mel Gibson being the highest-profile casualty, lopped off as the “lone free-ranger” Rocky — but because, in the hands of director Sam Fell and his writing team, Dawn of The Nugget delivers a cleverly modern kind of family entertainment that, while it works to a formula, never feels written by committee.

Todd Haynes tells me that May December, his gripping melodrama starring Oscar winners Natalie Portman and Julianne Moore, “aggressively disturbs our moral moorings.”

Following in the wake of several events after Hamas’ attack on Israel, the red carpet at the Los Angeles of premiere of A24’s Priscilla has been canceled. The screening is still taking place.

It’s not every day that a filmmaker will rise up during an interview and recite Old Testament tales and sing out their favorite hymn. Well, hallelujah, brother Jeymes Samuel for spreading the gospel’s good news.

Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.  

The first week of the British Film Institute’s (BFI) London Film Festival wrapped this evening with a rapturous onstage Q&A session with writer-director Greta Gerwig.

Southbank Centre’s Royal Festival Hall irrupted into a flurry of cheers this afternoon as filmmaker Martin Scorsese strolled on stage to take part in a career Q&A at the London Film Festival. 

Michaela Zee Cailee Spaeny and Jacob Elordi attended the North American premiere of Sofia Coppola‘s “Priscilla” at the New York Film Festival on Friday night, where they sat down for a post-screening Q&A to discuss the biographical drama. “I got really lucky to actually sit down with Priscilla herself and ask her all the questions I wanted to,” Spaeny explained to the audience, adding that their conversation helped her “know where I was trying to go and what I wanted to say throughout those years playing her.” The production was completed on a tight deadline of 30 days, with producer Youree Henley emphasizing the team’s doubts that they could “make this in less than 35 days.” Spaeny said the hair, makeup and costumes acted like her “anchor of where I was in the storylines.” “We shot it in 30 days and also out of order, so I’d be pregnant in the morning, and then after lunch I’d be 14 years old,” she said with a laugh.

Jacob Elordi and Cailee Spaeny hit the red carpet for the NYC premiere of their new movie Priscilla, but writer and director Sofia Coppola was noticeably absent.