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Enola Holmes
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‘The Kitchen’ Review: Kibwe Tavares And Daniel Kaluuya’s Urban Sci-Fi Finds An Emotional Arc In A Grim Vision Of The Future – London Film Festival - deadline.com - London
deadline.com
26.10.2023 / 19:03

‘The Kitchen’ Review: Kibwe Tavares And Daniel Kaluuya’s Urban Sci-Fi Finds An Emotional Arc In A Grim Vision Of The Future – London Film Festival

There’s a soaring ambition but only a modest intent in Kibwe Tavares and Daniel Kaluuya’s sober debut The Kitchen, a visually impressive depiction of things to come that simmers with all manner of protest but never hits boiling point. On the one hand, it’s a shame, ending on a quiet moment of understanding just as all hell is about to break loose. But on the other, it’s refreshing to see two young filmmakers trying to hone their storytelling skills rather than pour everything into a spectacular calling card. If Attack the Block hadn’t been so slavish in trying to siphon inspiration from much better cult movies to become a cult movie in its own right, it might have looked like this: a genuine vision of a nightmarish, dystopian future that will ring alarm bells for any city-dweller familiar with the depressing effects of gentrification.

Daniel Kaluuya Premieres ‘Very British’ Directorial Debut ‘The Kitchen’ at London Film Festival: ‘One of the Best Days of My Life’ - variety.com - Britain
variety.com
15.10.2023 / 23:01

Daniel Kaluuya Premieres ‘Very British’ Directorial Debut ‘The Kitchen’ at London Film Festival: ‘One of the Best Days of My Life’

Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.

Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Wins Best Film at BFI London Film Festival Awards - variety.com - Nigeria
variety.com
15.10.2023 / 16:01

Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Wins Best Film at BFI London Film Festival Awards

Ellise Shafer Ryusuke Hamaguchi’s “Evil Does Not Exist” was named the best film in the official competition at this year’s BFI London Film Festival Awards. “Paradise Is Burning” by Mika Gustafson received the Sutherland Award in the first feature competition, while Lina Soualem’s “Bye Bye Tiberias” took home the Grierson Award in the documentary competition and “The Archive: Queer Nigerians” directed by Simisolaoluwa Akande won the short film competition. The jury presidents for this year’s awards included Amat Escalante (official competition), Raine Allen-Miller (first feature competition), Rubika Shah (documentary competition) and Charlotte Regan (short film competition).

London Film Festival Winners: Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Wins Best Film Award, Palestinian Pic Takes Doc Award - deadline.com - Britain - France - Mexico - Japan - Tokyo - Palestine
deadline.com
15.10.2023 / 15:23

London Film Festival Winners: Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Wins Best Film Award, Palestinian Pic Takes Doc Award

Japanese filmmaker Ryusuke Hamaguchi has clinched the best film award in the main official competition of the 67th London Film Festival with his latest feature, Evil Does Not Exist. 

Breaking Baz at London Film Festival: ‘Black Panther’ Star Daniel Kaluuya On The 10-Year Odyssey To Make ‘The Kitchen’ With His Best Filmmaking Friends - deadline.com
deadline.com
15.10.2023 / 10:15

Breaking Baz at London Film Festival: ‘Black Panther’ Star Daniel Kaluuya On The 10-Year Odyssey To Make ‘The Kitchen’ With His Best Filmmaking Friends

EXCLUSIVE: The BFI London Film Festival closes Sunday with the world premiere of The Kitchen, a movie set in a dystopian London where an impoverished community is forced to fend for themselves in ramshackle apartment blocks. It marks the feature directorial debut of Oscar- winning actor Daniel Kaluuya and architect-turned-filmmaker Kibwe Tavares.

‘Chicken Run: Dawn Of The Nugget’ Review: Refreshing Aardman Sequel Comes With A Playful ‘Mission: Impossible’ Vibe – London Film Festival - deadline.com
deadline.com
14.10.2023 / 15:43

‘Chicken Run: Dawn Of The Nugget’ Review: Refreshing Aardman Sequel Comes With A Playful ‘Mission: Impossible’ Vibe – London Film Festival

By any metric, 23 years is a long time to wait for a sequel to Chicken Run, even when you factor in the fiendishly slow gestation of Aardman Animations’ meticulous stop-motion process. Surprisingly, it still feels fresh, not just because of the spring-clean of the core voice cast — Mel Gibson being the highest-profile casualty, lopped off as the “lone free-ranger” Rocky — but because, in the hands of director Sam Fell and his writing team, Dawn of The Nugget delivers a cleverly modern kind of family entertainment that, while it works to a formula, never feels written by committee.

Breaking Baz At London Film Festival: Todd Haynes Trumps Tabloid Tale With Gripping Melodrama ‘May December’ Starring Natalie Portman, Julianne Moore & Hot New Star Charles Melton - deadline.com - Britain - London - Los Angeles - county Moore - city Savannah, Georgia
deadline.com
14.10.2023 / 10:35

Breaking Baz At London Film Festival: Todd Haynes Trumps Tabloid Tale With Gripping Melodrama ‘May December’ Starring Natalie Portman, Julianne Moore & Hot New Star Charles Melton

Todd Haynes tells me that May December, his gripping melodrama starring Oscar winners Natalie Portman and Julianne Moore, “aggressively disturbs our moral moorings.”

Breaking Baz at London Film Festival: Jeymes Samuel Says Hot Biblical Era Epic ‘The Book Of Clarence’ Is His ‘Ben-Hur’; And He’s Laid An Easter Egg Trail To His Next Movie - deadline.com - Atlanta
deadline.com
11.10.2023 / 10:19

Breaking Baz at London Film Festival: Jeymes Samuel Says Hot Biblical Era Epic ‘The Book Of Clarence’ Is His ‘Ben-Hur’; And He’s Laid An Easter Egg Trail To His Next Movie

It’s not every day that a filmmaker will rise up during an interview and recite Old Testament tales and sing out their favorite hymn. Well, hallelujah, brother Jeymes Samuel for spreading the gospel’s good news.

Kendall Jenner & Bad Bunny Step Out For NYC Date Night Concert Together -- And More! - perezhilton.com - Miami - New York - Puerto Rico
perezhilton.com
10.10.2023 / 16:03

Kendall Jenner & Bad Bunny Step Out For NYC Date Night Concert Together -- And More!

Kendall Jenner and Bad Bunny are making the most of their time together — and choosing to be stylish AF while they do it!

Chris Appleton & Lukas Gage Step Out for Late-Night Dinner With Chris' Daughter Kitty-blu - www.justjared.com - New York
justjared.com
10.10.2023 / 08:57

Chris Appleton & Lukas Gage Step Out for Late-Night Dinner With Chris' Daughter Kitty-blu

Chris Appleton and Lukas Gage are stepping out for a dinner date with Chris‘ daughter Kitty-blu!

Cailee Spaeny Attends 'Priscilla' Screening at London Film Festival! - www.justjared.com - New York - city Sofia
justjared.com
10.10.2023 / 00:43

Cailee Spaeny Attends 'Priscilla' Screening at London Film Festival!

Cailee Spaeny dazzles while promoting her new film Priscilla at the 2023 BFI London Film Festival on Monday (October 9).

‘Dear Jassi’ Review: Tarsem Singh Dhandwar’s Tender Story Of Star-Crossed Lovers Lands A Killer Blow – London Film Festival - deadline.com - India
deadline.com
09.10.2023 / 02:50

‘Dear Jassi’ Review: Tarsem Singh Dhandwar’s Tender Story Of Star-Crossed Lovers Lands A Killer Blow – London Film Festival

Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.  

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