Olivia Rodrigo and Louis Partridge are spending time together in London!
14.10.2023 - 20:37 / justjared.com
Kit Connor is enjoying a movie screening in London!
On Saturday (October 14), the 19-year-old Heartstopper actor attended a screening of Black Dog during the 67th BFI London Film Festival.
The festival, which runs from October 4 to October 15, 2023, features a wide variety of films, shorts, and series from 92 different countries.
Keep reading to find out more details and see the photos…
For the occasion, Kit kept it casual in a red T-shirt, black sweatshirt, black pants, and some worn white sneakers.
He seemed happy be on the red carpet, flashing smiles for the cameras and posing with the producer of Black Dog, George Jaques, as well as Enola Holmes star Louis Partridge.
A Heartstopper intimacy coordinator recently spilled on filming all of Kit‘s kissing scenes with Joe Locke.
Scroll through the gallery to see all the photos of Kit Connor!
Olivia Rodrigo and Louis Partridge are spending time together in London!
Jennifer Lawrence is hanging out with one of her friends.
Robert Pattinson is grabbing a coffee and running into some famous faces!
There’s a soaring ambition but only a modest intent in Kibwe Tavares and Daniel Kaluuya’s sober debut The Kitchen, a visually impressive depiction of things to come that simmers with all manner of protest but never hits boiling point. On the one hand, it’s a shame, ending on a quiet moment of understanding just as all hell is about to break loose. But on the other, it’s refreshing to see two young filmmakers trying to hone their storytelling skills rather than pour everything into a spectacular calling card. If Attack the Block hadn’t been so slavish in trying to siphon inspiration from much better cult movies to become a cult movie in its own right, it might have looked like this: a genuine vision of a nightmarish, dystopian future that will ring alarm bells for any city-dweller familiar with the depressing effects of gentrification.
The Biebers are grabbing a late breakfast.
Jude Law and Phillipa Coan are enjoying a night out.
Gigi Hadid is celebrating a major business milestone!
The stars are out to celebrate Kim Kardashian‘s birthday!
Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.
Ellise Shafer Ryusuke Hamaguchi’s “Evil Does Not Exist” was named the best film in the official competition at this year’s BFI London Film Festival Awards. “Paradise Is Burning” by Mika Gustafson received the Sutherland Award in the first feature competition, while Lina Soualem’s “Bye Bye Tiberias” took home the Grierson Award in the documentary competition and “The Archive: Queer Nigerians” directed by Simisolaoluwa Akande won the short film competition. The jury presidents for this year’s awards included Amat Escalante (official competition), Raine Allen-Miller (first feature competition), Rubika Shah (documentary competition) and Charlotte Regan (short film competition).
Japanese filmmaker Ryusuke Hamaguchi has clinched the best film award in the main official competition of the 67th London Film Festival with his latest feature, Evil Does Not Exist.
EXCLUSIVE: The BFI London Film Festival closes Sunday with the world premiere of The Kitchen, a movie set in a dystopian London where an impoverished community is forced to fend for themselves in ramshackle apartment blocks. It marks the feature directorial debut of Oscar- winning actor Daniel Kaluuya and architect-turned-filmmaker Kibwe Tavares.
By any metric, 23 years is a long time to wait for a sequel to Chicken Run, even when you factor in the fiendishly slow gestation of Aardman Animations’ meticulous stop-motion process. Surprisingly, it still feels fresh, not just because of the spring-clean of the core voice cast — Mel Gibson being the highest-profile casualty, lopped off as the “lone free-ranger” Rocky — but because, in the hands of director Sam Fell and his writing team, Dawn of The Nugget delivers a cleverly modern kind of family entertainment that, while it works to a formula, never feels written by committee.
Todd Haynes tells me that May December, his gripping melodrama starring Oscar winners Natalie Portman and Julianne Moore, “aggressively disturbs our moral moorings.”
Justin Bieber is enjoying some good food and nice sunshine with friends!
It’s not every day that a filmmaker will rise up during an interview and recite Old Testament tales and sing out their favorite hymn. Well, hallelujah, brother Jeymes Samuel for spreading the gospel’s good news.
Kendall Jenner and Bad Bunny are making the most of their time together — and choosing to be stylish AF while they do it!
Chris Appleton and Lukas Gage are stepping out for a dinner date with Chris‘ daughter Kitty-blu!
Cailee Spaeny dazzles while promoting her new film Priscilla at the 2023 BFI London Film Festival on Monday (October 9).
Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.