Breaking Baz at London Film Festival: ‘Black Panther’ Star Daniel Kaluuya On The 10-Year Odyssey To Make ‘The Kitchen’ With His Best Filmmaking Friends

Greece’s Thessaloniki International Film Festival returns this evening for its 64th edition with a screening of The Pot-au-Feu (The Taste of Things), the latest film by French-Vietnamese director Trần Anh Hùng. 

Barbie film has led to a major spike in sales for the toy for its manufacturer Mattel.Greta Gerwig’s film was released in July this year, and has since become the highest grossing film ever directed by a solo female director and the highest grossing film ever released by Warner Bros., having brought in over $1.4 billion (£1.2 billion).One knock-on effect has been that from July to September, as reported by the BBC, sales of Barbie toys increased by 16 per cent compared with the equivalent window in 2022, lifting the company to its first quarter of sales growth in a year.“Our strategy is serving us well,” said Mattel CEO Ynon Kreiz in a message to investors. “We are very well positioned competitively and expect a strong holiday season.”Mattel had previously said that it hoped to receive a $125 million (£103 million) boost from the film, most of which has already been realised.

There’s a soaring ambition but only a modest intent in Kibwe Tavares and Daniel Kaluuya’s sober debut The Kitchen, a visually impressive depiction of things to come that simmers with all manner of protest but never hits boiling point. On the one hand, it’s a shame, ending on a quiet moment of understanding just as all hell is about to break loose. But on the other, it’s refreshing to see two young filmmakers trying to hone their storytelling skills rather than pour everything into a spectacular calling card. If Attack the Block hadn’t been so slavish in trying to siphon inspiration from much better cult movies to become a cult movie in its own right, it might have looked like this: a genuine vision of a nightmarish, dystopian future that will ring alarm bells for any city-dweller familiar with the depressing effects of gentrification.

Ofgem lowered the energy price cap at the start of October by £151 from the current £2,074 per year to £1,923 for millions of households across Scotland, England and Wales. The slight drop will benefit households on a standard tariff with typical usage, however, it’s important to remember the price cap doesn’t relate to a cap on the total amount of money people will pay for using gas or electricity.

EXCLUSIVE: London and LA-based management and production outfit 42 has hired MXN Entertainment partner Michelle Knudsen in its LA office.

Over the weekend at the New York Comic-Con, filmmaker Matthew Vaughn (“X-Men: First Class”) was doing a panel chat to help promote his upcoming Apple/Universal spy comedy “Argylle” and gave some insight into the casting process for “Kingsman: The Secret Service” as Taron Egerton wasn’t the only up-and-coming talent considered for the lead role. READ MORE: Matthew Vaughn: ‘Kingsman 3’ & ‘Kick-Ass’ Reboot Are Still In The Works & ‘King’s Man 2’ Explores The “Rise Of Hitler” Vaughn has now stated during a chat with Collider at that panel that other young British actors were considered for the lead role of Gary “Eggsy” Unwin, a London hooligan who becomes a reformed gentleman secret agent taking a bit of a cue from the Roger Moore era of the James Bond franchise meets “My Fair Lady.

Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.

Guy Lodge Film Critic Arriving just as Britain’s dire housing crisis is set to be a key campaign issue in next year’s long-awaited general election, “The Kitchen” offers a solemnly affecting look at what might happen if it’s left to fester. Zooming through a dystopian London in what seems the too-near future, this sharply accomplished feature directing debut from Kibwe Tavares and actor Daniel Kaluuya surprisingly eschews high-concept genre plotting to go with its elaborate sci-fi scene-setting, instead narrowing to an intimate, humane study of Black male bonding in a time of systemic social oppression.

Ellise Shafer Ryusuke Hamaguchi’s “Evil Does Not Exist” was named the best film in the official competition at this year’s BFI London Film Festival Awards. “Paradise Is Burning” by Mika Gustafson received the Sutherland Award in the first feature competition, while Lina Soualem’s “Bye Bye Tiberias” took home the Grierson Award in the documentary competition and “The Archive: Queer Nigerians” directed by Simisolaoluwa Akande won the short film competition. The jury presidents for this year’s awards included Amat Escalante (official competition), Raine Allen-Miller (first feature competition), Rubika Shah (documentary competition) and Charlotte Regan (short film competition).

Japanese filmmaker Ryusuke Hamaguchi has clinched the best film award in the main official competition of the 67th London Film Festival with his latest feature, Evil Does Not Exist. 

Kit Connor is enjoying a movie screening in London!

By any metric, 23 years is a long time to wait for a sequel to Chicken Run, even when you factor in the fiendishly slow gestation of Aardman Animations’ meticulous stop-motion process. Surprisingly, it still feels fresh, not just because of the spring-clean of the core voice cast — Mel Gibson being the highest-profile casualty, lopped off as the “lone free-ranger” Rocky — but because, in the hands of director Sam Fell and his writing team, Dawn of The Nugget delivers a cleverly modern kind of family entertainment that, while it works to a formula, never feels written by committee.

Cailee Spaeny dazzles while promoting her new film Priscilla at the 2023 BFI London Film Festival on Monday (October 9).

Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.  

The first week of the British Film Institute’s (BFI) London Film Festival wrapped this evening with a rapturous onstage Q&A session with writer-director Greta Gerwig.

Southbank Centre’s Royal Festival Hall irrupted into a flurry of cheers this afternoon as filmmaker Martin Scorsese strolled on stage to take part in a career Q&A at the London Film Festival. 

Jennifer Lee, Chief Creative Officer at Disney Animation, confirmed this afternoon that work has quietly begun on a third edition in the company’s Frozen film franchise during a keynote session at the London Film Festival (LFF). 

“Theatres and streamers need to coexist,” Bill Kramer, CEO of the Academy of Motion Picture Arts, concluded during a keynote this morning in London when quizzed on his opinions about the future of cinema.   

K.J. Yossman Kristy Matheson had big shoes to fill when she took over from Tricia Tuttle as director of the BFI London Film Festival (LFF) earlier this year. Over the course of a decade, Tuttle transformed LFF into a highlight of the fall festival calendar, drawing some of the biggest names in entertainment to the English capital each October including, memorably, Ted Sarandos and Beyoncé, who flew in to celebrate the world premiere of “The Harder They Fall” in 2021.

It’s no exaggeration to say that Korea’s Busan International Film Festival (BIFF) has been through a fair amount of drama this year.