J.A. Bayona was given a homecoming hero’s welcome at the San Sebastian Film Festival over the weekend as he touched down for the Spanish premiere of air crash survival drama Society Of The Snow.
J.A. Bayona was given a homecoming hero’s welcome at the San Sebastian Film Festival over the weekend as he touched down for the Spanish premiere of air crash survival drama Society Of The Snow.
John Hopewell Chief International Correspondent SAN SEBASTIAN — In a first big deal to be announced during this year’s San Sebastian Festival, Madrid-based The Mediapro Studio, one of Europe’s biggest independent and international creation-production-distribution powerhouses, has acquired Cimarrón, the Uruguay, Argentina and Mexico-based production house and services company. Of “highly significant value,” TMS said Friday, the deal looks set to consolidate TMS’ presence in Latin America and beyond.
Manchester United are keeping a keen eye on Bayern Munich winger Serge Gnbary, according to reports.
Manchester United have confirmed their 25-man squad for the Premier League season and at first viewing there are one or two eye-catching absentees.
Manchester United boss Erik ten Hag has some decisions to make when his players return to Carrington this week.
The story of the harrowing 1972 crash of the airplane carrying members of the Uruguay Rugby team in the remote snowy mountains of Argentina has been told cinematically a few times before. There was a rather crass version released in America as Survive! in 1976, and later a notable take on the story from director Frank Marshall called Alive through Disney studios and starring Ethan Hawke and others in 1993.
Anna Marie de la Fuente Chile’s Francisca Alegria, whose debut feature “The Cow Who Sang a Song Into the Future” premiered at Sundance 2022, is launching a Latinx production company called Madre, with offices based in Chile, Uruguay and the U.S. Together with her partners Fernanda Urrejola, Gabriela Rosés and Cristóbal Güell, Alegria said: “We firmly believe that stories have the ability to shape perspectives, challenge norms, and inspire action.
John Hopewell Chief International Correspondent Argentina’s Tarea Fina, a producer on Cannes Camera d’Or winner “Las Acacias,” International Oscar entry “The Sleepwalkers” and Ventana Sur hit “Sublime,” has boarded “A Loose End,” the third feature as a director from Uruguay’s Daniel Hendler, a Berlin Silver Bear winner for Best Actor in Daniel Burman’s 2004 international breakout “The Lost Embrace.” Set up at Montevideo’s Cordon Films, founded in 2007 by producer-TV director Micaela Solé and Hendler, “A Loose End” (“Un cabo suelto”) is one of the highest-profile projects announced on Monday by the San Sebastián Festival as part of its Europe-Latin America Co-Production Forum, its industry centerpiece. Written by Hendler, his third directorial outing returns to a central theme in his first two features as a writer-director: Identity.
Federico Veiroj, Theo Court, Alicia Scherson and Daniel Hendler head a muscular project lineup at September’s San Sebastian Europe-Latin America Co-Production Forum, the Spanish festival’s industry centerpiece which underscores this year a welling sea-change in the region’s filmmaking. “The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Naman Ramachandran Auteurs Agnieszka Holland, Wim Wenders, Hamaguchi Ryusuke and Aki Kaurismaki are among the filmmakers featured in the Toronto International Film Festival’s (TIFF) Centrepiece program. The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.
Angel Studios is launching its unexpected summer hit Sound of Freedom in a bunch of international markets after it made $127M during its first three weeks in U.S. theaters.
Nick Vivarelli International Correspondent Spanish director J.A. Bayona’s “Society of the Snow,” a reconstruction of a 1972 plane crash in the Andes that forced survivors to take extreme measures, including cannibalism, has been set as the Venice Film Festival’s closing film. The deeply immersive Spanish-language saga is a Netflix original film shot in Andalusia’s Sierra Nevada, mainland Spain’s highest mountain range, using a 300-person crew. “Society of the Snow” will world premiere on the Lido out-of-competition on Sept. 9th. Its official screening will be held in the Palazzo del Cinema after the awards ceremony. In 1972 Uruguayan Air Force Flight 571, which had been chartered to bring Montevideo’s Old Christians Rugby Club team to Chile, crashed at an altitude of 11,712 feet in the Andes. Of its 45 passengers – which consisted mostly of the rugby team, friends and family – 29 survived. Without food, the survivors, who belonged to Uruguay’s elite, were forced to eat the flesh of the deceased to stay alive. 19 survived an avalanche. 72 days after the crash, 16 finally made it out alive.
Manchester United are reportedly keen on AS Monaco defender Axel Disasi.
John Hopewell Chief International Correspondent O2 Play, the distribution-sales arm of Brazil’s O2 Filmes group, co-owned by “City of God” director Fernando Meirelles, has boarded “Broken” (“Partido”), which is co-directed by Oscar-nominated “City of God” DP César Charlone. O2 Play has acquired Brazilian and world sales rights to the doc feature. O2 Play founder Igor Kupstas will introduce “Broken” to buyers at Locarno Pro, which runs Aug.3-9. Charlone, also “The Two Popes” DP and director of “3%,” South America’s first Netflix series, has directed alongside Sebastián Bednarik (“Maracaná,” “Sangre de Campeones”) and Joaquim Castro (“Máquina do Desejo – 60 Anos do Teatro Oficina”).
Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.
Facundo Pellistri admits it was 'hard' to pick up an injury in the early stages of Manchester United's campaign but feels it was a good season overall at Old Trafford after making several appearances in the first team.
Max is touting strong viewership for its true-crime limited drama series Love & Death.
John Hopewell Chief International Correspondent “Lobo Feroz,” the latest film from “La Casa Muda” director Gustavo Hernández, has sold to getting on half the world, underscoring the market punch of high-profile genre movies from name directors. Sold by FilmSharks International, “Lobo Feroz” has closed Australia and New Zealand (Palace Film), the U.S. and Spanish-speaking Latin America (ViX) and Russia/CIS (Nashe Kino). A Spanish-language remake of Israel’s “Big Bad Wolves,” “Lobo Feroz” has also a licensed Taiwan (AV-Jet Intl. Media), Eastern Europe (AMC for TV/SVOD) and Uruguay (Alvaro Caso-ENEC Cine). The Palace, Nashe Kino, AV-Jet and ENEC deals all have a theatrical component, said FilmSharks’ Guido Rud. France, Italy, Japan, Korea and Germany/GAS are in discussions, he added.
Ed Meza @edmezavar Argentine production company StoryLab and Latin American group Cimarrón have teamed up to jointly co-produce TV series and feature films for the international market over the next three years. The agreement includes development, production of both existing formats and original projects, including both scripted and non-scripted series as well as films. StoryLab and Cimarrón, which operates in Uruguay, Argentina and Mexico, aim to strengthen each other as they expand internationally, taking advantage of the former’s success in content development and the latter’s impressive production capacity. The companies additionally plan to take advantage of tax incentives and cash rebates offered by Uruguay for filming in that country, a proposal they describe as highly attractive for the original production of content in an increasingly competitive industry.
Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the first-look trailer (below) for the suspense filled drama “Power Alley,” from Brazilian director Lillah Halla, ahead of its world premiere in Cannes’ Critics’ Week sidebar. The gripping drama is set in Brazil, where abortion is illegal. Talented volleyball player Sofia (Ayomi Domenica Dias) discovers she is pregnant at a crucial moment, jeopardizing her career plans. Intent on deciding her own fate, Sophia tries everything possible to get an illegal abortion, but has to contend with an increasingly sinister fundamentalist group determined to stop her — but Sophia, her team and all those who love her, refuse to give up.
Leo Barraclough International Features Editor Berlin-based sales agent M-Appeal has come on board to sell “Power Alley,” the debut film by Brazilian filmmaker Lillah Halla, which will world premiere in Cannes’ Critics’ Week, it was announced Tuesday. Set in Brazil, where abortion is illegal, “Power Alley” is a suspense-filled drama tackling one of society’s most divisive issues. The story follows star volleyball player Sofia who is faced with an impossible scenario on the eve of her championship game. Pregnant and panicked, Sofia seeks an illegal abortion but unwittingly becomes a target instead. As the town’s herd-mentality turns violent, Sofia risks being consumed by the fervor – but neither Sofia nor those who love her are willing to surrender.
Holly Jones “The Invisible Ink,” a drama from Uruguay’s Mutante Cine co-founder Fernando Epstein (“Whisky”) and Cannes Camera D’Or winning Guatemalan director César Díaz (“Our Mothers”), was first pitched to international markets at last year’s Conecta Fiction & Entertainment’s Co-Pro Series session, where it won double. It retained its momentum as it swept up a €50,000 Beta Development Award last month at Series Mania Forum’s Seriesmakers strand. “The truth is, when I found out about the award, I was very flattered. We have something strong on our hands,” Epstein told Variety. “I don’t want to fail to mention the excellent program devised by Series Mania and Beta Group, from the virtual talks to each session with our mentors; everything was impressively rich and generous.”
Sara Garcia, a talented Latina/Lebanese, queer actress whose success is a source of pride for those who champion diversity and inclusivity in entertainment. Garcia’s dedication to her craft and her ability to portray a range of diverse characters in film, television and even video games, is an inspiration to others, as she shows how representation and authenticity can captivate audiences.
Liverpool manager Jurgen Klopp has confirmed that striker Darwin Nunez is in contention for tomorrow lunchtime's Premier League showdown with Manchester City at the Etihad Stadium.
Manchester United duo Tyrell Malacia and Wout Weghorst both featured as the Netherlands were beaten 4-0 by France in their opening qualifier for Euro 2024 in Paris on Friday evening.
Sead Haksabanovic has sparked injury fears after the Celtic winger was surprisingly hooked at half-time during Montenegro's win over Bulgaria.
A project from Finland and a Belgium-Uruguay co-production have won the Seriesmaker initiative here at Series Mania.
Emiliano De Pablos Uruguay-based Agustina Chiarino, one of the drivers of the new Latin American cinema industry and at the forefront of pan-regional co-production, is kicking-off early projects at her recently launched production-distribution company Bocacha Films. Chiarino attended last week’s Malaga Film Festival edition to present Pablo Solarz’s official section contender comedy “Desperté con un sueño” (“I Woke Up With a Dream”), which she produced at Mutante Cine, the Montevideo-based outfit Chiarino and editor-producer Fernando Epstein co-founded in 2011. After “I Woke Up With a Dream,” two feature debuts are finishing production stage under the Mutante Cine brand: Vanina Spataro’s “Naufragios,” teaming with Kino Films in Argentina, and Sebastián Peña Escobar’s documentary “The Last” in partnership with Paraguay’s La Babosa Cine.
Ben Croll Based in the northern French town of Lille since 2018, Series Mania has emerged as a key showcase for premium series and a spotlight for international creators — though, given the wider forces shaping the TV business, that spotlight has often shone on talent from the same three or four territories. And so, when programming the latest edition, the Series Mania brass looked to widen the field. “This year, we will introduce our attendees to new narrative modes and visual possibilities,” says general director Laurence Herszberg. “Because we’ve discovered so many series from countries that haven’t often attended the major festivals, with creative outputs that are much lesser-known. We want to celebrate them as well.”
Kyogo’s exclusion from the Japan squad is “unfair” because he’s performing at a higher level than Celtic teammate Daizen Maeda and that the coach must be watching edited videos of the Hoops’ games.
Emiliano De Pablos The Walt Disney Co.’s Star Distribution has taken Latin American distribution rights to Argentine writer-director Pablo Solarz’s coming-of-age film “Desperté con un sueño” (“I Woke Up with a Dream”) An Argentina-Uruguay co-production, teaming Buenos Aires-based Pampa Films and Aramos Cine with Montevideo’s Mutante Cine and Bocacha Films, “I Woke Up with a Dream” screened March 14 at the Málaga Film Festival’s main competition. Top Argentine producer Pablo Bossi’s Madrid-based company Gloriamundi is handling “I Woke Up with a Dream” rights outside Latin America.
John Hopewell Chief International Correspondent Series Mania, Europe’s biggest TV fest, and German film-TV powerhouse Beta Group has revealed the 10 projects in the first edition of Seriesmakers, unveiling what must be one of the most talent-packed project lineups at any festival, film or TV, in 2023, A mentoring program for filmmakers making their TV creator debut, Series Mania features in development drama series from “Compartment No 6’s” Juho Kuosmanen, ‘Bang Gang’s’ Eva Husson and “Birds of a Passage’s” Ciro Guerra and Cristina Gallego. Also in the mix is “Amigas,” the first TV project of Beatriz Seigner (“Los Silencios”), one of Brazil’s foremost young movie directors, “The Invisible Ink,” teaming Cannes best first feature winner César Díaz (“Our Mothers”)and New Uruguay Cinema founding father Fernando Epstein; and Indian arthouse filmmaker Pushpendra Singh, who scored with Berlin Encounters’ title “The Shepherdess and the Seven Songs.”
Here are your Manchester United evening headlines on Saturday, March 11.
Nick Vivarelli International Correspondent Italian sales company True Colours has closed a raft of sales following Berlin’s European Film Market. Italy’s box office hit “La Stranezza” (“Strangeness”) got picked up for a dozen territories and queer romantic drama “Norwegian Dream” also sold widely, including to North America. Directed by Roberto Andò, “Strangeness” (pictured) toplines Toni Servillo (“The Great Beauty”) as Nobel-prize-winning playwright Luigi Pirandello. This tragicomic period piece about how Pirandello found inspiration to write his masterpiece “Six Characters in Search of an Author” has been a sleeper hit at the Italian box office, coming from nowhere to pull more than €5.5 million ($5.8 million) and becoming the local 2022 box office champ.
Todd Spangler NY Digital Editor Hernan Lopez, former head of Fox International Channels and founder of podcast startup Wondery, was convicted on charges that he participated in a scheme to bribe South American soccer officials in order to secure exclusive broadcasting rights for 21st Century Fox. In April 2020, federal prosecutors indicted Lopez along with another former 21st Century Fox executive, Carlos Martinez, alleging they were part of a conspiracy to pay millions of dollars annually to FIFA officials in South America between 2000-15 in exchange for broadcasting rights to the Copa Libertadores club tournament as well as confidential bidding information for U.S. broadcast rights to the 2018 and 2022 World Cup tournaments.
Have a good time reading Uruguay news and scrolling Uruguay gossip. Follow daily updates of the stuff and have fun. Be sure, you will never regret entering the site popstar.one, because here you will find a lot of breaking Uruguay news, different interviews with famous stars, gossip on popular people from the world of showbiz and even much more. Be sure, you will never get bored here! Stay tuned!