Hong Kong Showbiz Latest News and Updates

Patrick Frater Asia Bureau Chief Hollywood producer and financier Joseph Cohen (“Brokeback Mountain,” “12 Years A Slave,” “Sicario,” “La La Land”) is launching a new company in Hong Kong called MediaRealm Advisors Asia. It will provide consulting services to Asia-based institutional and professional investors looking to invest in American Entertainment Investors mainstream Hollywood movie projects. He is joined in the venture by Hong Kong and Tokyo based Adam Guy Orlebar Garrett.

Patrick Frater Asia Bureau Chief Orange Sky Golden Harvest, the multi-territory cinema operator, Wednesday warned that it would return to losses when it reports its 2023 losses. The announcement, made in a regulatory filing, came just days after the company denied that it was preparing to sell off its cinemas in Singapore, which represent the biggest component of its business.

This year’s Filmart was definitely bigger and busier than last year, which was the first physical edition following the reopening of Hong Kong and mainland China’s borders after the pandemic. According to Filmart organizers, the Hong Kong Trade Development Council (HKTDC), more than 750 exhibitors and 7,500 visitors attended this year’s Filmart, compared to around 700 exhibitors and 7,300 visitors in 2023. But despite frenetic meeting activity, the market did little to dispel fears that international sales business in the region, already in decline before the pandemic, is not yet recovering. International sales agents under the IFTA and European Film Promotion (EFP) umbrellas had packed meeting schedules.

The fact that both Asia and Europe are finding it more difficult to finance movies following the pandemic may drive the two regions to start working together more closely, despite the huge differences in their funding systems, said a group of leading producers on a two-session Filmart panel.

HCG AwardPresented by CAA ChinaTwo cash awards of $20,000 value each. CAA China may board the winning projects later by entering into script development agreements. “Call of Lobster” (Taiwan) Dir.

Patrick Frater Asia Bureau Chief Hong Kong’s Film Development Council has unveiled the first shortlisted projects under its new scheme to develop content for streaming platforms. The Content Development Scheme for Streaming Platforms was announced last year. It aims to nurture cross-sectoral production teams and expand new distribution market and takes the form of a competition to recruit participating teams that develop a mini-series for streaming platforms.

Faye Bradley Chinese creatives are refining a new trend in entertainment: the super-short streaming series. Each episode in the series typically lasts less than two minutes, making them easily consumable on mobile devices. Each series consists of 20 to 100 episodes in total, and covers a wide range of genres such as comedy and romance. “The mini-drama series is the industry’s response to the new mode of viewing enabled by portable devices such as mobile phones,” said Emilie Yueh-yu Yeh, dean of arts and director of the Centre for Film and Creative Industries at Lingnan University.

Faye Bradley Faye Bradley Hong Kong Design Institute has announced the opening of a new virtual production studio at Shaw Studios, one of the biggest and most comprehensive film facilities in the Greater Bay Area. It is intended to support professional education in the sector and enhance filming facilities in the city.

Naman Ramachandran Dubai-based sales agency Cercamon has acquired worldwide rights for Indonesian film “Crocodile Tears,” it was revealed at Hong Kong rights market FilMart. The film is a co-production between Indonesia’s Talamedia (producer Mandy Marahimin), Singapore’s Giraffe Pictures (producers Anthony Chen and Teoh Yi Peng), France’s Acrobates Films (producer Claire Lajoumard) and Poetik Film (producer Christophe Lafont) and Germany’s 2Pilots Filmproduction (producers Harry Flöter and Jörg Siepmann). The deal was negotiated by Sebastien Chesneau at Cercamon, Chen at Giraffe Pictures and Marahimin at Talamedia.

Naman Ramachandran Korean action drama “A Shop For Killers” has become the most viewed local original on Disney+ in the Asia Pacific region (Australia, New Zealand, Japan, Korea, Taiwan, Hong Kong, Singapore and Philippines) so far in 2024, the streamer has revealed. Set in contemporary Korea, the eight-part series follows college student Jeong Jian who dives for cover in her childhood home after a series of highly skilled assassins come after her.

Naman Ramachandran Shreyom Ghosh’s “The Vampire of Sheung Shui” is unique in that it is a Hong Kong-set horror-comedy with a protagonist of Indian origin. It has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. Written by D.F.W.

Patrick Frater Asia Bureau Chief “Escaping Man,” a Chinese drama feature about a man dragged into a kidnap plot, heads the FilMart slate of Hong Kong-based sales agency Autumn Sun Company. The protagonist is a man who spent 20 years in jail after being falsely accused of rape. After his release, he intends to confront the woman, but instead falls for her again — to the point that she is able to manipulate him into kidnapping the child for which she is the nanny.

Naman Ramachandran Taiwan-based anime distribution and licensing company Muse Communication has acquired Asian distribution rights for anime “Dan Da Dan,” it was revealed at Hong Kong rights market FilMart on Monday. Written and illustrated by Yukinobu Tatsu, Japanese manga series “Dan Da Dan” was serialized in Shueisha’s Shonen Jump+ app and website from 2021. The anime series based on it is due to bow in October.

Naman Ramachandran Celebrated Philippines filmmaker Lav Diaz‘s examination of the human condition continues with “Kawalan.” The work-in-progress has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. In the film, Tomas, the old venerable mayor of the remote town of Kawalan, learns that the invading Japanese will set up a garrison there. He organizes willing members in his community to set up a hidden settlement in the middle of the forest, where they can live unaffected by the horrors of war.

Naman Ramachandran Acclaimed filmmaker Hong Khaou‘s “Walled City” has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. Khaou’s debut, “Lilting” (2014), starring Ben Whishaw and Cheng Pei-pei, premiered in the world cinema dramatic competition at Sundance, winning best cinematography. “Monsoon” (2019), his second feature, starred Henry Golding and premiered in competition at Karlovy Vary.

Patrick Frater Asia Bureau Chief China’s unprecedented economic and social transformation in the latter part of the 20th century has been picked over in dozens of movies by filmmakers ranging from Jia Zhangke to Wang Xiaoshuai. But with more than one billion people affected by China’s transformation, there is no shortage of personal stories and no end of ways to tell the tale. Sophomore filmmaker Huo Meng trains his eye on one of those stories in his second film, “The Wind Is Unstoppable,” which he is just finishing off.

Reneé Rapp is seemingly confirming a new romance!

Chinese tech and media giant Alibaba is investing $640M (HK$5BN) into Hong Kong’s creative industries over the next five years.

Faye Bradley Investments in artificial intelligence generative content (AIGC) remain a top priority for some companies in China, despite ongoing concerns regarding copyright and intellectual property rights. During a seminar discussing the potential of generative AI in the entertainment industry at Hong Kong’s FilMart, Chen Jihong, an equity partner at Zhong Lun law firm, highlighted the legal challenges that have arisen since the introduction of ChatGPT in 2022. One notable case involved a recent ruling in China that recognized an AI-generated image as a copyrightable work.

The move was announced on the first day of FilMart, the annual rights market for the Asian industries, at an event attended by Fan Luyuan, chairman and CEO of Alibaba’s digital media and entertainment unit, and Kevin Yeung, the Hong Kong government’s secretary for culture, sports and tourism. Alibaba’s Hong Kong Cultural and Art Industry Revitalization Program “will focus on film production and distribution, rights acquisitions, TV series production, investments in concerts, collaboration with performance venues and talent development, etc.

“We don’t need a lot of content, we just need lots of really good content,” Kelvin Yau, President of Asia Pacific and Marketing iQIYI, concluded when quizzed on his company’s editorial strategy during a keynote session on streaming this morning at Filmart in Hong Kong.

NCT member Lucas Wong has announced his debut solo single, titled ‘Renegade’.Lucas’ new single was announced today (March 11) through the singer’s official social media accounts. According to a teaser image for the release, ‘Renegade’ will drop on April 1 at 6pm KST.‘Renegade’ will feature three English tracks, with label SM Entertainment describing the title track as a “rock-based hip-hop song that embodies the ambition to pursue one’s own path without hesitation, embracing change for a better direction and a stronger inner self”.LUCAS 루카스 The 1st Single 〖Renegade〗 ➫ 2024.4.1 6PM KST#LUCAS #루카스 #Renegade #LUCAS_Renegade pic.twitter.com/kzkTWFPeoK— LUCAS (@lucas_official) March 10, 2024루카스 첫 싱글 ‘Renegade’ 4월 1일 오후 6시 발매! 오늘부터 예판 시작동명의 타이틀 곡 ‘Renegade’ 포함 영어곡 총 3곡으로 구성‘Renegade’는 록 기반의 힙합 곡으로 더 나은 방향을 위한 변화와 더욱 강해진 내면을 통해 망설임 없이 자신의 길을 걸어가겠다는 포부 담겨Lucas is making his… pic.twitter.com/1obOW9Lxrs— LUCAS (@lucas_official) March 11, 2024The official announcement of Lucas’ debut solo single comes just days after SM Entertainment confirmed that the ex-NCT member would make his return this year. It marks his first project since he went on hiatus in August 2021 after a South Korean netizen claiming to be his ex-girlfriend accused him of gaslighting her.Lucas would later leave both NCT and its sub-group WayV in May 2023, but would remain signed under SM Entertainment, with the label saying that the singer was “planning on showing his performance though a wide variety of individual works from now on”.Last month, the Hong Kong-born K-pop idol addressed is past controversies in a two-part documentary titled Freeze and Unfreeze.

Faye Bradley Hong Kong’s One Cool Film group has announced five new movies, revealed through exclusive teasers and posters on the opening day of FilMart. Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring Louis Koo and Eddie Peng; “The Way We Talk,” produced, written and directed by Adam Wong, with Neo Yau, Chung Suet Ying and Ng Tsz Ho Marco in leading roles; “Good Game,” helmed by Dickson Leung, written by Lily He Xin and Sheng Ling Xiu Zhong, and starring Andrew Lam, Will Or and Yanny Chan; and “Behind the Shadows,” produced by Soi Cheang, directed by Jonathan Li and Chou Man Yu, and starring Koo, Chrissie Chou and Liu Kuan Ting.

Patrick Frater Asia Bureau Chief “Dune 2” launched in mainland China cinemas this weekend with a solid $19.9 million three-day haul. That put it in second place, narrowly behind holdover crime-drama “The Pig, the Snake and the Pigeon.” Data from consultancy firm Artisan Gateway, showed that “The Pig, the Snake and the Pigeon” earned $21.3 million (RMB151 million) between Friday and Sunday, for a 10-day cumulative of $54.1 million (RMB384 million).

Naman Ramachandran Upamanyu Bhattacharya‘s animated feature “Heirloom” has the emerged from the crucible of Annecy, one of the world’s top animation festivals. The Indian work-in progress film has been selected for the 22nd Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart. In the film, Sonal, a teacher, grapples with a hereditary disease, mirroring her mother’s untimely demise.

Screenworks Asia, the production subsidiary of Taiwan’s Catchplay, has acquired international sales rights to the horror anthology series Urban Horror and will present the show at this week’s Filmart in Hong Kong.

After stints heading local-language production at Disney APAC and HBO Asia, Hong Kong-based Jessica Kam-Engle is now heading CreAsia Studio, a new Banijay Asia venture in Southeast Asia, in the role of EVP & Business Head.

Patrick Frater Asia Bureau Chief Chan Tai-lee, the screenwriter of many of the Ip Man martial arts action films, has written and directed upcoming action film “Fight for Tomorrow.” Mandarin Motion Pictures, which backed the film and is handling international rights sales, is using this week’s FilMart to launch the picture to international buyers. The production was assisted with finance from the Hong Kong Film Development Fund.

Patrick Frater Asia Bureau Chief Leading South Korean sales company Finecut has picked up international sales rights to action comedy film “Boss.” It will launch the title at next week’s FilMart in Hong Kong. Directed by Ra Hee-chan (“Going by the Book,” “Mr. Idol”), the film follows gang members embroiled in fierce competition.

Patrick Frater Asia Bureau Chief Cora Yim and Benjamin Lin, both established indie producers of Chinese-language content, have joined forces to launch S11 Partners. It is partially backed by Medialink Group, an IP, distribution and brand licensing mini-conglomerate that is listed on the Hong Kong Stock Exchange. The pair, who previously worked on TV series “Taiwan Crime Stories,” are launching their venture at FilMart in Hong Kong with a slate of three feature films in development.

Seoul-based sales company Finecut has boarded international sales on the action-comedy Boss and will launch sales at this week’s Filmart in Hong Kong. 

Veteran producers Cora Yim and Benjamin Lin are launching a production company, S11 Partners, with an equity investment from Hong Kong-listed Medialink Group.

As Filmart gets underway, Hong Kong’s major production companies, including Edko Films, Emperor Motion Pictures (EMP), Media Asia, One Cool Group and Universe Entertainment, will be unveiling their new titles in enormous booths at the front of the trade show floor, some of which will be as elaborate as film sets.

Patrick Frater Asia Bureau Chief Lily Franky, the Japanese acting sensation who starred in “Shoplifters” and “Like Father Like Son,” heads the cast of “Diamonds in the Sand,” a multinational co-production that appears at the Hong Kong — Asia Film Financing Forum (HAF) as a work in progress. Developed and directed by Janus Victoria, the film started as an exploration of the Japanese phenomenon of kodokushi, or lonely death, where elderly people who live alone are discovered dead only months after their passing due to the isolated lives that they lead.

Patrick Frater Asia Bureau Chief COVID, changing money flows and a new superpower Cold War of sorts may have, over the past few years, helped to reduce the connections between the film and TV industries of China and the rest of the world — so, will the 2024 edition of FilMart, whose organizers continue to claim bridgehead status, be the market to increase those connections? Candas Yeung, the Trade Development Council associate director who takes over as head of FilMart this year, says that visitor and exhibitor numbers have crept up again this year — to an anticipated 7,500 and 715, respectively — and that fully 40% of market participants hail from mainland China. “That’s a pretty significant proportion and they are very active in the market, both buying and selling, and making some announcements,” Yeung says.

Patrick Frater Asia Bureau Chief Film projects to be produced by Andrew Lau (“Infernal Affairs,” “Initial D”) and Han Sanping, the former head of China Film Corp., are among the new in-development titles that grace the FilMart slate of Hong Kong studio Media Asia. The Peter Lam-controlled studio is also poised, at an event within FilMart on Monday, to detail its new alliance with China’s Alibaba Pictures Group. Lau is producing “Behind the Scene,” a book-to-film adaptation to be directed by Lee Kwong-yiu (“Insanity”) in which four friends uncover a meticulously planned murder that is carefully disguised as a kidnapping. Suspicions fall on a bank president who is involved in counterfeiting. Han is aiming to produce “Fading Tracks,” another crime title that is also adapted from a novel.