Why I Wasn’t Scared by ‘Civil War’

Kirsten Dunst and Wagner Moura may lead dystopian war thriller Civil War, but the film’s standout scene is carried by an unsettling appearance from Jesse Plemons.Directed and written by Alex Garland, the film follows a team of photojournalists as they travel across the US to Washington D.C. during a civil war between an authoritarian government and various regional factions.Other cast members include Cailee Spaeny, Stephen McKinley Henderson, Sonoya Mizuno, Nick Offerman, and Jefferson White.Jesse Plemons, who plays a racist ultranationalist militant during an intense confrontation, is the reason why the red sunglasses made their way into his character’s costume.Speaking to GQ, Civil War’s costume designer Meghan Kasperlik, said: “When Alex [Garland] and I spoke, he wanted Jesse’s character to be in a military uniform.

Steven Olikara When millions of Americans came together to marvel at the stunning solar eclipse, we saw a rare moment of unity amid the darkness of a country torn apart by polarization. Bookending the same week? The release of action-thriller “Civil War,” now the number one film in America and A24 Films’ most successful release yet. Set against the backdrop of an imagined second American Civil War, the film follows photojournalists led by Lee Smith (Kirsten Dunst), as they capture the horrors of a failed country.

J. Kim Murphy It’s a close contest at the domestic box office, with the opening day gross of Universal’s ballerina vampire film “Abigail” leading Lionsgate’s fellow new release “The Ministry of Ungentlemanly Warfare” and the second frame of A24’s dystopian thriller “Civil War.” “Abigail” earned $4 million from 3,384 theaters across its opening day and preview screenings, making it the top performer of the weekend so far.

FRIDAY MIDDAY: Mish mosh at the box office with A24’s weekend two of Civil War at $3.5M today/$11M+ and Universal’s Radio Silence R-rated vampire pic, Abigail with $4M today (that includes $1M previews)/$11M vying for No. 1.

William Earl “The Gray House,” the Kevin Costner-produced limited series about a female spy ring during the Civil War, will open Monaco’s 63rd annual Monte-Carlo Television Festival in June. The six-episode limited series tells the hidden-history tale of four Southern women — a Virginia socialite and her mother, a formerly enslaved Black woman and a high-end prostitute — who served as key espionage agents for the Union. The foursome are credited as unsung heroes who helped end the nation’s brutal cleavage in 1865.

With spring break simmering to 8% K-12 on break, and 1% colleges off, it’s hodgepodge at the weekend box office until 20th Century Studios’ Kingdom of the Planet of the Apes arrives to a $50M+ opening during the second weekend of May.

Zack Sharf Digital News Director “Civil War” writer-director Alex Garland gave a lengthy interview to Vulture in which he was asked to weigh in on accusations against his film that claim it’s irresponsible to open it in theaters amid such a turbulent election year. Garland’s film is set in an America at war with itself (Texas and California have seceded to become the Western Forces) and follows a group of journalists attempting to interview the U.S. president.

Alex Garland’s bold new political thriller “Civil War” won the box office this weekend, grossing $25 million, the highest opening for an A24 movie ever. Captivating the public with its visceral violence, shocking images, and frightening cautionary tale politics that mirror today’s division, the movie is also earning much acclaim for a brief but chilling performance by Jesse Plemons (“Killers of The Flower Moon”) playing a cold-blooded soldier unnervingly executing civilians at will (read our review).

Jon Stewart mocked Donald Trump on The Daily Show as the former POTUS campaigns and makes a run for the White House amid the hush money criminal trial.

Jazz Tangcay Artisans Editor SPOILER ALERT: This contains major spoilers for the ending of “Civil War,” now playing in theaters. “Civil War” production designer Caty Maxey was tasked with building a dystopian America that showed bombed-out buildings and abandoned cars that stretched for miles on the freeway. It was all part of her creative brief for Alex Garland’s latest film. Garland drops audiences into the middle of “Civil War.” America is no longer united and there are warring factions.

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse.The film also inspired audiences to go to the cinemas this weekend where it surpassed expectations and earned $25.7 million in ticket sales in North America, according to studio estimates Sunday.It’s the biggest R-rated opening of the year to date and a record for A24, the studio behind films like “Everything Everywhere All At Once” and “The Iron Claw.”“Civil War” also unseated “Godzilla x Kong” from its perch atop the box office. The titan movie from Warner Bros.

Rebecca Rubin Senior Film and Media Reporter Director Alex Garland’s provocative dystopian thriller “Civil War” lit up the box office with $25.7 million in its debut. It’s the first A24 movie to lead the charts in North America, setting an opening weekend record for the New York-based specialty studio. It also marks the biggest R-rated start of the year.

Civil War is having a huge start for A24!

according to Box Office Mojo.The impressive premiere puts it on track for a debut of around $26 million, Variety reported.The $50 million film, from director Alex Garland, follows a team of military-embedded journalists racing against time to reach Washington, D.C. before rebel factions descend upon the White House.Starring Kirsten Dunst, Cailee Spaeny, Nick Offerman and Jesse Plemons, the thriller has been dubbed a “a terrifying premonition of American collapse,” though critics say its political message was “muddled.”The Post’s Johnny Oleksinski went as far as to call it “a torturous, overrated movie without a point,” bashing its script as lousy and the acting as monotonous.Behind “Civil War” was “Godzilla x Kong: The New Empire,” which topped the charts when it premiered two weeks ago.

J. Kim Murphy The box office is united behind “Civil War.” A24‘s dystopian thriller earned$10.7 millionfrom 3,838 locations across its opening day and preview screenings, putting itself on track for a debut of around $26 million. The debut figure represents the highest opening day gross ever for A24, besting the $5.1 million earned by 2018’s “Hereditary” in its first screenings.

Tatiana Siegel SPOILER ALERT:This contains major spoilers for the ending of “Civil War,” now playing in theaters. Call it the fog of war. At the height of the blood-soaked third act of Alex Garland’s “Civil War,” audiences may be unsure who is on which side of the battle between two factions in an America torn asunder.

For a while now, voices in the mist who’ve had an early peek at Alex Garland’s dystopian thriller Civil War have warned the film might be irresponsible or too incendiary in its brutal depiction of a United States divided and engulfed in war. In the dire future presented in the film, Americans confront each other in military combat within their own cities, on their own doorsteps.Starring Kirsten Dunst as intrepid war photographer Lee Smith, leading a ragtag crew of journalists into combat zones to capture the harrowing stories and images, the movie certainly does not play shy about showing intense, bloody warfare.

The Purge,” and is about 1% as entertaining.“Civil War”’s schtick is that it’s not specifically political. For instance, as the US devolves into enemy groups of secessionist states, Texas and California have banded together to form the Western Forces.

Fresh off its SXSW world premiere, Alex Garland‘s “Civil War” hits theaters today, the latest film in an impressive filmography. So impressive, in fact, with films like “Ex Machina” and “Annihilation” among it, that one may ascertain to call Garland an auteur.

A24‘s Alex Garland political thriller, Civil War, is off to a solid start with $2.9M in Thursday previews, the movie on its way to $20M+ opening. Nobody, rivals nor A24 are complaining about that for what is the studio’s priciest pic — under $60M before P&A.