Czech Republic Showbiz Latest News and Updates

Coco Gauff just won the biggest match of her career!

Coco Gauff is on fire!

Emma Watson steps out with a group on Monday (August 14) in Miami, Fla.

Christopher Vourlias Beta Film has acquired international distribution rights to “I Know Your Soul,” a new series from Oscar nominee Jasmila Žbanić (“Quo Vadis, Aida?”) that premieres Out of Competition next month at the Venice Film Festival. The six-episode limited series is led by European Film Award-winning actress Jasna Đuričić, who plays Nevena Murtezic, a prosecutor in the process of divorce and single mother to a teenage son.

A man who shattered his leg after jumping off a cliff has warned others not make the same mistake he did.

The Jonas Brothers are bringing their huge global tour to Manchester next year at one of the cities' newest venues.

EXCLUSIVE: Filming on the second season of Apple TV+ sci-fi thriller Silo has entered an indefinite hiatus amid the Hollywood strikes.

Bob MacIntyre admits a dream debut at the Ryder Cup is within his sights.

Sam Kerr might be synonymous with women’s football, but it’s likely there will be another name on everyone’s lips during the upcoming FIFA Women’s World Cup. Mary Fowler, 20, has been branded Australia’s “rising star”, with even the Matildas captain herself calling Fowler “the next big thing”. And while those labels could weigh heavily on a player her age, Fowler tells WHO she’s determined to focus on the job at hand.Watch Below: Matildas Speak Out About Poor Prize Money In FIFA Women's Soccer“There’s definitely times when it has gotten to me and you feel the pressure, but I just see myself as an ordinary girl … and I want to do things just as every other girl my age is doing,” she explains. “And as much as I love football and I’m 100 percent focused on that, I’m also really into other things outside of football.

Marta Balaga At Frontières Market and Forum, it’s all about the exploding heads.  “Big, bloody and messy explosions of heads. Old-school style explosions à la ‘Scanners’,” enthuses director Olivier Godin, who will bring neo-noir comedy “Anna Will Talk to Us” to its official selection, about a book that literally blows people’s minds. The much-anticipated event, back for its 15th edition, is bound to satisfy the oddest of tastes, delivering the likes of “Animal Realm” – “Full on Wuxia. Total cyberpunk. Stop-motion animation in full action,” teases director Caochong Maing – or vampire story “Drawn” in which the bloodsuckers don’t actually drink blood.

Naman Ramachandran Coverage of the iconic Wimbledon tennis tournament has led to record-breaking numbers for U.K. broadcaster BBC. There were 54.3 million streams of the BBC’s coverage on streamer iPlayer and BBC Sport online during the two-week long competition – up from 53.8 million in 2022. On BBC One, there was a peak audience of 11.3 million to watch Spain’s Carlos Alcaraz beat Serbia’s Novak Djokovic in five sets in the men’s singles finals, the highest since the U.K.’s Andy Murray won in 2016. The match was also streamed live 4.1 million times on BBC iPlayer and BBC Sport online, an increase of 58% from 2022.      During the women’s singles final, where Czech player Markéta Vondroušová triumphed over Tunisia’s Ons Jabeur, there was a peak audience of 4.5 million on BBC One – an increase from 2022’s 3.1 million. The match was streamed 1.3 million times on BBC iPlayer, an 85% increase from 2022. Across the tournament, 25.6 million watched Wimbledon on BBC TV.   

Princess Charlotte has arrived at Wimbledon with her parents Prince William and Kate Middleton for her first visit to the tournament as the family take their seats to watch Novak Djokovic try to win a record-equalling eighth Wimbledon title.The young Princess wore a blue dress, and held her mother, the Princess of Wales’, as the pair walked slightly ahead of Prince William and Prince George.The four of them will take their seats in the Royal Box in Centre Court in time to see the Serb play Spanish world number one Carlos Alcaraz, 20, at 2pm.This is Kate’s third time visiting the tennis championship this year, and she arrived this time wearing a green dress by Roland Mouret. The princess attended the women's final on Saturday and consoled a tearful Ons Jabeur after the Tunisian lost the ladies’ singles final against Czech player Marketa Vondrousova.

Follow OK! on Threads here: https://www.threads.net/@ok_mag Kate Middleton looked as elegant as ever as she attended the Wimbledon Ladies' Final on Saturday and paid a sweet tribute to her youngest child, Prince Louis.The Princess of Wales took her seat in the Royal Box to watch Markéta Vondroušová take victory against Ons Jabeur where she donned a £420 pastel green dress by Self Portrait.The elegant dress had a button up top with belt detail alongside a matching pleated skirt, while her wavy brunette locks were in a neat half up do. She completed the look with heels, a cream coloured handbag, a simple gold bangle and a pair of clustered pearl earrings.

Follow OK! on Threads here: https://www.threads.net/@ok_mag The Prince and Princess of Wales will be in the royal box to watch Novak Djokovic try to win a record-equalling eighth Wimbledon title on Sunday. Novak will play 20-year-old Carlos Alcaraz, who said the final will be the “best moment of my life”. On Saturday, Kate sat next to tennis great Billie Jean King and watched Czech player Marketa Vondrousova defeat Tunisian Ons Jabeur in the ladies’ singles final.

Emma Watson is making a rare public appearance!

Princess Catherine has returned to Wimbledon!

The stars are stepping out for another day at Wimbledon!

French publishing house Gallimard.“Unbearable Lightness,” about a philandering Czech surgeon who regularly cheats on his wife with a carefree artist, was a global hit reprinted in dozens of languages. Its political undertones mirrored Kundera’s own experiences during the 1968 Prague Spring, the setting for the novel, which was crushed by Soviet invaders and sent him to exile in France in 1975.“Lightness” was adapted for the screen by Philip Kaufman in 1988, and starred Day-Lewis as Tomas, who becomes a window washer after his political views get him expelled from his profession.

Leo Barraclough International Features Editor Milan Kundera, whose novel “The Unbearable Lightness of Being” was turned into an Oscar-nominated film, has died at the age of 94. Kundera died Tuesday in Paris after a long illness, Jindra Pavelková, a representative of the Moravian Library, the Czech library housing his personal collection, told Variety Wednesday. “Milan Kundera was a writer who reached whole generations of readers across all continents and achieved global fame,” Czech Prime Minister Petr Fiala said. “He leaves behind not only notable fiction, but also significant essay work.” The 1988 film adaptation of “The Unbearable Lightness of Being” was directed by Philip Kaufman and starred Daniel Day-Lewis and Juliette Binoche. Jean-Claude Carrière and Kaufman were Oscar nominated for adapted screenplay, and Sven Nykvist was Oscar nominated for cinematography.

Czech-born French writer Milan Kundera, author of the novel The Unbearable Lightness of Being, has died aged 94, according to Czech media and sources close to the writer.

Manchester United are set to play rivals Leeds United on Wednesday as their pre-season campaign kicks off in Oslo. Among those who will be motivated to make a statement during the game is Matej Kovar, a young goalkeeper looking to become the first backup option for the 2023/24 season.

Crystal Globe CompetitionJury members:Dora Bouchoucha, TunisiaPatricia Clarkson, USAJohn Nein, USAOlmo Omerzu, Czech Republic / SloveniaBarry Ward, IrelandGRAND PRIX – CRYSTAL GLOBE (25 000 USD)The financial award is shared equally by the director and producer of the award-winningfilm.“Blaga’s Lessons” (“Urotcite na Blaga”)Directed by: Stephan KomandarevBulgaria, Germany, 2023SPECIAL JURY PRIZE (15 000 USD)The financial award is shared equally by the director and producer of the award-winningfilm.“Empty Nets” (“Toorhaye khali”)Directed by: Behrooz KaramizadeGermany, Iran, 2023BEST DIRECTOR AWARDBabak Jalali for the film “Fremont”USA, 2023BEST ACTRESS AWARDEli Skorcheva for her role in the film “Blaga’s Lessons” (“Urotcite na Blaga”)Bulgaria, Germany, 2023BEST ACTOR AWARDHerbert Nordrum for his role in the film “The Hypnosis” (“Hypnosen”)Sweden, Norway, France, 2023SPECIAL JURY MENTION“Dancing on the Edge of a Volcano”Directed by: Cyril ArisGermany, Lebanon, 2023PRÁVO AUDIENCE AWARD“The Edge of the Blade” (“Une affaire d’honneur”Directed by: Vincent PerezFrance, 2023Proxima CompetitionJury Members:Dana Linssen, NetherlandsMarija Razgutė, LithuaniaŠimon Šafránek, Czech RepublicBarbara Wurm, AustriaMeng Xie, People’s Republic of ChinaPROXIMA GRAND PRIX (15 000 USD)The financial award is shared equally by the director and producer of the award-winningfilm.“Birth”Directed by: Yoo Ji-youngSouth Korea, 2022PROXIMA SPECIAL JURY PRIZE (10 000 USD)The financial award is shared equally by the director and producer of the award-winningfilm.“Guras”Directed by: Saurav RaiIndia, Nepal, 2023SPECIAL JURY MENTION“Brutal Heat” (“Brutální vedro”Directed by: Albert HospodářskýCzech Republic, Slovak Republic, 2023CRYSTAL GLOBE FOR OUTSTANDING

Will Tizard Contributor In Karlovy Vary Film Festival competition entry “We Have Never Been Modern,” Czech director Matej Chlupacek takes on both the dangers of Utopian bubbles and the power of unbending faith in traditional gender concepts. The story, set in a Slovak company town built by a visionary industrialist, takes place on the eve of World War II, as a murder mystery threatens to upset the idealized community. The factory director’s wife Helena, played by Eliska Krenkova, is an aspiring doctor who is soon to give birth. But her rosy future is suddenly darkened by the discovery of the body of a newborn intersex baby in the factory’s courtyard.

Marta Balaga Photographer Libuše Jarcovjáková – no stranger to Prague’s nightlife in the 1970s and 80s, as depicted in upcoming documentary “I’m Not Everything I Want to Be” – has already earned comparisons to a certain American icon. “Libuše had this big exhibition in France in 2019 and on the radio they said: ‘She is like Nan Goldin of Czechoslovakia,’” says producer Lukáš Kokeš. Klára Tasovská directs. Recently, Goldin has been the subject of Laura Poitras’ Oscar-nominated “All the Beauty and the Bloodshed.” “The very first time we pitched this project, our tutor, ‘Navalny’s’ editor Maya Daisy Hawke, said: ‘That’s funny. My husband [Joe Bini] is actually editing a film about Goldin next door,’” laughs Kokeš.

Jessica Kiang At a festival the size and stature of the Czech Republic’s Karlovy Vary, new discoveries are a daily occurrence. But it is rare that at festival’s end, one of the most excitingly buzzy emergent names should be that of a filmmaker who died 27 years ago and who has languished in relative obscurity – certainly in the Anglophone world – ever since. And yet here we are, at the tail end of an 11-film Yasuzo Masumura retrospective – the biggest of its kind ever mounted at an international film festival – that has proved, in a word, revelatory.  It’s not just in terms of blowing the dust from this extraordinary, unjustly overlooked filmmaker’s catalog, but also in the broader sense of being an exemplary model for how to connect a vibrant, youthful regional audience to global film history. There is a classic film fan born every minute, but in Karlovy Vary this year, you could feel it happen in real time during the screenings of Masumura’s  “A Cheerful Girl” (1957), “Hoodlum Soldier” (1965), “Spider Tattoo” (1966) and so on.  

The 57th Karlovy Vary International Film Festival has concluded yet another wonderful week of cinematic discoveries. Previously announced awards were given to a variety of contributors to global cinema.

The 57th Karlovy Vary International Film Festival (June 30 – July 8) came to a close this evening with an awards ceremony that bestowed two key prizes to contemporary Bulgarian drama Blaga’s Lessons (Urotcite Na Blaga) by director Stephan Komandarev.

Manchester City goalkeeper James Trafford wrote himself into the history books with a last-minute penalty save to hand England the European under-21 Championships on Saturday evening.

Will Tizard Contributor Bulgarian crime story “Blaga’s Lessons” by Stephan Komandarev scored the top prize and $25,000 at the 57th Karlovy Vary Film Festival on Saturday, capping a week of celebrating art film, stars and bold global work. With sold out screenings ranging from Russell Crowe introducing “Master and Commander: The Far Side of the World” to rare Japanese masterworks by Yasuzo Masumura and a tribute to actor Daniela Kolarova, Czech audiences proved once again to be hungry for every kind of film they cannot experience at any other venue. The Crystal Globe competition special jury prize, along with $15,000, went to “Empty Nets,” a German-Iranian gritty love story directed by Behrooz Karamizade.

Guy Lodge Film Critic The loose, lolling chapters of “The Girls Are Alright” are marked and separated by a simple visual motif: for each one, a different close-up panel of ornately illustrated Toile de Jouy fabric, rendered in various pastel shades against a calico background. The material’s distinctive period pastoral scenes, depicting gussied-up women in various states of passive repose and their corresponding noblemen, contrast pleasingly with the more modern, less dependent portrait of 21st-century femininity presented in Spanish writer-director-star Itsaso Arana’s short, sweet, winsome freshman feature. When its female characters don Toile-appropriate corsets and hoop skirts, it’s with a postmodern, literally performative sense of irony.

Guy Lodge Film Critic You have to admire the moxie of authors and filmmakers who set their science-fiction spectaculars in the very near future, essentially confronting viewers with what may seem a pretty outlandish forecast for their own lives. Those that pull it off present us with possibilities resonant enough to ponder, even when they’re too far-fetched to actively fear: So it proves in “Restore Point,” a sharp, high-shine sci-fi outing from the Czech Republic, in which earthly life after death is routine, a cellular rather than spiritual matter. Set in an unspecified (though Czech-speaking) central Europe in the year 2041, director Robert Hloz’s whopper of a calling-card debut may offer a more credibly subdued, budget-constrained visual of the mid-21st century than the lavishly built “Blade Runner 2049” — unless we’re in for a drastic design (r)evolution over the course of the 2040s — but its ideas are sky-high in concept. Marrying glossy mainstream genre aesthetics to probing, elaborately conceived speculative storytelling, this is a notably ambitious and auspiciously well-realized first feature for Hloz: the kind that appears to be flaunting his capabilities for even bigger international and Hollywood assignments.

Johnny Depp isn’t against making a comeback at Disney.

Will Tizard Contributor Major international productions have been bypassing the Czech Republic for the past year — but local producers and lawmakers have a plan to win such players back, they announced at the Karlovy Vary Film Festival this week. The Czech incentives system essentially shut down in 2022 after major productions used up the $62.7 million annual cash-back rebate funds available — or so said the officials overseeing the program. The Czech Republic has offered competitive 20% rebates — with a $6.8 million cap per project — as incentives for major productions for a decade now. The system has been heralded as the key to staying competitive in a part of Europe that’s highly in demand for big-budget shoots by the likes of Amazon, Netflix and the Hollywood majors.

The spectrum of gender and sexuality may seem to be a subject firmly rooted in the political and cultural squabbles of 2023, but Czech director Matej Chlupacek has chosen to look at it through the lens of 1937 in “We Have Never Been Modern,” an affecting drama that both relies on and transcends its period setting.Set in the old Czechoslovakia (a fitting setting for a rare Czech and Slovak co-production) just prior to World War II, the film opened the Crystal Globe competition section of the Karlovy Vary Film Festival on Friday. Titled “Úsvit” in Czech but borrowing its English title from Bruno Latour’s 1991 cultural study, the film uses its prewar setting to add resonance to a portrait of a society trying to transform itself even as a large and destructive transformation looms just out of sight.

Guy Lodge Film Critic A lacquered Czech period piece with surprisingly topical interests at its core, “We Have Never Been Modern” rather ambitiously borrows its title from a key text by the late French philosopher Bruno Latour — in which he argued that humanity’s distinction between nature and our own culture is a wholly modern development, and one we’d do best to move away from. While Latour’s ideas can indeed be mapped onto a story that charts modern society’s fixation on human advancement against its rejection of human difference, Matěj Chlupáček’s gripping, gleamingly produced second feature isn’t as academic as all that: Ultimately a humane message movie planting flags for both women’s liberation and queer rights, this Karlovy Vary competition premiere could easily resonate with festival and arthouse audiences away from home turf.

Elsa Keslassy International Correspondent Vivendi has entered into exclusive negotiations with Figaro Group, the company behind one of France’s leading national newspapers, to sell its stake in Gala magazine. The sale of Gala is one of two antitrust requirements imposed by the European Commission to allow Vivendi to complete its acquisition of French media banner Lagardère Group, the parent company of Hachette Livres. The other antitrust commitment has led Vivendi to sell 100% of its publishing banner Editis to a subsidiary of Czech Media Invest (CMI) founded by Daniel Kretinsky. Editis is home to Robert Laffont, Plon and Julliard, among others. Gala magazine, a popular French title similar to People Magazine, boasts a daily edition during the Cannes Film Festival and belongs to Prisma Media, which is itself owned by Vivendi.