There’s been much celebratory talk here at the Tokyo Film Festival about a new dawn of internationally-minded Japanese artists led by directors such as Hirokazu Kore-eda, Makoto Shinkai, and Ryusuke Hamaguchi.
There’s been much celebratory talk here at the Tokyo Film Festival about a new dawn of internationally-minded Japanese artists led by directors such as Hirokazu Kore-eda, Makoto Shinkai, and Ryusuke Hamaguchi.
As the Tokyo Film Festival returns with a focus on international expansion, this year’s MPA seminar hosted as part of the festival industry program was centered around how to make the country a more attractive production environment for international producers.
Patrick Frater Asia Bureau Chief Toei Animation, the Japanese studio behind “Dragon Ball,” “Slam Dunk” and the “One Piece” cartoon franchises, is planning to open a European office in Italy. That may be followed by others in Latin America and India as well as a ramp up of its international production. The group already has a handful of overseas regional offices covering Asia, the Americas and Australasia, and Europe-Middle East and Africa (EMEA).
Patrick Frater Asia Bureau Chief Leading Chinese filmmaker Zhang Yimou has a tough guy exterior – leather jackets, black shirts and a square jaw that has earned him acting awards alongside his top-level credentials as cinematographer and director of “Hero,” “The Road Home” – but on a visit to the Tokyo International Film Festival this week he was all smiles and frank talk. Zhang received a lifetime achievement award on Monday. On Tuesday the festival gave a gala screening to his historical blockbuster “Full River Red.” And at a Wednesday masterclass, Zhang was more gushed usable details about his process and frank advice for newcomers. “To be a film director you need to be physically in good shape. No smoking and no drinking,” he advised. “I generally adopt a two-stage process,” he explained.
Naman Ramachandran Abramorama has acquired North American theatrical rights for Leslie Shampaine and Pip Gilmour‘s feature documentary “Call Me Dancer.” The deal was revealed on the sidelines of TIFFCOM, the film market attached to the Tokyo International Film Festival. The film follows Manish Chauhan, a young and talented street dancer from Mumbai who struggles against his parents’ insistence that he follow a traditional path.
Naman Ramachandran New Philippines anime franchise “Solemn Vow” has set several partnerships across the Southeast Asian region. Conceptualized as an anime series with a strategy for spinoffs into manga, games, music and merchandise, the franchise, created by Lawrence Panganiban, has formed partnerships with Philippines-based Enigma Kai and media startup Fire and Ice, and Singapore-based companies Anito Studios and Silver Media, in collaboration with Japanese animation giant Toei Animation Philippines, which will handle production.
Godzilla Minus One, the latest edition in Toho’s monster franchise and the closing film at this year’s Tokyo Film Festival, has locked a deal for distribution in the UK and Ireland.
Patrick Frater Asia Bureau Chief Ichiyama Shozo assumed control of the program of the Tokyo International Film Festival after a long programming career that included Tokyo and the slightly more indie Tokyo Filmex events. He is also a regular producing partner of Chinese art-house darling Jai Zhangke. These influences have shaped his approach to this year’s Tokyo IFF lineup, he told Variety.
“The pandemic has finally passed, and cinema has returned to normal, but the way people think has changed dramatically,” Chinese filmmaker Zhang Yimou concluded when quizzed by Deadline about cinema post-Covid 19 during a brief chat at the Tokyo Film Festival (TIFF).
Naman Ramachandran Aizhan Kassymbek‘s Kazakh film “Madina,” world premiering at the Tokyo International Film Festival‘s Asian Future strand, aims to shatter patriarchy both on and off screen. On screen, the film is based on the real life story of Kassymbek’s friend Madina Akylbek, who also plays the lead role. Set in the harsh Kazakhstan winter, the film follows single mother, dancer and breadwinner Madina, who struggles to take care of her old grandmother, a withdrawn younger brother and a two-year-old daughter.
Patrick Frater Asia Bureau Chief TIFFCOM, the film market attached to the Tokyo International Film Festival, is set to be more international and more diverse in its first full comeback year after the COVID hiatus. It should also be more pleasant and convenient, having re-located to a more modern venue that is close to the film festival. “Bringing the in-person market back after four years, my priority was to make sure that TIFFCOM could happen during the festival, not some other time,” said Shiina Yasushi, who has headed the market for ten years.
Will Tizard Contributor As the hulks of multi-million-dollar stadiums around the world attest in Haruna Honcoop’s investigative doc “Olympic Halftime,” the greatest global games have also built a reputation for massive waste and deception. “It’s always the same story,” says the director about her subject, seen this week in its world premiere screening at the Ji.hlava Intl.
Matt Donnelly Senior Film Writer For three decades, Halloween Horror Nights at Universal Studios has been offering live terror experiences in Southern California and Florida — primarily via a series of mazes where the undead chase crowds with chain saws and scary movies come to life. Over decades, licensed characters like Freddy Krueger and Jason Voorhees have haunted the studio backlot. But on a recent Wednesday in October, the annual attraction was hosed down not with fake blood but a slew of corporate owner NBCUniversal’s intellectual property.
Tokyo’s International Film Festival returned this evening for its first completely unrestricted, post-COVID-19 edition with a well-attended screening of Wim Wenders’ Perfect Days.
Wim Wenders introduced the cast and crew of “Perfect Days” at an outdoor stage, giving the opening ceremony of the 36th Tokyo International Film Festival a moment of European cool. Inside the Tokyo Takarazuka Theater, Wenders was brought on stage twice more. “I had a dream that with ‘Perfect Days,’ I’d make a film that would play at the Cannes Film Festival. I dreamed that it would win the best acting prize.
Patrick Frater Asia Bureau Chief Chinese film sales company Parallax Films is poised to make a splash this week in Tokyo. The outfit has two titles in the Tokyo International Film Festival official selection and a host of festival-travelled Chinese films in the TIFFCOM market. Appearing in main competition is “A Long Shot,” a crime drama by first time feature director Gao Peng.
Patrick Frater Asia Bureau Chief “The Quiet Yakuza,” is one of two late additions made by Japanese indie sales firm Free Stone Productions to its slate of films being pitched at TIFFCOM, the film rights market attached to the Tokyo International Film Festival. Directed by Yamaguchi Kento, the two-part-film is adapted from the highly popular manga “Shizukanaru Don – Yakuza Side Story” by Nitta Tatsuo, which runs to 108 volumes and has sold nearly 50 million copies. It sees Ito Kentaro as Shizuya, the only son of the Shinsen Group, the largest yakuza group in Kanto,. However, Shizuya has zero interest in the yakuza and wants to be a regular civilian. He is perfectly happy working at a design company, living a simple, puritan life and lusting after his colleague Akino.
Patrick Frater Asia Bureau Chief Hong Kong-based studio Edko Films will launch “Table for Six 2,” a sequel to its 2022 smash hit, at TIFFCOM, the rights market attached to the Tokyo International Film Festival. The heartfelt comedy is again written and directed by Sunny Chan, who enjoyed breakout success with “Table for Six,” a comedy-drama that starts with an awkward family reunion dinner where past and present romantic relationships are tangled and almost anything that could go wrong did. For the sequel. Chan has reunited the original cast – Stephy Tang, Louis Cheung, Ivana Wong, Lin Min Chen, Peter Chan Charm Man – for three weddings and their aftermath.
Patrick Frater Asia Bureau Chief Netflix has picked up rights to Japanese financial drama series “Trillion Game” from leading local broadcaster Tokyo Broadcasting System (TBS) and will begin airing it from Saturday. The show involves two young men – one a computer programming ace, the other a self-centered but charismatic entrepreneurial type – who have their early career moves thwarted by Dragon Bank and instead start their own company with the seemingly impossible ambition of building a trillion dollar company. They have no business plan and no capital and must come up with innovative ways to raise money and get ahead. The story was based on a manga originally written by Inagaki Riichiro and illustrated by Ikegami Ryoichi that was serialized in Shogakukan’s Big Comic Superior magazine from 2020. The TBS series, directed by Murao Yoshiaki, written by Habara Daisuke and produced by Matsumoto Akiko, Matsushita Hiromi and Kato Shoichi, began airing as weekly instalments in primetime evening slots from July 14 to Sept. 15.Meguro Ren, a member of the J-pop idol group Snowman, plays Haru Tennoji, the charming but tricksy protagonist.
Patrick Frater Asia Bureau Chief “This Time,” a romantic drama reminiscent of Richard Linklater’s “Before Sunrise” trilogy, but not officially based on it, has been picked up for global distribution by fast-moving sales company EST N8. The story follows two high school sweethearts who unexpectedly reunite in Los Angeles 23 years after they were separated in Jakarta and must decide if they’re still in love. The film, directed by Sebastien Tobler, stars Ken Kirby (“Good Trouble,” “Dynasty”), Leila Perry (“Filthy Animals”) and was produced by Theresa Chiu. It had its world premiere at the Los Angeles Asian Pacific Film Festival in May. The rights deal was brokered by Tenten Wei and Sophie Shi of EST N8.
It's been a hit in Leeds, and now House of Fu, the Yorkshire-born ramen concept has landed in Manchester. Located on Portland Street and taking up residence within the space once occupied by the Architects Society, it will be serving up modern takes on ramen, rice bowls and Japanese small plates when it officially opens its doors this Friday.
Guangzhou-based director Choy Ji has filmed Hong Kong from a perspective we’ve rarely seen before in his debut feature Borrowed Time, which played at Pingyao film festival this week after screening in Busan’s New Currents competition.
NBCUniversal still considers the Olympic Games to be “the great aggregator of viewership,” in the words of top exec Dan Lovinger, and sees 2024 revenue for Paris on pace to exceed the tally of the 2020 Tokyo Games.
Brian Steinberg Senior TV Editor Most contests in the 2024 Summer Olympics set for Paris, France, won’t start until next summer. NBC has been running one race for months.
Receiving its world premiere in Pingyao International Film Festival’s Crouching Tigers section, Zhang Yu’s feature debut Killing The Violet is the story of a woman dealing with the aftermath of being raped after a man breaks into her apartment.
Chinese director Ning Hao has flown directly from Busan film festival in South Korea to China’s Pingyao International Film Festival (PYIFF) with his latest film, The Movie Emperor, starring Andy Lau.
Addie Morfoot Contributor John Legend is lending his voice to “We Dare to Dream,” a documentary about the refugee Olympic team at the 2020 Olympics in Tokyo. Legend will write, compose and record “Don’t Need to Sleep,” an original song for the docu, which will open theatrically Oct. 20 at New York’s IFC Center.
K.J. Yossman I am, undeniably, a Disney Adult. Whenever I have time (and funds), I head to one of Disney’s six resorts across the world, where I can feel my problems melt away quicker than a Mickey Bar in the midday sun. The air brims with excitement, strangers wave at me from rides and suddenly my biggest dilemma is whether to hit up Haunted Mansion or It’s a Small World first.
Patrick Frater Asia Bureau Chief A dearth of new release films allowed Zhang Yimou’s “Under the Light” to retain a comfortable lead at the China box office over the weekend, in its third week of release. The contemporary crime drama film earned $13.5 million (RMB97.2 million) between Friday and Sunday, according to data from consultancy Artisan Gateway. Since releasing on Sept. 28, it has accumulated gross revenues of $163 million (RMB1.17 billion).
Japanese filmmaker Ryusuke Hamaguchi has clinched the best film award in the main official competition of the 67th London Film Festival with his latest feature, Evil Does Not Exist.
Jesse Jo Stark has shared her heartfelt new single ‘Fallout’ ahead of her final debut headlining North American tour date.The melancholic track features confessional lyrics that are both deeply personal and universally relatable. “Don’t buy me a ring / the scariest thing about being all alone / clouds grow / I don’t know how not to have you around / the beautiful thing about the things that come out your mouth fallout / I don’t know how not to have you around,” Stark sings in the song.Directed by Christina Bryson, the accompanying video for ‘Fallout’ features footage of Stark on tour performing the track to her loving fans.
Taylor Swift has the highest-grossing concert tour of the year, and she’s about to conquer movie theaters, as well. Taylor Swift: The Eras Tour, opening Friday, October 13, has already sold more than $100 million in advance ticket sales in 8,500 theaters across 100 countries around the world.
Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.
Naman Ramachandran Distributor, Day for Night has acquired a trio of Asian titles for U.K. and Ireland at the Busan International Film Festival’s Asian Contents and Film Market. Day for Night is acquiring the late Pema Tseden‘s “Snow Leopard” from Rediance.
Chinese filmmaker Zhang Yimou has been set as the recipient of this year’s Lifetime Achievement award at the forthcoming Tokyo Film Festival (TIFF), running October 21 – November 1.
Patrick Frater Asia Bureau Chief Leading Chinese film director Zhang Yimou is to receive a lifetime achievement award at the Tokyo International Film Festival later this month. The award will be presented to him during the festival’s opening ceremony on Oct. 23. Later, Zhang will take part in a special talk session at the TIFF Loungeco-hosted by the Japan Foundation. Additionally, his “Full River Red,” which was a box office sensation in China at the beginning of the year, will play as a gala selection during the Tokyo festival. Zhang, consider to be among China’s “fifth generation” of filmmakers, has had an extraordinary career that he has sustained for over three decades.
Have a good time reading Tokyo news and scrolling Tokyo gossip. Follow daily updates of the stuff and have fun. Be sure, you will never regret entering the site popstar.one, because here you will find a lot of breaking Tokyo news, different interviews with famous stars, gossip on popular people from the world of showbiz and even much more. Be sure, you will never get bored here! Stay tuned!