Zhang Yimou Talks How The Pandemic “Dramatically” Changed Audiences, The Lack Of “Good Scripts” And Teases His Next Film ‘Article 20’ — Tokyo Film Festival
25.10.2023 - 00:53
/ deadline.com
“The pandemic has finally passed, and cinema has returned to normal, but the way people think has changed dramatically,” Chinese filmmaker Zhang Yimou concluded when quizzed by Deadline about cinema post-Covid 19 during a brief chat at the Tokyo Film Festival (TIFF).
“That is,” he continued, “people now value a peaceful and healthy life even more.”
Yimou, one of China’s most enduring filmmakers, is in Tokyo to receive the festival’s honorary lifetime achievement award. He picked up the gong Monday at the TIFF opening ceremony held at Tokyo’s Takarazuka Theatre.
“This is like a new start for me,” Yimou said, accepting the award. He added that he has traveled to the Tokyo Film Festival twice before, but the lifetime achievement award felt like the spark of a new chapter in his career. But with what Yimou described as a dramatic change in the mentality of audiences, has his approach to filmmaking changed?
“No particular change,” he told Deadline. “If there are enough scripts, I can keep up the pace of one film a year. However, this rhythm can be easily broken. There is a lack of good scripts, so I have to write the script, but it takes at least three years to work up a good script.”
Yimou added: “In China, there is a saying that means ‘look ahead and live in moderation.’ My ideal situation is to be shooting a film while another good script is waiting for me. That is my ideal rhythm.”
Perhaps best known in the West for crossover titles such as 2016’s The Great Wall, set in Imperial China and starring Matt Damon, Yimou made his directorial debut with Red Sorghum (1987) after graduating from the Beijing Film Academy in 1982. The pic won the Golden Bear at Berlin. Since then, he has tackled a wide range of film genres in