The Sarajevo Film Festival has long been the biggest showcase of Southeast European cinema and this year’s edition, which unspools on August 11, is on course to be its most reflective and regionally focused edition yet.
The Sarajevo Film Festival has long been the biggest showcase of Southeast European cinema and this year’s edition, which unspools on August 11, is on course to be its most reflective and regionally focused edition yet.
Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.
Bruno Fernandes has not yet reported back for pre-season training at Manchester United due to his post-campaign international commitments.
Bruno Fernandes will cap off a mammoth season when his Portugal side face Iceland in their second Euro 2024 qualifier on Tuesday.
Here are your Monday morning Manchester United headlines.
Portugal manager Roberto Martinez insists Bruno Fernandes is still desperate to play football after a long and arduous season with Manchester United.
Bruno Fernandes has revealed he never takes up Erik ten Hag’s offer of a rest at Manchester United, explaining how he knows the day will come when he won’t be given the choice.
Of all the sub-plots in Saturday's Champions League final, the return of Edin Dzeko to the minds of Manchester City fans is one of the more intriguing.
Eight feature documentaries and eight short docs have been selected as finalists for the 16th Doc Alliance Awards, presented by the Doc Alliance – the association of European documentary festivals.
Christopher Vourlias Heretic has acquired world sales rights to “Sweet Dreams,” the sophomore feature from award-winning Bosnian Dutch director Ena Sendijarević (“Take Me Somewhere Nice”). Set on a remote Indonesian island during the waning days of the colonial era, the film centers on Dutch sugar plantation owner Jan and his wife, Agathe, who sit atop the local food chain — until the night when Jan, returning from a visit to his native concubine, Siti, suddenly drops dead in front of his wife. Desperate to hold onto her privileged lifestyle, Agathe forces her estranged son, Cornelis, and his pregnant wife, Josefien, to travel from Europe and take over the family business. Those plans are upended by a worker’s uprising, as Cornelis and his progressive ideals must confront the uncomfortable reality that his father’s will places Siti at the helm of the family estate, setting in motion a cat-and-mouse game that puts those ideals to the test.
Former Manchester City defender Micah Richards believes his old teammate Edin Dzeko had a hard time at the Etihad Stadium and deserves to be thought of more highly.
The Tribeca Festival has its opening-night, closing-night and centerpiece films.
Mary's Meals has been forced to shut down all its charity shops and warehouse after deeming the operation as 'no longer viable'.
Todd Spangler NY Digital Editor Netflix, facing more competition globally in the streaming wars, has cut pricing in more than 100 markets worldwide — in some cases, chopping the price of monthly plans in half — to boost subscriber acquisition and retention. The streamer has reduced prices in countries and territories across Asia, Latin America, Europe, the Middle East and Africa. Netflix is not reducing prices in North America or Western Europe, its most mature markets. All told, the price reductions span more than 100 markets, according to research firm Ampere Analysis (see list, below). Those include Malaysia, Indonesia, Thailand, the Philippines, Venezuela, Nicaragua, Ecuador, Kenya, Iran, Croatia, Bosnia and Herzegovina, Serbia, Albania, North Macedonia, Slovakia, Yemen, Jordan, Libya, Slovenia and Bulgaria.
Chris Willman Senior Music Writer and Chief Music Critic Watching “Kiss the Future,” a documentary about the band U2’s relationship with wartorn Sarajevo in the 1990s, it’s hard not to think: “We’ve seen this movie before.” That’s not to do with the doc itself so much as how aspects of the 30-year-old footage from Bosnia’s brutal civil war parallel what we’ve seen in the news coverage coming out of Ukraine for the past year. Both involve stranger-than-fiction (or stranger-than-fascism) scenarios of cosmopolitan cities suddenly subject to state terrorism, which makes the Matt Damon and Ben Affleck-produced film coincidentally timely, for all its belatedness. In a sense, “Kiss the Future” is the story of a long-distance romance, between a superstar rock quartet reaching its peak and a once-grand metropolis that’s bottoming out. In the early ’90s, genocidally minded Serbian president Slobodan Milošević tried to subject the happily mixed population of Sarajevo to ethnic cleansing by any means necessary. The area’s young people fought back in whatever spirit-lifting way they could — including founding underground discos, forming punk bands and otherwise keeping the arts alive as they dodged shelling and snipers. An American activist, Bill Carter, had the idea to enlist the stadium-filling U2 in publicizing their plight, which led to nightly satellite appearances by Sarajevo locals on the giant screens of the “Zoo TV” tour’s European leg.
Jordan Moreau SPOILER ALERT: This interview contains spoilers from Episode 6 of “The Last of Us,” now streaming on HBO Max. HBO’s “The Last of Us” series just took a major leap to the video game’s sequel, “The Last of Us: Part II,” that fans are sure to recognize: The snowy Jackson, Wyoming, settlement where “Part II” begins was faithfully recreated in Episode 6 — despite not appearing in the original game. It’s the first major connection to “Part II” that the show has made. Without spoiling the events of the sequel, the wintery Jackson town is a major location in the opening hours of the game. In the original “The Last of Us,” players learn about Jackson from Tommy (Gabriel Luna) and Maria (Rutina Wesley), but they mainly stay at the hydroelectric dam encampment and see Jackson only at a distance. The section of the game also takes place during the fall, not the winter.
Elsa Keslassy International Correspondent Matt Damon revealed he was in the “early stages” on a project about Ukraine during the press conference for “Kiss the Future” at the Berlin Film Festival. Damon is a producer on the documentary which chronicles the struggle of Sarajevo citizens during the Bosnian War. World premiering in the Berlinale Special section, the politically minded documentary is directed by Nenad Cicin-Sain and based on “Fools Rush in: A Memoir” the memoir of Bill Carter, an aid worker. It shows how his determination resulted in the enlistment of the world’s largest rock band, U2, to help shine a light. Fifth Season and WME handling worldwide sales. Asked if he was considering following the footsteps of Sean Penn with “Superpower” with a film on the war in Ukraine, he said he’s “watched as everyone has with horror that unfolded there in the last year,” and although they “don’t have anything on it right now there isn’t any doubt that we’ll be doing.”
Brent Simon There’s no shortage of movies that gauzily peddle the notion of art as a balm. Few, however, are as invested in the charged immediacy of art’s relationship to real-life pain as “Kiss the Future,” a documentary enjoying its world premiere Feb. 19 in the Berlinale Special slot, with Fifth Season and WME handling worldwide sales. Directed by Nenad Cicin-Sain, and based on American-born aid worker Bill Carter’s “Fools Rush in: A Memoir” (the pair share a screen story credit), the film is a savvy mélange of history and cultural portraiture that affectingly chronicles the struggle of Sarajevo’s besieged civilians during the Bosnian War of the 1990s.
New research has discovered that during the ongoing cost of living crisis, people in the UK claiming their State Pension entitlement only just break even despite an increase to weekly payment rates in April. The research, conducted by pension advisors Almond Financial, looked at the current State Pension in comparison to the average cost of living in the UK.
‘Survivor UK’ Maker Remarkable Entertainment Sets New Top Team
Leo Barraclough International Features Editor Ji.hlava Intl. Documentary Film Festival, which runs Oct. 25-30, has unveiled Opus Bonum, its international competition section. The 16-strong lineup includes eight world premieres. Andrea Kleine’s “The End Is Not What I Thought It Would Be,” from the U.S., is set during the pandemic. Kleine, the author of novels “Calf” and “Eden,” is seen performing stand-up comedy, monologues and music in a theater without an audience. Emily Allen’s U.S. film “Cisco Kid” features a young woman living in the middle of a vast desert in the American West, in the ruins of a town where the last of the oddball inhabitants struggle to survive.
"The Crown" has resumed filming after the Netflix series paused production on Thursday, the day Queen Elizabeth II died at 96 at Balmoral Castle in Scotland. Elizabeth Debicki, the 32-year-old actress who portrays Princess Diana, was seen on a set in a small town near Barcelona, Spain dressed as the late princess.The scene is set during Diana’s trip to Bosnia in 1997 where she met with children and landmine victims. Debicki was seen in a pink button down, with black slacks and gold studded earrings, a spitting image of the late princess. Elizabeth Debicki was seen on set of "The Crown," dressed as Princess Diana from 1997.
The Crown has resumed production after a one-day pause in its filming schedule observed out of respect for the late Queen Elizabeth II.WATCH: Behind the scenes of The CrownThe show was filming its sixth season for Netflix when news broke of the Queen’s sudden death on September 8, 2022 prompting questions about the royal drama’s future.Some fans feared the show would be cancelled in the wake of the monumental royal loss, while others insisted there was no reason Her Majesty’s death should affect the series.Showrunner Peter Morgan put speculation to rest soon after when he told Deadline: "The Crown is a love letter to her and I've nothing to add for now, just silence and respect.
took a break in production “out of respect” for Queen Elizabeth II, but the hiatus came to an end.Following the death of the queen, writer of the Netflix show Peter Morgan told Deadline on Thursday that he expected filming would stop “out of respect” for Her Majesty.Producers confirmed to CNN that production was halted for the day Friday, Sept. 9.“As a mark of respect, filming on ‘The Crown’ was suspended today.
Mentioning it all! Andy Cohen teased what’s in store for the upcoming Real Housewives of Beverly Hills reunion — and it seems like drama is brewing.
After making her debut on The Real Housewives of Beverly Hills, Diana Jenkins‘ experience is inspiring her charitable endeavors.
Manori Ravindran International Editor More than a year since SkyShowtime was first announced, the SVOD is ready to join the streaming fray in Europe, Variety can reveal. The new platform — a joint venture between Comcast and Paramount Global that was first unveiled in August 2021 — will officially launch on Sept. 20 in the Nordic countries of Denmark, Finland, Norway and Sweden, before expanding into the Netherlands later this year in Q4. (The service received regulatory approval in Europe back in February.) Meanwhile, the SVOD will continue its roll out across Spain, Portugal, Andorra, and Central and Eastern Europe (CEE) over the coming months and through Q1 of 2023. CEE markets include Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Hungary, Kosovo, Montenegro, North Macedonia, Poland, Romania, Serbia, Slovakia and Slovenia.
Christopher Vourlias Croatian writer-director Juraj Lerotić’s “Safe Place,” an emotional story of a family reeling in the wake of a suicide attempt, took the top prize at the Sarajevo Film Festival, which wrapped a record-setting 2022 edition in the Bosnian capital on Friday night.The Heart of Sarajevo Award for best feature film was given by a jury headed by Austrian filmmaker Sebastian Meise (“The Great Freedom”), which included French filmmaker Lucile Hadžihalilović (“Earwig”), Croatian writer-director Antoneta Alamat Kusijanović (“Murina”), Serbian actor Milan Marić (“Dovlatov”) and Israeli producer and consultant Katriel Schory.“Safe Place” plays on Lerotić’s own pained family history, with the Croatian multihyphenate taking on the lead role in his deeply personal story — a performance that also earned him the award for best actor in Sarajevo. Fresh off a triumphant world premiere in Locarno, where the film won three awards including best first feature, “Safe Place” was described by Variety’s Guy Lodge as a “supremely poised and moving first feature” and a “shattering” debut, “with a long trail of further festival bookings surely ahead.”Ukrainian director Maryina Er Gorbach was named best director for “Klondike,” which portrays the brutal realities of the war unfolding in Ukraine’s Donbass region through the lens of a pregnant farmstead owner whose life and home fall apart.
Alissa Simon Film CriticThe long shadow of the war and its ravages continue to haunt a group of late middle-aged Sarajevan friends in the low-budget, tonally uneven dramedy “May Labor Day” from Bosnian multi-hyphenate Pjer Žalica. Although the material is both a little thin and a tad familiar, the script ticks off a range of contemporary social problems and issues such as the brain drain to Europe of the educated younger generation, junkie no-hopers who get clean through faith, the orphan kids kept off the street through charitable ventures and the nagging dissatisfaction felt by the ordinary men who fought for their country, but feel that it has lost its way.Serving as the closing night attraction of this year’s Sarajevo Film Festival, “May Labor Day” is a co-production of all the territories of former Yugoslavia and features an ensemble of the region’s best-known actors, who appear to take great pleasure in performing together.
The latest piece of the international Warner Bros. Discovery management puzzle has slotted into place, as the wider reshaping of the business continues. WBD General Manager Warner Bros. Discovery CEE, Baltics and Middle East (CEE MENAT) Jamie Cooke, who took on his post in June, has unveiled his team. Senior roles have gone to the likes of Lee Hobbs and long-serving Warner Bros. sales exec Roni Patel.
Guy Lodge Film CriticAfter three solemn features centered on the ramifications of war — not just in her home country of Bosnia but, in 2017’s “Never Leave Me,” Syria too — writer-director Aida Begić leaves political conflict behind in her fourth. “A Ballad,” however, charges no less abrasively into the emotional battleground of a young woman’s separation from her long-term partner, and the personal, legal and familial skirmishes that hamper her fight for independence.
Christopher Vourlias When it comes to creative pedigree, it would be hard to argue with the bona fides of Bosnian crime drama “The Hollow,” which was co-created by Oscar-winning director Danis Tanović (“No Man’s Land”) and had a splashy premiere Saturday night at the Sarajevo Film Festival. The series is directed by Tanović and Bosnian filmmaker Aida Begić, whose latest feature, “A Ballad,” also received the red-carpet treatment this week in Sarajevo’s official competition.More than just a prestige drama from a region that’s increasingly exporting its shows to the world, however, “The Hollow” could represent a paradigm shift in the countries of the former Yugoslavia, where global streaming services have been acquiring titles such as “The Paper” (Netflix) and “The Silence” (HBO Max) but are yet to put significant investment into local production.
Christopher Vourlias Croatian production house Antitalent has signed an option agreement to develop and produce a local version of the best-selling global format “Your Honor,” the hit drama whose American remake for Showtime stars Emmy winner Bryan Cranston.The series follows a judge who must deal with the fallout when his son is involved in a hit-and-run that gets him embroiled with an organized crime family. Facing impossible choices, he discovers how far a father will go to save his son’s life.The Balkan remake will travel across the former Yugoslavia with a story that spans Croatia, Bosnia and Herzegovina, Montenegro, Serbia and Slovenia, according to Antitalent’s Danijel Pek.
Clayton Davis A movie with the action sensibilities of James Cameron and the ambitious scope of George Miller has to be considered a definitive Oscar contender, right? Not without the proper backing by a studio or, in this case, a country that will submit your film for the Academy’s best international feature award.Enter “RRR, a film directed by S. S. Rajamouli, who wrote the script with V.
Marta Balaga In Bosnian drama series “The Hollow,” a body is found in a museum. As senior inspector Edib Pašić tries to solve the case, he dives deeper and deeper into modern-day Sarajevo. Which hasn’t really changed all that much and keeps protecting its secrets.“This combination of old and new is something we all carry inside.
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