Matt Damon Says he’s in ‘Early Stages’ on a Project About Ukraine at ‘Kiss The Future’ Berlinale Presser

Ukraine President Volodymyr Zelenskyy will be missing out on the Academy Awards for the second year in a row.

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.

Tatiana Siegel For the past year, Volodymyr Zelensky has been greeted with open arms by awards shows, film festivals and even the New York Stock Exchange. But when it comes to landing airtime on the most coveted telecast of all — the Oscars — the Ukrainian leader is being met with a cold shoulder. For the second year in a row, the Academy has snubbed Zelensky, who was hoping to follow up his Berlin Film Festival (remote) appearance last month with a virtual spot on Sunday’s Oscar telecast on ABC. Sources say WME power agent Mike Simpson made a plea to the Academy to include the comedic actor-turned-politician but was shut down. The Academy declined comment. 

Elsa Keslassy International Correspondent Sony Pictures Classics has bought “The Teachers’ Lounge,” Ilker Çatak’s drama which world premiered at the Berlin Film Festival, for North America, Latin America and Eastern Europe (excluding Hungary). “The Teachers’ Lounge” marks the fourth feature from Çatak, who co-wrote the screenplay with Johannes Duncker. The movie played in the Panorama section and won the Europa Cinemas Label award for Best European film, as well as the CICAE Arthouse Cinema Award. Produced by Ingo Fliess and shot by award-winning cinematographer Judith Kaufmann (“Corsage”), “The Teachers’ Lounge” stars Leonine Benesch (“The Crown”), Michael Klammer, Rafael Stachowiak, and Eva Löbau.

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

to film a documentary about the Russian invasion of the country, which began a year ago yesterday (February 24, 2022). In a statement released by the Office of the President of the Ukraine at the time, it read: “The director specifically came to Kyiv to record all the events that are currently happening in Ukraine and to tell the world the truth about Russia’s invasion of our country.”In a new interview, Penn recalled how he and Nicholson met the dictator at the 2001 Moscow Film Festival, where Penn’s film The Pledge was premiering.Revealing that the pair travelled with Putin to Russian filmmaker Nikita Mikhalkov’s estate, Penn told The Independent: “We were put in a convoy.

Sean Penn is doubling down on his call for the United States to supply Ukraine with modern fighter jets amid the country's war against Russia. The 62-year-old actor, who first pressed the White House on Ukraine's need for jets last March, said President Joe Biden's surprise trip to Kyiv this week to mark the one-year anniversary of Russia's invasion was "extremely encouraging." However, he stressed that the U.S. continue sending military aid, including modern aircraft, to the war-torn nation.

Russian troops invaded Ukraine and, like many people around the world, he felt helpless at the images of people fleeing their homes.“The world felt like it was in a new place that it hadn’t been in decades,” the three-time Grammy winner recalls.On Friday, the one-year anniversary of the war’s start, Paisley is releasing a new song called “Same Here,” featuring Ukrainian President Volodymyr Zelenskyy speaking proudly about his country and people.The song is Paisley’s first from his new record, “Son of the Mountains,” to be released later this year on Universal Music Group Nashville.The West Virginia native wrote the song with Lee Thomas Miller (co-writer on Paisley hits “The World” and “Perfect Storm”) and Dawes frontman Taylor Goldsmith. It’s a three-part narrative that reflects on universal similarities, despite distance and language.While it doesn’t mention Ukraine specifically, the song ends with Paisley and Zelenskyy in conversation, recorded during a video call.

Good afternoon Insider team, Max Goldbart here. It has been a wild ride of a week with Berlin drawing to a close. Read below for a good ol’ recap.

EXCLUSIVE: On February 24, 2022 Sean Penn and his documentary filmmaking team got up before dawn in Kyiv in anticipation of a planned interview with Ukrainian President Volodymyr Zelenskyy. Suddenly, explosions shattered the quiet and missile fire turned the darkened sky to malevolent orange. Russia’s full-scale attack on its neighbor had begun — what President Vladimir Putin later that day euphemistically dubbed a “special military operation.”

Zack Sharf Back in 2001, Sean Penn found himself next to Jack Nicholson in a speeding car on the way to meet Russian president Vladimir Putin. The two actors were in Russia for the world premiere of “The Pledge” at the Moscow Film Festival. The Penn-directed psychological drama starred Nicholson as a retiring police detective who vows to catch the killer of a young child. Penn recently spoke to The Independent about his anxiety-inducing journey to meet Putin. “We were put in a convoy,” Penn said. “We knew that Putin was going to be the honored guest. In the nature of that time and space, we accepted the invitation. We got in this convoy, and we were going as fast as they wanted to drive, with no care for whether it might have presented danger in the villages we drove through.”

Chris Willman Senior Music Writer and Chief Music Critic Watching “Kiss the Future,” a documentary about the band U2’s relationship with wartorn Sarajevo in the 1990s, it’s hard not to think: “We’ve seen this movie before.” That’s not to do with the doc itself so much as how aspects of the 30-year-old footage from Bosnia’s brutal civil war parallel what we’ve seen in the news coverage coming out of Ukraine for the past year. Both involve stranger-than-fiction (or stranger-than-fascism) scenarios of cosmopolitan cities suddenly subject to state terrorism, which makes the Matt Damon and Ben Affleck-produced film coincidentally timely, for all its belatedness. In a sense, “Kiss the Future” is the story of a long-distance romance, between a superstar rock quartet reaching its peak and a once-grand metropolis that’s bottoming out. In the early ’90s, genocidally minded Serbian president Slobodan Milošević tried to subject the happily mixed population of Sarajevo to ethnic cleansing by any means necessary. The area’s young people fought back in whatever spirit-lifting way they could — including founding underground discos, forming punk bands and otherwise keeping the arts alive as they dodged shelling and snipers. An American activist, Bill Carter, had the idea to enlist the stadium-filling U2 in publicizing their plight, which led to nightly satellite appearances by Sarajevo locals on the giant screens of the “Zoo TV” tour’s European leg.

The Irish director and musician John Carney once made a movie under the working title “Can a Song Save Your Life?,” though the name was changed before it was released. And another batch of Dublin musicians of note ask a similar question in the documentary “Kiss the Future,” which premiered on Sunday at the Berlin International Film Festival and finds U2 using music to aid the occupants of a city under siege, Sarajevo.Directed by Nenad Cicin-Sain, produced by Matt Damon, Ben Affleck and Sarah Anthony and written by Bill S.

Just after 5 AM ET on Monday, networks started to break in to regular programming for special reports that President Joe Biden had made a surprise trip to Ukraine.

For almost four years of siege in the 1990s, the city of Sarajevo concussed from shelling, the rumblings of armored vehicles and the repeated pop of sniper fire.

Matt Damon revealed he is in the early stages of research in a documentary project tackling the war in Ukraine at the Berlin Film Festival on Sunday.

Christopher Vourlias The war in Ukraine has taken center stage this week at the Berlin Film Festival, which is taking place for the first time since Russia’s full-scale invasion last year. At Thursday’s opening ceremony, Ukrainian president Volodomyr Zelenskyy appeared via satellite to encourage festival-goers “not to remain silent” over Russia’s unprovoked war of aggression. Sean Penn, who this week premiered his docu-portrait of the Ukrainian leader, “Superpower,” lashed out at Russian strongman Vladimir Putin, who he described as a “war criminal” and a “creepy little bully.” Moral outrage has not been in short supply since the start of the war, as the global film community — in a show of near unanimous condemnation of the Kremlin’s criminal attack — has rallied behind the Ukrainian war effort. But many U.S. and foreign companies quietly continue to do business with Putin’s pariah state or have resumed the deal-making that was put on pause once the war began.

There is a particular kind of audacity reserved for the wealthy and the well-meaning. Multi-award-winning actor and humanitarian Sean Penn co-directs “Superpower” with Aaron Kaufman, known mostly for his commercial work and his collaboration with writer-director Robert Rodriguez.

Sean Penn has reiterated his offer to have one of his Oscars melted down by Ukraine’s President Volodymyr Zelensky – saying his gift to the battling leader was inspired by his “continuing shame towards the Motion Picture Academy.”

Guy Lodge Film Critic Last November, in a gesture that the actor himself described as “a symbolic, silly thing,” Sean Penn gifted one of his two Academy Awards to Ukrainian president Volodymyr Zelenskyy, to mark his emotional investment in the country as they continue to fight Russia’s invasion — attracting widespread mockery from social media and the entertainment press in the process. That this moment is not included in Penn and co-director Aaron Kaufman’s “Superpower,” a disordered, distinctly Penn-centric account of recent Ukrainian history, counts as one of the film’s few moments of self-awareness. As far as the rest goes, anyone watching this doc right after emerging from a two-year coma could be forgiven for identifying the Hollywood veteran as a key player in the conflict.