James Marsh’s ‘Dance First,’ Starring Gabriel Byrne as Samuel Beckett, to Close San Sebastian Film Festival

The western genre has been so pervasive throughout the entire history of the movies, and it is hard to imagine doing anything in it that hasn’t already been done. Viggo Mortensen, in writing, directing, producing, and co-starring in only his second film behind the camera (after 2020’s Falling) finds a moving, if tragic, love story to play against the stunning landscape of the circa 1860’s west, and somehow it all feels new. John Ford and Howard Hawks would love this movie.

John Hopewell Chief International Correspondent Javier Bardem, winner of a San Sebastian 2023 Donostia Award for career achievement, is putting back his on-stage acceptance of the distinction until the 2024 San Sebastian Film Festival. The postponement is due to the “limits imposed under the strike called by the U.S. Actors Union (SAG-AFTRA),” the San Sebastian Festival announced Friday.

French filmmaker Claire Denis has been announced as the jury president for the Official Section of the 71st San Sebastian Film Festival, running from September 22-30.

Chris O’Dowd is penning a Sky comedy-drama starringChristina Hendricks andPaddy Considine about a Hollywood production that disturbs the peace in a fictional town in Ireland.

Patrick Frater Asia Bureau Chief An investigation into allegations of sexual harassment by a former director of the Busan International Film Festival has not reached a conclusion, several months after it began, the festival said on Tuesday. The festival has said that it is urging former director Huh Moonyoung to cooperate with an external investigator. The festival held its annual lineup presentation on Tuesday in an online format, announcing the bulk of its film selections, juries, anticipated guests, honorary prize-winners and technical arrangements such as screening venues and ticketing. As part of the presentation, current management again apologized for several months of turmoil, which it admitted had scared off sponsors and caused its operating budget to shrink. The turmoil began in May when the festival appointed Cho Jongkook, a close friend of chairman Lee Yong-kwan, to a power-sharing position with festival director Huh Moonyoung. That move was opposed by certain Korean industry guilds, which threatened to boycott the festival in support of Huh.

Natalie Portman and Julianne Moore‘s new movie May December is set to introduce the 2023 New York Film Festival later this month!

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year. 

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Patrick Frater Asia Bureau Chief Ten Korean independent films will have their world premiere in the Busan International Film Festival’s Korean Cinema Today section. Selectors said on Friday that this year’s crop are films that “delve into profound themes of life, agony, family affection, and personal introspection, inviting audiences to contemplate their meaning.” They add that, “the imaginative depiction of a diverse array of stories, free from the typical rules of genre, adds anticipation.” Delivery presents a “suspenseful irony” as an affluent couple deal with infertility and a young, financially struggling couple face an unplanned pregnancy. “FAQ” is a comic fantasy where an elementary schoolchild innocently picks up a bottle of Korean rice wine or makgeolli at a field camp and then gets to know the secrets of the world through alcohol.

Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.

Marta Balaga Paula Hernández’s “A Ravaging Wind” (“El viento que arrasa”) has debuted a poster and trailer ahead of its premieres at Toronto and San Sebastian. Based on the novel by Selva Almada – and written by Hernández and Leonel D’Agostino – “A Ravishing Wind” will play Toronto’s Centrepiece program, before opening San Sebastian’s Horizontes Latinos, a showcase of many of the best Latin American movies of the last year. It sees Alfredo Castro as Reverend Pearson, an evangelical pastor who travels Argentina by car in the 1990s with his daughter Leni (Almudena González, seen in “Argentina, 1985”).

Edgar Rice Burroughs Inc.has partnered with LA’s Tarzana International Film Festival (Sep 29– Oct 1) to honor the 100-year centennial of the writer’s incorporation.

Netflix has a slew of intriguing titles getting their world premiere at the Venice Film Festival soon, including David Fincher‘s “The Killer,” Bradley Cooper‘s “Maestro,” and Pablo Larráin‘s “El Conde.” But don’t sleep on J.A. Bayona‘s “Society Of The Snow,” tapped as the festival’s closing night film.

San Sebastian Fetes Veteran Director Victor Erice

The mirror ball is back.

UK director James Marsh’s literary biopic Dance First, starring Gabriel Byrne as iconic Irish writer Samuel Beckett, will close the 71st San Sebastian Film Festival.

Naman Ramachandran London-set dystopian drama “The Kitchen,” directed by Kibwe Tavares and Daniel Kaluuya, will close the 67th BFI London Film Festival. The film marks the feature directorial debut of Oscar-winning actor Kaluuya, who also co-wrote with Joe Murtagh (“Calm With Horses”). Tavares previously directed the Sundance-winning short “Robots of Brixton.” In “The Kitchen,” the gap between rich and poor has been stretched to its limits.

Hayao Miyazaki will open the 71st edition of the San Sebastian Film Festival with his latest pic, The Boy and the Heron.

John Hopewell Chief International Correspondent Argentina’s Tarea Fina, a producer on Cannes Camera d’Or winner “Las Acacias,” International Oscar entry “The Sleepwalkers” and Ventana Sur hit “Sublime,” has boarded “A Loose End,” the third feature as a director from Uruguay’s Daniel Hendler, a Berlin Silver Bear winner for Best Actor in Daniel Burman’s 2004 international breakout “The Lost Embrace.” Set up at Montevideo’s Cordon Films, founded in 2007 by producer-TV director Micaela Solé and Hendler, “A Loose End” (“Un cabo suelto”) is one of the highest-profile projects announced on Monday by the San Sebastián Festival as part of its Europe-Latin America Co-Production Forum, its industry centerpiece. Written by Hendler, his third directorial outing returns to a central theme in his first two features as a writer-director: Identity.