Jack Huston’s Directorial Debut ‘Day of the Fight’ to Open Mill Valley Film Festival (EXCLUSIVE)

Caroline Brew editor The Newport Beach Film Festival has announced its 2023 Festival Honors. Among this year’s honorees are William Shatner, Patricia Clarkson, Eugenio Derbez, Todd Haynes, Glenn Howerton, Jack Huston, Phil Lord, Chris Miller and Jesse Williams. The festival will be held in person from Oct.

Clayton Davis Senior Awards Editor Rodrigo Prieto, the Oscar-nominated cinematographer, will be honored with the 2023 Árbol de la Vida – lifetime achievement award at the 13th edition of the GuadaLAjara Film Festival on Nov. 1. Taking place at the Theater at the Ace Hotel in Downtown L.A., the Mexican D.P.

Guy Lodge Film Critic As directorial head-to-heads go, Jack Huston versus Stanley Kubrick isn’t anyone’s idea of a fair fight. But that’s exactly the clash the actor and Hollywood scion sets up for himself in his directorial debut “Day of the Fight” — named for Kubrick’s famous 1951 documentary short of the same title, and likewise following an Irish-American boxer through his daily New York routine, in the hours leading up to a climactic evening match.

Animation Is Film revealed Thursday that its 2023 edition next month will open with Gkids and Studio Ghibli’s The Boy and the Heron, the latest film from Hayao Miyazaki that just opened the Toronto Film Festival. It is getting its U.S. Imax premiere at TCL’s Chinese 6.

Leo Barraclough International Features Editor European pay TV platform Sky has released the trailer for Sky Original film “Dance First,” ahead of its world premiere at San Sebastian Film Festival on Sept. 30. The film is directed by BAFTA and Academy Award winner James Marsh (“The Theory of Everything”) and written by BAFTA winner Neil Forsyth (“Guilt”).

Chris Pine missed the Toronto Film Festival premiere of his directorial debut Poolman and now we know where he was instead!

Jaden Thompson The Newport Beach Film Festival, which will run from Oct. 12-19 this year, has announced their opening and closing night films. Marco Perego’s “The Absence of Eden,” which stars Zoë Saldana, will open the festival on Oct.

Addie Morfoot Contributor Woodstock Film Festival has added Tony Goldwyn’s comedy drama “Ezra,” starring Bobby Cannavale and Robert De Niro to its 2023 lineup.In the film, which made its world premiere earlier this month at the Toronto Intl. Film Festival, Cannavale stars as Max, a stand up comic who after recently blowing up his career and marriage is living with his father Stan (De Niro).

Day Of The Fight, the directorial debut of actor Jack Huston, has been set as the opening film of the 31st edition of the Raindance Film Festival, running October 25 — November 4.

Naman Ramachandran The 31st edition of London’s Raindance Film Festival will open with the U.K. premiere of British actor Jack Huston’s directorial debut “Day of the Fight.” The film comes to Raindance fresh off its Venice debut, where Huston was honored by Variety as a breakthrough director. The story of a once-renowned boxer who takes a redemptive journey through his past and present on the day of his first fight since he left prison stars Michael Pitt alongside a cast including Ron Perlman, Joe Pesci, and a cameo from Steve Buscemi.

In Cord Jefferson cinematic adaptation of Percival Everett’s Erasure, American Fiction emerges as a hard-hitting commentary on identity, storytelling, and the microaggressive terrains of the publishing industry. With a powerhouse ensemble, led by Jeffrey Wright and supported by the likes of Tracee Ellis Ross and Sterling K. Brown, the film aims to deconstruct the publishing world as it relates to myriad facets of Black lives.

Gregg Goldstein When Hayao Miyazaki’s semi-autobiographical fantasy “The Boy and the Heron” has its international premiere Sept. 7, it won’t just be the first animated film to open TIFF, or the master director’s first in a decade. It will be part of an unexpected resurgence of animated work for cineastes at major international festivals.

Rebecca Rubin Film and Media Reporter A raucous, deliriously madcap midnight premiere of “Dicks: The Musical” closed out the first day of the Toronto Film Festival. A24’s first-ever musical, which leans hard into its R-rating and puts an irreverent, queer spin on “The Parent Trap,” played to laughs, cheers, audible gasps and shrieks and, yes, a few groans from the Royal Alexandra Theatre.

There’s been a lot of jealous talk about nepotism in the film world lately, but who would really want to come into the movie world as a, what, fourth-generation Huston? There are likely swords already being sharpened for Jack Huston, the handsome, charming, 40-year-old nephew of Anjelica, grandson of Jack and great-grandson of Walter. But his directing debut, Day of the Fight, which premiered this week in the Venice Film Festival’s Horizons Extra section, is certainly worthy of the family name. It’s a little earnest, sometimes a bit too style-conscious, and Huston is inclined to put performance before story every time. But the emotional input really earns its payoff in a confident, imaginatively mounted calling card.

For his feature directorial debut, Day of the Fight, Jack Huston has reteamed with his former Boardwalk Empire colleague Michael Pitt to tell the story a once celebrated boxer who takes a redemptive journey through his past and present on the day of his first bout since leaving prison.

In Ava DuVernay’s 7th feature, Origin, which premiered at the Venice Film Festival tonight, the exploration of caste systems as a mode of oppression takes center stage. Written by DuVernay and Isabel Wilkerson, the film is adapted from the latter’s book, Caste: The Origin of Our Discontents. The narrative delves into the deep-seeded intricacies of caste and how it underpins much of society’s discrimination, sometimes transcending even race. The film stars Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, and includes performances by Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood and Connie Nielsen.

Prime Video has released first-look images of the long-awaited Lulu Wang’s limited series Expats set to be released in early 2024. The world premiere screening of its feature-length penultimate episode will take place at the Toronto International Film Festival on September 8.

The Huston dynasty has produced so many raw, undeniable talents that its younger members are undoubtedly among the very few “nepo babies” who can still come out of that exhausting discourse unscathed. We may even feel pity for them, sometimes, living as they do in the shadows of so many brilliant relatives.

As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieska Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its directors age. Awards-wise, this may prove to be the international feature to beat.

Bertrand Bonello is a director, like Bruno Dumont, whose ascent to date has been quite closely associated with the Cannes Film Festival, so it is a surprise to see his latest — a two-hander starring French movie queen Léa Seydoux — make its debut on the Lido. It is sure to be just as divisive here as it would on home turf, but, for those willing to accept its longueurs and absurdities, The Beast is a provocative piece of sci-fi that follows Twin Peaks: The Return down the rabbit hole of dream logic, spanning three time zones in a surreal but compelling examination of human relationships.