Jack Huston On Why Lightning Had To Strike To Get Him Behind The Camera For Directorial Debut ‘Day Of The Fight’, Reteaming With Michael Pitt & Being A Scion Of A Legendary Hollywood Family – Venice

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Day Of The Fight, the directorial debut of actor Jack Huston, has been set as the opening film of the 31st edition of the Raindance Film Festival, running October 25 — November 4.

Naman Ramachandran The 31st edition of London’s Raindance Film Festival will open with the U.K. premiere of British actor Jack Huston’s directorial debut “Day of the Fight.” The film comes to Raindance fresh off its Venice debut, where Huston was honored by Variety as a breakthrough director. The story of a once-renowned boxer who takes a redemptive journey through his past and present on the day of his first fight since he left prison stars Michael Pitt alongside a cast including Ron Perlman, Joe Pesci, and a cameo from Steve Buscemi.

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Jaden Thompson Jack Huston’s directorial debut “Day of the Fight” will make its North American premiere as the opening film for the 46th Mill Valley Film Festival on Oct. 5. The film debuted at the Venice Film Festival, where Huston was honored with Variety’s Breakthrough Director Award.

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There’s been a lot of jealous talk about nepotism in the film world lately, but who would really want to come into the movie world as a, what, fourth-generation Huston? There are likely swords already being sharpened for Jack Huston, the handsome, charming, 40-year-old nephew of Anjelica, grandson of Jack and great-grandson of Walter. But his directing debut, Day of the Fight, which premiered this week in the Venice Film Festival’s Horizons Extra section, is certainly worthy of the family name. It’s a little earnest, sometimes a bit too style-conscious, and Huston is inclined to put performance before story every time. But the emotional input really earns its payoff in a confident, imaginatively mounted calling card.

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The Huston dynasty has produced so many raw, undeniable talents that its younger members are undoubtedly among the very few “nepo babies” who can still come out of that exhausting discourse unscathed. We may even feel pity for them, sometimes, living as they do in the shadows of so many brilliant relatives.