International Trailer Unveiled for Venice-Premiering ‘To The North,’ Mihai Mincan’s Feature Debut (EXCLUSIVE)

Minari has been released by A24, available in both English and Korean translations.The 320-page book features director and writer Lee Isaac Chung’s never-before-published alternate ending to the 2020 film, which starred Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, Youn Yuh-jung and Will Patton.Other contents in the book include an original essay by Vietnamese American poet Ocean Vuong, a poem by Claude Wilkinson, and annotated photographs from Chung’s own childhood family albums.Yeun, who plays Jacob, also provides a foreword, which reads: “Isaac is a beautiful writer. When I first read his script, I remember feeling so moved.

The Santa Fe International Film Festival (SFiFF) has announced its first 15 feature titles. These films are part of the Special Presentation section and will be followed by a full schedule of competition films, short films, panels and events. SFiFF starts October 19 and will run through October 23.

Manori Ravindran International Editor Neon has acquired the North American rights to the thriller “How to Blow Up a Pipeline” out of the Toronto International Film Festival, where it world premiered in the auteur-driven Platform section. Based on Andreas Malm’s manifesto tackling the climate crisis, the film is directed by Daniel Goldhaber (“CAM”); produced, co-written and stars Ariela Barer (“Runaways”, “Atypical”); co-written by Jordan Sjol and edited by Daniel Garber (“CAM,” “Some Kind of Heaven”). “How to Blow Up a Pipeline” follows a group of young environmental activists who set out to sabotage an oil pipeline in a timely thriller that’s described as “part high-stakes heist, part radical exploration of direct action as climate activism.”

Elsa Keslassy International Correspondent Loco Films has boarded international sales rights to actor-turned-helmer Dinara Droukarova’s feature debut “Woman at Sea” which will world premiere in the New Directors section at the San Sebastian Film Festival. Produced by Marianne Slot and Carine LeBlanc at Paris-based Slot Machine (“Melancholia”), “Woman at Sea” stars Droukarova as Lili, who has left everything behind to travel to the end of the earth to fulfil her dream of fishing in the northern seas, in Iceland. She convinces Ian, a fishing boat skipper, to give her a chance and embarks on the Rebel. She is the only woman in the crew but she will win everybody’s respect thanks to her determination and courage. “We are proud of this first film, shot on the harsh northern seas about a young woman seeking the fresh air of freedom. A beautiful and free film and the birth of a new director,” said Laurent Danielou, founder and president of Loco Films.

Welcome back to Insider, Jesse Whittock here in the UK. You’ll find this week’s newsletter a bit different to the usual format. With emotions pouring out around the world following the passing of Queen Elizabeth II, we’re focusing only on coverage of the sadly historic event this week. You can still find our fantastic coverage from Venice, Telluride and Toronto by clicking the links, or search the International page for more exclusive stories and analysis. Normal service resumes next week.

Following the premiere of Olivia Wilde’s new film Don’t Worry Darling at the 2022 Venice International Film Festival, one piece of footage prompted fierce online debate. The clip in question, however, wasn’t from the film itself but from its screening’s aftermath, and it depicts what many are convinced is Harry Styles spitting on his co-star, American actor Chris Pine.

EXCLUSIVE: Well Go USA Entertainment has picked up North American rights to Korean action-thriller Project Wolf Hunting, which will bow in TIFF’s Midnight Madness section next week.

Leo Barraclough International Features Editor Reservoir Docs has acquired documentary “The Other Fellow,” which is about several men named James Bond, like the movie’s hero. It has debuted the trailer (below). The comedy-thriller premiered and won an award at Doc Edge New Zealand, and gets its European premiere in Dinard at the British Film Festival in France. In Jamaica in 1952, author Ian Fleming needs a name for his suave, sophisticated secret agent, so he steals one from an unaware birdwatcher and creates a pop-culture phenomenon about the ultimate fictional alpha-male. In 2022, the year of 007’s 60th anniversary onscreen, Australian filmmaker Matthew Bauer is on a global mission to discover the lasting, contrasting and very personal impacts of sharing such an identity with James Bond.

Eddie Redmayne To Be Honored With Zurich’s Golden Eye

#Venezia79 six-minute standing ovation for #TheWhale,” tweeted Ramin Setoodeh, Variety’s co-editor-in-chief, noting that the actor tried to leave the theater but the audience’s applause made him stay.After reaching a career high starring in “The Mummy” franchise and “George of the Jungle,” in many ways, some consider “The Whale” Fraser’s comeback moment that could quite possibly earn him an Oscar. The standing ovation for #TheWhale was so enthusiastic, Brendan Fraser tried to leave the theater but the crowd’s applause made him stay.

Who would have thought that, of all the top-shelf auteurs in Venice’s big comeback year, the most constrained would be Darren Aronofsky? His new competition film The Whale opens with that very intent — the screen is cropped to 1:33 — which turns out to be most appropriate for a small and intimate movie about a very big man.

A lesbian gym teacher navigates Margaret Thatcher’s Britain under the “Section 28” law in Blue Jean, Georgia Oakley’s debut feature premiering in the Venice Days section of the Venice Film Festival.

EXCLUSIVE: Fresh off multiple rave reviews last night, we can reveal that Altitude has secured UK and Ireland distribution rights to writer-director Georgia Oakley’s buzzy Venice, Toronto and London Film Festival-bound drama Blue Jean from London and Paris-based Film Constellation.

Nick Vivarelli International Correspondent British director Joe Wright, who helmed Winston Churchill drama “Darkest Hour” – which earned Gary Oldman an Oscar for his portrayal as the British prime minister – is set to change historical sides and direct TV drama “M,” which chronicles Benito Mussolini’s rise to power. The high-end series, which is based on Antonio Scurati’s Premio Strega-winning and international bestselling novel “M. Son of the Century,” traces the birth of Fascism in Italy and Mussolini’s ascent with an innovative approach that has sparked debate about the Fascist dictator’s legacy in Italy and abroad. “The writer understood and put on paper, with facts and documents and everything, that Mussolini is the guy – him and only him – who created what we now know as populism and Fascism,” said the show’s producer Lorenzo Mieli, speaking in Venice, where he is among producers of Luca Guadagnino’s “Bones and All.”

Manori Ravindran International Editor Don DeLillo’s debut novel, “Americana,” is set to be adapted 51 years after it was first published. “White Noise” producer Uri Singer (“Tesla,” “The King of Oil”) has bought the rights to the 1971 novel, continuing his streak of adapting a string of DeLillo works that have been deemed “unadaptable.” “Americana” tells the story of David Bell, an out-of-touch television executive who sets off on a road trip with his female colleague, Sullivan, to make an avant-garde film. The book explores the intricacies of corporate culture and examines how we create realities, whether they are true or not.

John Hopewell Chief International Correspondent Directing Penélope Cruz in Venice competition title “L’immensità,” Italy’s Emanuele Crialese is teaming with Argentina’s Nicolás Gil Lavedra to produce “Rona,” the second feature by Emiliano Torres, writer-director of San Sebastian Special Jury Prize winner “The Winter.” Produced by Crialese’s Italy-based Now and Buenos Aires Gamán Cine, set up by Lavedra and Torres, “Rona” is being structured as a majority European production and will shoot mainly in English. Lavedra, whose recent production credits include Paz Encina’s Rotterdam Tiger Award winner “Eami,” will oversee production.  “Rona” is one of the highest-profile of 14 titles at this year’s San Sebastian Europe-Latin America Co-Production Forum, one of the Spanish festival’s centrepiece industry events.