Joe Wright to Direct Mussolini TV Series ‘M’ From ‘Bones and All’ Producer Lorenzo Mieli (EXCLUSIVE)

Joe Otterson TV Reporter A series version of the David Cronenberg film “Scanners” is in development at HBO, Variety has confirmed. Per the official description, the series is “set in the mind-bending world of David Cronenberg’s seminal film. Pursued by relentless agents with unimaginable powers, two women living on the fringes of modern society must learn to work together to topple a vast conspiracy determined to bring them to heel.” William Bridges (“Black Mirror,” “Stranger Things”) will serve as writer, executive producer, and showrunner on the series. Yann Demange (“’71,” “Lovecraft Country) will direct and executive produce via Wayward Films. Cronenberg, who wrote and directed the original film, will serve as an executive producer. Michael Ellenberg and Lindsey Springer will executive produce on behalf of Media Res Studio. Meredith Duff and Sarah Sullivan of Wayward Films will also executive produce along with René Malo and Fanny-Laure Malo, Pierre David, Clark Peterson, and Aaron Gilbert. The show is a co-production between HBO, Media Res Studio, and Wayward Films.

BFI London Film Festival Adds Trio Of Titles 

Nick Vivarelli International Correspondent Italian producer Andrea Iervolino (“Waiting for the Barbarians”) has acquired a controlling stake in central London’s Mercato Metropolitano food market and teamed with British music producer David Tickle’s Tickle Entertainment on a doc series set there about global food culture. Iervolino, whose Iervolino and Lady Bacardi Entertainment (ILBE) company produces feature films including Bobby Moresco’s upcoming “Lamborghini,” is also the founder of innovative digital entertainment platform TaTaTu, a social media platform that uses a form of rewards points called TTU Coins. TaTaTu recently acquired a controlling stake in London’s Mercato Metropolitano from its founder Andrea Rasca who in 2016 established this pioneering community market as a space for social exchange and environmental sustainability. The Mercato is now being used as the location for an upcoming docu-series chronicling the journey of four chefs who sought refuge in the United Kingdom respectively from Syria, Namibia, Nepal, and Uzbekistan.

An expensive tribute. Queen Elizabeth II‘s funeral was an event unlike anything the United Kingdom has ever seen — and the cost reflected that fact.

Nick Vivarelli International Correspondent Prime Video has inked an overall creative deal with Italian writer-director Antonio Dikele Distefano, who is the originator of groundbreaking Netflix original series “Zero” that in 2021 marked Italy’s first show centered around the present-day lives of black Italian youth. Dikele, who was born in Italy to Angolan parents, is now making his feature film debut with an Amazon original film titled “Autumn Beat,” a coming-of-age drama about two brothers named Tito and Paco, who grew up in Milan and have the same dream: to break into the rap music world. “The duo seem destined for success—Paco is a born performer and Tito knows how to write like no other—but ambition, life, and love for the same woman will test their bond,” says the provided synopsis.

Nick Vivarelli International Correspondent Italian director Paolo Virzì (“Human Capital,” “Like Crazy”) is in Venice where his dystopic drama “Siccità,” which means drought in Italian, is premiering out-of-competition. The innovative pic, which features an A-list ensemble cast comprising Monica Bellucci, Sara Serraiocco (“Counterpart”) and Silvio Orlando (“The Young Pope”), is set amid a protracted drought caused by climate change in the Italian capital where the Tiber has dried up. Virzì spoke to Variety about how “Siccità” germinated during COVID-19 and was shot amid tight pandemic protocols. Excerpts. You worked with novelist and screenwriter Paolo Giordano on the concept and the script for this film. How did the collaboration start?

Nick Vivarelli International Correspondent Italian director Stefano Sollima, who is known in Hollywood for “Sicario: Day of the Soldado,” “Without Remorse” and TV show “Gomorrah,” is back behind camera on a contemporary Rome-set crimer titled “Adagio.” Shooting started Sept. 5 on “Adagio” which features an ensemble cast of Italian A-listers comprising Pierfrancesco Favino (“Nostalgia”), Toni Servillo (“The Great Beauty”), Valerio Mastandrea (“Perfect Strangers”) and Adriano Giannini (“The Ties”). “I am eager and full of enthusiasm about finally returning to depict my city after all these years. Rome has changed, and so have I,” Sollima said in a statement for Variety. He went on to describe “Adagio” as a dark story of revenge and redemption, which will be the last chapter of my Roman criminal trilogy.”

, Joy Behar has got the formula down. ET spoke to Behar backstage at the show's season 26 premiere Tuesday, where she revealed how she's weathered the sometimes-rocky group dynamic on the show.«Oh, I vent plenty. I vent,» Behar said of how she de-stresses behind the scenes after some of the heated discussions had on the show.

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Nick Vivarelli International Correspondent Cairo-based film marketing and distribution outfit MAD Solutions has acquired rights for Arab territories to Venice competition entry “Les Miens” (“Our Ties”), directed by French actor and filmmaker of Moroccan descent Roschdy Zem. “Our Ties” is co-written by Zem with actor/director Maïwenn (“Polisse,” “Mon Roi”), who co-stars. Zem is a French cinema fixture, having starred in pics including “Other People’s Children” and directed several films including 2019’s “Persona Non Grata.” “Ties” is a drama about family dynamics centered around a man played by Sami Bouajila whose personality changes radically after he suffers a head injury. Zem plays his TV presenter brother.

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

Timothee Chalamet had all of Venice seeing red on Friday night at the world premiere of “Bones & All.” The actor donned a sparkling red pantsuit (with no back above the waist) in the shade of blood, a cheeky wink to the drama’s central protagonists — two cannibals in love.The drama, which reteams Chalamet with his “Call Me By Your Name” director Luca Guadagnino, lives up to its title with gory attacks and scenes that involve limb chewing and eating. But despite the uncomfortable subject matter, the audience at the Venice premiere for the movie devoured “Bones & All.” The film received a 8.5-minute standing ovation, the longest and most enthusiastic of the festival so far. (It handily beat the previous record holder “Tar,” a drama starring Cate Blanchett as a tortured composer.)

Timothee Chalamet is making a fashion statement on the red carpet at the 2022 Venice Film Festival!

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Since 2017’s “Darkest Hour,” for which Gary Oldman nabbed an Oscar for his portrayal of Winston Churchill, Joe Wright has had a rough go of it. His follow-up, “The Woman In The Window,” was first delayed, then shunted to Netflix because of the COVID-19 pandemic to negative reviews.

Nick Vivarelli International Correspondent Master documentary filmmaker Gianfranco Rosi, whose “Sacro Gra” won the Venice Golden Lion in 2013, is back on the Lido with “In Viaggio,” a doc about Pope Francis’ travels in which the director creates a counterpoint between archival footage and images that Rosi shot himself. Variety has been given access to an exclusive clip (above) from the film, which premieres in Venice on Sept. 5. In the first nine years of his pontificate, Pope Francis made 37 trips visiting 53 countries, focusing on his key issues: poverty, migration, the environment, solidarity and war. Intrigued by the fact that two of Francis’s trips – the first to the refugees landing in the Sicilian island of Lampedusa; the second in 2021 to the Middle East – so closely mirrored the itineraries of the director’s “Fuocoammare” (Fire At Sea, 2016) and “Notturno” (2020), Rosi follows the Pope’s Stations of the Cross. “He sees what he sees, hears what he says,” the press notes point out, and interweaves archival footage of Francis’ travels with images taken by Rosi himself and recent historical events.

ARMAGEDDON TIME (d. James Gray, U.S., 2022) BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (d. Alejandro González Iñárritu, Mexico-U.S., 2022) BOBI WINE, GHETTO PRESIDENT (d.

There’s always a great selection of films competing at the Venice Film Festival every year for the coveted Golden Lion. However, the competition at the festival’s 79th edition looks especially fierce.

Leo Barraclough International Features Editor The Zurich Film Festival will honor Italian director and screenwriter Luca Guadagnino at its 18th edition, which runs Sept. 22-Oct. 2. He will receive its “A Tribute To…” award on Sept. 30 before the screening of his latest film “Bones and All,” which plays in the Gala Premiere section, and will hold a public masterclass on Oct. 1. The film world premieres in Venice tomorrow. Guadagnino, born in Palermo in 1971, has been one of the most internationally sought-after directors since the success of “Call Me By Your Name” in 2017, which Guadagnino presented in person at the Zurich fest.