‘L’immensita’ Helmer Emanuele Crialese to Produce ‘Rona,’ from San Sebastian Winner Emiliano Torres (EXCLUSIVE)

Carlos Saura has suffered a minor fall and will no longer attend San Sebastian for the premiere of his latest film, The Walls Can Talk (Las paredes hablan), the festival has said.

“Blue Files” (“Karpeta Urdinak”, Ander Iriarte, Spain-France)  Iriarte directs a doc investigating his father’s potential torture while in police custody. The investigations take the doc deeper into findings from Basque’s “Research project on torture and ill-treatment in the Basque Country between 1960-2014.” Produced by Gastibeltza, Filmak, and Iriarte’s own Mirokutana.

Miguel Herran had a big premiere this past weekend at the 2022 San Sebastian Film Festival!

Caitlin Quinlan “Vive le cinéma!” goes the call from Tabakalera, International Centre of Contemporary Culture, at this year’s San Sebastián International Film Festival (SSIFF).  The Centre’s exhibition hall plays host to four cinematographic installations made by leading global filmmakers, a project which sees them transform their usual cinema-based practice into a more expansive and experimental gallery space.  The exhibition at Tabakalera marks a continuation of the series which began at the Eye Filmmuseum in Amsterdam last year in collaboration with the International Film Festival Rotterdam. Two works from the 2021 exhibition by Lemohang Jeremiah Mosese and Jia Zhang-ke will be on display again in San Sebastián, alongside two new productions from Georgian filmmaker Dea Kulumbegashvili (“Beginning”) and Spanish director Isaki Lacuesta (“One Year, One Night”). 

Pablo Sandoval Selected for main competition, “Pornomelancolía” premiered at San Sebastián over the festival’s first weekend. A Latin American buzz title at the festival last year when it played in pix-in-post section WIP Latam, “Pornomelancolía” opens a window onto the behind-the-scenes life of a porn influencer, Lalo. But, Argentine director Manuel Abramovich – who won the 2019 Silver Bear at Berlin with his short film “Blue Boy” – told Variety, “Pornomelancolía is not a film about pornography, it is a film about how we face the gaze of others.” “Pornomelancolía” was formed as part of 2018’s Ikusmira Berriak, a residency program in San Sebastian which is one of Spain’s foremost development labs. The film is lead produced by Gema Films in Argentina, with Brazil’s Desvia Filmes, Bordeaux-based Dublin Films and Mexico’s Marthfilms. Luxbox handles international sales; Filmin will handle distribution in Spain.

Anna Marie de la Fuente San Sebastian’s pix-in-post showcases, which have launched notable movies – Sebastian Lelio’s “Gloria” – and notable directors – Jayro Bustamante, introducing his debut “Ixcanul” – unspools in 2022, with the screenings of six WIP Latam titles taking place over Sept. 19 – 21. WIP Europe, with four titles, runs on Sept. 19 and 20.  In the mix is an awaited title from Chile, “Penal Cordillera,” directed by Felipe Carmona, produced by Dominga Sotomayor and Omar Zuñiga and sold by Luxbox, and “A Strange Path,” from Brazil’s Guto Parente, whose “The Cannibal Club,” acquired by Uncork’d Entertainment, made a stir by portraying a Brazil in which the rich literally eat the poor. 

Olivia Wilde is looking stunning on the red carpet!

Penelope Cruz received a special honor at the 2022 San Sebastian Film Festival this weekend!

John Hopewell Chief International Correspondent Austrian director Ulrich Seidl has cancelled his visit to San Sebastian for the Sept. 18 world premiere of “Sparta,” amid allegations of impropriety and child exploitation made against the director. The world premiere will still go ahead at San Sebastian with the film playing in main competition contending for San Sebastian’s Gold Shell. Seidl’s decision comes after the Toronto Film Festival pulled “Sparta” and on Sept. 14, FilmFest Hamburg announced that it would no longer be giving Seidl its Douglas Sirk Award, though it would be screening “Sparta.”

Penelope Cruz is taken by surprise as she sees so many fans at the premiere of her new movie, On The Fringe, during the 2022 San Sebastian Film Festival held at Victoria Eugenia Theatre on Friday (September 16) in San Sebastian, Spain.

Olivia Wilde had a warm greeting while arriving in Spain for the 2022 San Sebastian Film Festival!

John Hopewell Chief International Correspondent Packing its first full-on onsite edition since the pandemic, Spain’s San Sebastian Festival has never been busier or bigger. 10 Takes on what is shaping up as a vibrant edition:    Playing Off Powerful Market Forces Nine of Netflix’s 20 Top 10 non-English-language films and TV series are sourced from Spain or Latin America. Platforms are battling to tie down talent.  This year, eight movies from Spain and Latin America play in competition alone at San Sebastian, the most important film event in the Spanish-speaking world. The fest’s main sidebar is its New Directors strand. San Sebastian’s focus on the Spanish-speaking world and new talent now aligns with powerful market forces. That fact plays out over the 2022 edition.

Liza Foreman Expanding the diversity of Spain’s film-TV sector, Moroccan-Spanish director, Swel Noury Cazorla’s “Azahar Baby,” is 10 of ten projects pitching at San Sebastian first Creative Investors’ Conference, which is co-organized with CAA Media Finance.  Written, and to be directed, by Noury (“Heaven’s Door,” “The Man Who Sold the World”), the feature project is the first out of the gate for Noury and executive producer Sonia Ziadi Trives, who is also Moroccan–Spanish, at their Madrid-based joint production venture,Two Flavours Productions. “Azahar Baby” weighs in as a coming-of-age dramedy. It tells the story of Yusef, an aspiring filmmaker who is making a documentary to make sense of his identity as a second-generation Moroccan immigrant. 

Elsa Keslassy International Correspondent Loco Films has boarded international sales rights to actor-turned-helmer Dinara Droukarova’s feature debut “Woman at Sea” which will world premiere in the New Directors section at the San Sebastian Film Festival. Produced by Marianne Slot and Carine LeBlanc at Paris-based Slot Machine (“Melancholia”), “Woman at Sea” stars Droukarova as Lili, who has left everything behind to travel to the end of the earth to fulfil her dream of fishing in the northern seas, in Iceland. She convinces Ian, a fishing boat skipper, to give her a chance and embarks on the Rebel. She is the only woman in the crew but she will win everybody’s respect thanks to her determination and courage. “We are proud of this first film, shot on the harsh northern seas about a young woman seeking the fresh air of freedom. A beautiful and free film and the birth of a new director,” said Laurent Danielou, founder and president of Loco Films.

Holly Jones The scene opens on Barceloneta, by the shore, and four girls sit together near the boardwalk, looking out at the beach. The Movistar+ original series “Simple” begins as its title suggests, with a concise portrait of each of the four characters, prominent personality traits on display. Scripting ebullient women is something Spanish director Anna R. Costa never shies from, molding distinctive characters that permeate their scenes long after their exit. On the heels of her prior work on the Movistar+ sensation “Arde Madrid,” the streamer’s most-binged series after its premiere, “Simple” further proves that diverse female leads are in-demand, though, Costa admits, perhaps on account of their numbers. “In a matter of five years the audiovisual industry has made a strong commitment to the feminine.

Manori Ravindran International Editor Ulrich Seidl’s “Sparta” has been pulled from the Toronto International Film Festival amid allegations of impropriety and child exploitation against the director, but its premiere at next week’s San Sebastian Film Festival will continue as planned, Variety can reveal. A spokesperson for the Spanish festival tells Variety on behalf of festival management that “Sparta” will remain in competition. Providing a three-point list explaining their reasoning, San Sebastian said “the festival team assesses the films after their viewing according to their interest and quality” and that the event “does not have the ability to judge how a film has been shot and whether a crime has been committed in the course of the filming. If anyone has any evidence of a crime, they should report it to a judge.”

Even before the title flashes up for Venice Film Festival competition entry L’Immensita, we know that Penelope Cruz is the most fun mom – most likely the only fun mom – in town. She doesn’t just set the table for dinner; she puts on music, leads the kids in a choreographed dance and singalong as they pass plates and cutlery, emoting into a passing fork as if it were a microphone. Adults bore her. At a birthday dinner for an ancient relative, she slips under the table to join her children in removing and mixing up everyone’s shoes. “I want to play!” she says, eyes gleaming.

Nick Vivarelli International Correspondent In Italian director Emanuele Crialese’s new drama “L’Immensità,” which is set in 1970s Rome, Penélope Cruz plays a mother of three who, while contending with a violent Italian husband, winds up in a psychiatric institution. “I don’t think my character is crazy at all,” Cruz said. “She is trapped in her family. Trapped in her home, in her body. In the situation in which she finds herself living. She doesn’t have a plan B. There is no escape,” she added. “She’s not crazy at all. She’s oppressed in many different ways. And she simply can’t take it anymore.

Emanuele Crialese put in a buoyant performance at the Venice Film Festival Sunday, during which he discussed how his identity informed his Golden Lion contender L’immensità.

John Hopewell Chief International Correspondent “Walls Can Talk,” the latest film by Spain Carlos Saura, director of “Raise Ravens,” “Deprisa, Deprisa” and “Carmen,” has been acquired for intentional sales by Madrid-based Latido.   Produced by María del Puy Alvarado at Malvalanda (“Madre,” “The Mole Agent”) and distributed in Spain by José Maria nd Miguel Morales’ Wanda Vision, “Walls Can Talk” will world premiere at the San Sebastian Film Festival as an RTVE Gala.  The doc feature sees Saura conduct his own inquest into the origins of art, directing and for once starring in a film. In it, he visits masterpieces of paleolithic art– in Spain’s Altamira and El Castillo caves, for instance – and asks modern (Miquel Barceló) and graffiti artists and urban creators (Suso 33, Zeta, Musa71) about what drives them to paint.