San Sebastian-Bound ‘Woman at Sea’ Boarded by Loco Films, Trailer Unveiled (EXCLUSIVE)

Elsa Keslassy International Correspondent Magnolia Pictures has acquired U.S. rights to “Kompromat,” an action thriller film directed by Jerome Salle (“The Largo Winch” ), starring Gilles Lellouche (“The Stronghold”) and Joanna Kulig (“Cold War”). SND, the commercial arm of M6, is representing the film in international markets. Loosely based on a true story, “Kompromat” stars Lellouche as a French diplomat working in Siberia who is arrested overnight by the Russian authorities. Accused of sexually abusing his own daughter and imprisoned, he realizes he is a victim of a Kompromat. Someone is working with the FSB (Federal Security Service) to frame him. His only way out is to escape.

Elsa Keslassy International Correspondent Iceland’s leading production company Sagafilm Nordic has teamed with Swiss banner C-FILMS on “Codeword: Rubicon,” an espionage thriller series inspired by the infamous CIA operation involving the firm Crypto AG. Created by Hungarian director-writer Balazs Juszt(“I Love You, Too”), the eight-episode series has been commissioned by broadcaster Swiss Television (SRF). The show chronicles the story of how Crypto AG, a Swiss family-owned company manufacturing code-making machines founded in 1952 by a Swedish mathematician was secretly owned and operated by the CIA in partnership West German Intelligence services. From decades, the Swiss company sold equipment to more than 120 countries, including Iran and nuclear rivals India and Pakistan, and even the Vatican, according to the Washington Post. The role of the U.S. and West German intelligence was revealed by the Crypto Leaks.

Elsa Keslassy International Correspondent IFC Films has bought North American rights to Sebastien Marnier’s thriller “The Origin of Evil” starring “Call My Agent!” star Laure Calamy. The film world premiered at the Venice Film Festival and had its North American premiere at Toronto. The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”). Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.

Elsa Keslassy International Correspondent A trio of French films, the melodrama “A Family for 1640 Days,” political thriller “Goliath” and comedy “Adieu Paris,” are set to be released in the U.S. by the New York-based company Distrib Films. Both Fabien Gorgeart’s “A Family for 1640 Days” (“Une vraie famille”) and Edouard Baer’s “Adieu Paris” are represented in international markets by Le Pacte. “A Family for 1640 Days,” winner of the top prize at last year’s American French Film Festival, revolves around Simon, a six-year old adopted boy who is about to reunite with his biological father. The movie stars Melanie Thierry (“En therapie”) and Lyes Salem. Distrib Films is planning to release the film in early 2023 and have it play at festivals.

Elsa Keslassy International Correspondent Birds will fly, fish will swim and Emily will be in Paris. Darren Star’s Emmy-nominated escapist romantic comedy “Emily in Paris” will launch its third season on Netflix on Dec. 21. The streamer announced the date and revealed a teaser for the upcoming season on Saturday morning during its Tudum virtual fan event. The new footage shows Emily (Lily Collins) as she finds herself at a crossroads in every aspect of her life, deciding the pathway she will choose regarding her work and love life. Emily will have to figure out exactly where her loyalties lie and what those decisions mean for her future in France, all while continuing to immerse herself in the adventurous lifestyle that wandering through the city of love provides. 

Elsa Keslassy International Correspondent Netflix has unveiled first look images of Darren Star’s Emmy-nominated hit show “Emily in Paris” season three. The show’s third and fourth seasons are currently filming in France. Netflix will be unveiling some special news on “Emily in Paris” on Sept. 24 during its virtual Tudum event. The third season brings back producer and star Lily Collins also returns Lily Collins, Philippine Leroy-Beaulieu, Lucien Laviscount, Lucas Bravo, Ashley Park and Camille Razat, among others. Season three follows Emily as she finds herself at a crucial crossroads in every aspect of her life. Faced with two very different paths, Emily will have to decide exactly where her loyalties lie — at work and in her romantic life — and what those decisions mean for her future in France, all while continuing to immerse herself in the adventures and surprising twists and turns that life in Paris provides.  The first images unveiled today suggest Emily will reunite with her British boyfriend, played by Laviscount.

Elsa Keslassy International Correspondent Music Box Films has acquired U.S. rights to “Full Time,” Eric Gravel’s visceral social thriller which is one of the five finalists for France’s official submission to the 95th Academy Awards. Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films. Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.

Elsa Keslassy International Correspondent After “Midnight in Paris,” Woody Allen will return to the French capital for his 50th movie which he’s described as a “poisonous romantic thriller” with a pair of French stars, Valerie Lemercier (“Aline”) and Niels Schneider (“Love Affair(s))”. The untitled film, the plot of which is being kept under wraps, will start filming next month and will be entirely in French with a budget in the $10-million range. Allen has described the film to be similar to “Match Point,” in that it would be “exciting, dramatic and also very sinister.”  Allen sparked headlines earlier this week after Spanish newspaper La Vanguardia ran a story reporting that the New York-based filmmaker had told them he was planning on retiring. Allen’s representative then issued a statement saying that the director had “no intention of retiring.”

Elsa Keslassy International Correspondent Ruben Östlund’s Palme d’Or winning film “Triangle of Sadness” has been sold by Coproduction Office to major distributors around the world. “Triangle of Sadness,” which was acquired by Neon for North America at the Cannes Film Festival, just had its North American premiere at Toronto and is playing at the San Sebastian Film Festival. Coproduction Office has now sold the movie worldwide to major distributors. Recent deals have been closed with Stay Golden (China), Edko (Hong Kong), Impact (India), Gaga (Japan), Green Narae (South Korea), Catchplay (Taiwan), TBA Studios (Philippines), Sun (Latin America), Frontrow (Middle East), Forefont (South Africa) and Les Films 26 (French-speaking Africa). 

Anna Marie de la Fuente Ecuador’s Ana Cristina Barragán, an alum of San Sebastian’s post-graduate film school Elias Querejeta Zine Eskola (EQZE), has come full circle with her second feature “La Piel Pulpo” (“Octopus Skin”) as it competes at the San Sebastian Festival’s Horizontes Latinos, a year after it participated in the festival’s Work in Progress strand (WIP Latam). A coming-of-age family drama “La Piel Pulpo” turns on twins Iris and Ariel who live with their mother and younger sister on a remote island. Having grown up in this rarified environment with only the mollusks, birds and reptiles for company, the teens are inseparable and have formed a near transcendental connection with nature. Curious about the world beyond their island, Iris hitches a boat ride with a rare visitor to explore the mainland and search for their estranged father. The act of physically separating from her twin brother puts a strain on their relationship.

Olivia Wilde is looking stunning on the red carpet!

Penelope Cruz received a special honor at the 2022 San Sebastian Film Festival this weekend!

Liza Foreman Expanding the diversity of Spain’s film-TV sector, Moroccan-Spanish director, Swel Noury Cazorla’s “Azahar Baby,” is 10 of ten projects pitching at San Sebastian first Creative Investors’ Conference, which is co-organized with CAA Media Finance.  Written, and to be directed, by Noury (“Heaven’s Door,” “The Man Who Sold the World”), the feature project is the first out of the gate for Noury and executive producer Sonia Ziadi Trives, who is also Moroccan–Spanish, at their Madrid-based joint production venture,Two Flavours Productions. “Azahar Baby” weighs in as a coming-of-age dramedy. It tells the story of Yusef, an aspiring filmmaker who is making a documentary to make sense of his identity as a second-generation Moroccan immigrant. 

Elsa Keslassy International Correspondent Antonin Baudry, who made his feature debut with Netflix’s submarine thriller “The Wolf’s Call,” is set to adapt Homer’s epic war tales of “The Iliad and The Odyssey” into a science fiction series titled “Ulysse.” Pathé has recently boarded the series project which is being co-developed by Axelle Boucai (The Mad’s Women Ball”) and Alain Goldman (“La Vie en Rose,” “The Mad’s Women Ball”) at Paris-based Ness Films. “Antonin Baudry is writing the adaptation and had the idea of transposing these mythological tales in space and in the future,” said Boucai, who cited “Dune” as inspiration.

Elsa Keslassy International Correspondent Florian Zeller, the French filmmaker behind the Oscar-winning “The Father” and “The Son,” is set to make his TV debut with the adaptation of Stefano Massini’s play “The Lehman Trilogy.” Zeller will write, direct and co-produce the series under his newly formed Blue Morning. Lorenzo Mieli at The Apartment Pictures, a Fremantle company, and Domenico Procacci at Fandango are executive producing the series. The pair previously teamed on the acclaimed series “My Brilliant Friend” based on the Elena Ferrante novels. Massini’s epic drama charts the history of one of the global financial institutions that helped spark the 2008 recession. The original production inspired Sam Mendes to stage an English-language version of Massini’s five-hour play. Adapted by Ben Power, the production won five Tony Awards earlier this year, including prizes for Sam Mendes’ direction and for the lead performance of Simon Russell Beale.

Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.  But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.

Elsa Keslassy International Correspondent Canal+, France’s leading pay TV group, has signed distribution deals with Universal and Sony to ramp up its programming of U.S. movies. Under the pact, Canal+ now has access to the studios’ new films six months after their releases. Sony’s “Spiderman : No Way Home” is currently being broadcast on Canal+’s linear pay TV channels, along with its transactional VOD platform, My Canal. The news was half-revealed by Maxime Saada, Canal+ Group’s chair and CEO, during the company’s upbeat press conference on Sept. 14, which was held at their posh headquarters in Paris. Saada, who recently joined the management board of Vivendi, Canal Plus Group’s parent company, said the outfit already boasts partnerships with Fox, Disney and Warner, as well as Paramount.

Elsa Keslassy International Correspondent   Eight years after delivering his Oscar-nominated film “Timbuktu,” Abderrahmane Sissako is set to make his anticipated directorial comeback with “The Perfumed Hill.” Gaumont is representing in international markets and will introduce it to buyers at at Toronto. The French studio will also distribute the film in France, while Cohen Media Group will release it in the U.S. Re-teaming Sissako with his “Timbuktu” co-writer Kessen Tall, “The Perfumed Hill” is a romance drama set between China’s tea hills, the Ivory Coast and Cape Verde. It stars Nina Melo (“Girlhood”), Han Chang (“Little Big Women”) and Ke-Xi Wu (“Nina Wu”).

Elsa Keslassy International Correspondent Les Films Pelleas, the Paris-based banner behind Mia Hansen-Love’s “One Fine Morning” (pictured), is set to produce Guillaume Senez (“Our Struggles”)’s next project, as well as the feature debut of Anne-Sophie Bailly whose short “The Midwife” is currently playing at Telluride. The Paris-based banner’s roster of completed roster includes Karim Moussaoui’s “L’Effacement,” and Annie Ernaux’s documentary “Les annes Super-8.” “Mona” revolves around around a woman in her 60’s who raised alone her disabled son and is at a point in her life where she aspires to start caring for herself. But when her son is unexpectedly having a baby, Mona finds herself with another heavy responsibility to bear.

Elsa Keslassy International Correspondent After taking a break from his filmmaking career to preside over the French film promotion org Unifrance, Jean-Paul Salomé has made a big comeback with a pair of films with Oscar-nominated French actor Isabelle Huppert. The latest one, “The Sitting Duck,” is world premiering at Venice in the Horizons section. Adapted from Caroline Michel-Aguirre’s book “La Syndicaliste,” “The Sitting Duck” tells the true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse who becomes a whistleblower, denouncing top-secret deals that shook the French nuclear sector. One day, Kearney is found in her home, tied to a chair, the letter “A” carved into her abdomen, and a knife handle inserted into her vagina. Traumatized, she has no memory of the assault. However, after an investigation, the police accused her of staging the attack herself.