Indonesia’s KawanKawan Teams With Singapore’s Momo to Co-Produce ‘Dreaming & Dying,’ ‘Don’t Cry Butterfly’ (EXCLUSIVE)

Elsa Keslassy International Correspondent ITV in the U.K. has acquired “Bali 2002,” a new four-part drama exploring the everyday heroes directly impacted by the terrorist bombings on the Indonesian island’s tourist hotspots 20 years ago. Represented by Banijay Rights, the drama stars Rachel Griffiths (“Total Control”), Richard Roxburgh (“Rake”) and Claudia Jesse (“Bridgerton”). It will air on the new streaming service ITVX next year. “Bali 2002” was co-produced by Banijay labels, Endemol Shine Australia and Screentime, and marked the first original drama co-commissioned by the Australian streamer Stan and commercial TV group 9Network. The series premiered last month on Stan.

Patrick Frater Asia Bureau Chief Singapore has banned the release of “#LookAtMe,” a feature film by local director Ken Kwek. The InfoComm Media Development Authority said that the film exceeds film classification guidelines because it denigrates a religious community. Supposedly based in true events, the film depicts a man who is offended by a pastor who preaches against homosexuality, but whose behavior contradicts his teachings. The protagonist’s viral video about the aberrant priest lands him in jail, causing the man’s gay identical twin to fight for justice. “#LookAtMe,” premiered at the New York Asian Film Festival and local media report that the film has been selected for next month’s Singapore International Film Festival. But the IMDA ruling means that it cannot now be shown in any form in Singapore unless Kwek is successful with an appeal.

Leo Barraclough International Features Editor Limonero Films, an independent boutique distributor of factual programming and documentaries, is launching a selection of documentaries and factual entertainment series at the Mipcom TV market. The titles are “Women Behind the Wheel,” produced by Dartmouth Films in the U.K., the wildlife titles “Wild Icons of Iberia” and “Heroines of the Savannah,” both by Azor Productions in Spain, “The Baby Makers,” from Mediacorp in Singapore, and “Shepherds of the Earth,” by Guerrilla Films in Finland. In “Women Behind the Wheel,” two 22 year-olds drive 3,500 miles along the Pamir highway to meet the women of Central Asia coping with the changes in their society since the collapse of the Soviet Union.

In one of the first such cases of its kind, a court in Singapore sentenced adult content creator Titus Low Kaide to three weeks imprisonment and a fine of $3,000 over his OnlyFans account. A local court convicted him of charges of transmitting obscene materials online and breaching a police order not to access his OnlyFans account. The Strait Times reported that Low pleaded guilty to both charges. Following his sentencing, Low took to social media to address his fans. He said that he will start his prison sentence in a few weeks, but he “was glad the case was over” as it was taking a toll on his mental health. In another Instagram story, he posted from an event: “Enjoying my time outside first”.

Jazz Tangcay Artisans Editor Industrial Light & Magic (ILM) has announced its plans to expand global operations. The former head of studio at DNEG Bangalore and Chennai, Kiran ‘KP’ Prasad will head a full pipeline studio which will be based in Mumbai.  The visual effects division of Lucasfilm Ltd. is headquartered in San Francisco and has studios in Vancouver, London, Singapore and Sydney. It will open a new full pipeline studio, operating full visual effects and animation services for film and television in Mumbai to gain access to the talent base in the region.  Prasad will lead operations and report to ILM SVP and General Manager, Janet Lewin. 

Rebecca Souw TITLE: Behind The Scenes For Singapore-Korea Co-Production “Ajoomma” And Its Journey Ahead Post-Busan The past few weeks have gone by in a blur for Singapore-Korean co-produced comedy film “Ajoomma.” In a short span, it had a world premiere at the 27th Busan International Film Festival, earned four Golden Horse nominations including best actress, best new director, best original screenplay and best supporting actor. And Singapore has selected the film as itOscars contender. But it took seven years to get his far. At a Busan workshop on Saturday, first-time director He Shuming, co-founder of Giraffe Pictures and the film’s executive producer Anthony Chen and co-producer Lee Joon-han discussed the how the film came to life. “Ajoomma: The Curious Case Study of a Singaporean-Korean Co-production” was presented by mylab at the Asian Contents & Film Market.

Naman Ramachandran The Indonesian Ministry of Education, Culture, Research and Technology (Kemendikbudristek) has expressed its support for the strong contingent of filmmakers from the country at the Busan International Film Festival. There are 20 participants from Indonesia across the festival’s various strands. Indonesian content in the festival program includes: Makbul Mubarak’s Venice winner and Toronto selection “Autobiography” and Kamila Andini’s “Before, Now & Then” (“Nana”) in A Window on Asian Cinema section; Joko Anwar’s “Satan’s Slave 2: Communion” at Midnight Passion; series “Blood Curse” in the On Screen program; and two Indonesian co-productions – the omnibus “Look at Me, Touch Me, Kiss Me” and “Stone Turtle” are also included at A Window on Asian Cinema. In the Asian Project Market, “Gaspar,” directed by Yosep Anggi Noen and produced by Yulia Evina Bhara and Christian Immanuel, features, and 10 young Indonesian filmmakers are participating at Platform Busan.

Naman Ramachandran Singapore’s Momo Film Co has boarded a raft of projects, it was revealed on the opening day of the Busan Asian Contents & Film Market on Saturday. Momo, in which Blue Ant Media’s Beach House Pictures has a majority stake, was founded in 2018 by writer-director Kris Ong (“Sunday”) and Tan Si En, who is a co-producer on Busan and Locarno title “Arnold is a Model Student.” Tan has boarded “Andragogy” by Wregas Bhanuteja (Cannes winner “Prenjak,” Busan 2021 title “Photocopier”) as a co-producer. The film will follow Prani, a middle-aged schoolteacher, whose angry video goes viral and she gets trolled online. Adi Ekatama is producing for Indonesia’s Rekata Studio (“Photocopier”).

Naman Ramachandran A heavyweight producers panel discussed the modalities of producing independent films in Southeast Asia at a mylab panel on the sidelines of the Busan International Film Festival on Thursday. Panelists included: Liza Diño, former chair of Film Development Council of the Philippines (FDCP) who had greenlit several films during her tenure; Indonesia’s Yulia Evina Bhara, producer of Venice-winner “Autobiography” that’s also playing at Busan; Thailand’s Donsaron Kovitvanitcha, producer of Locarno and Busan title “Arnold is a Model Student,”; and Malaysia’s Haris Sulong, producer of “Beautiful Mind.” The discussion was moderated by Variety Asia editor Patrick Frater.

Rebecca Souw Along with “Return to Seoul” and Kore-eda Hirokazu’s “Broker,” Singaporean comedy film “Ajoomma” joins a growing list of recent foreign movies set in Korea or probing contemporary Korean culture.  “Ajoomma,” which premieres at the upcoming Busan International Film Festival on Friday in the New Currents competition section, tells the story of stereotypical Singaporean middle–aged woman (or “auntie”). Her obsession with Korean TV dramas leads her to visit Korea for the first time and as a result, embarks on a journey of self-discovery. 

Naman Ramachandran Malala Yousafzai, who heads her own film and TV production company, Extracurricular Productions, is joining “Joyland,” Pakistan’s Oscar submission in the international feature category, as an executive producer. The film had its world premiere at Cannes earlier this year where it won the Queer Palm and the jury prize at the festival’s Un Certain Regard strand. It subsequently had its North American premiere at Toronto. It is currently playing at both the BFI London Film Festival, where it is competing for the Sutherland Award, which recognizes the most original and imaginative directorial debut, and the Busan International Film Festival, where it is in the A Window on Asian Cinema strand.

TheSingapore Film Commission has selected He Shuming’s Singapore-Korea co-production Ajoomma as its submission to the best international feature category at the Oscars.

Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.

Naman Ramachandran Mani Ratnam’s Tamil-language epic “Ponniyin Selvan: 1” has scored a worldwide opening weekend of INR2 billion ($24.5 million), according to numbers released by co-producers Madras Talkies. In the process, the film has rewritten some records for Tamil-language cinema. The film released on Sept. 30 and collected $9.8 million on that day, making it the highest all-time opening day for a Tamil-language film. In the U.S., the film opened in sixth position with $4.01 million, making it the highest opening for a Tamil-language film in the territory. It also had the highest per screen average of $8,036 among films in the top 10.