Silent era movie icon Anna May Wong is now a different kind of star. Starting Monday, her image will appear on new quarters, making her the first Asian American to appear on US currency.
04.10.2022 - 05:53 / deadline.com
TheSingapore Film Commission has selected He Shuming’s Singapore-Korea co-production Ajoomma as its submission to the best international feature category at the Oscars.
The film, which is He’s feature directorial debut, traces a middle-aged widow’s obsession with Korean pop culture and her journey to self-discovery on a trip to Korea. Chen is a director-producer, with directing credits including Ilo Ilo and Wet Season.
Billed as the first Singapore-Korea co-production, Ajoomma is making its world premiere in the New Currents competition of the Busan International Film Festival, which kicks off tomorrow (October 5-14).
Produced by Chen’s Giraffe Pictures and co-produced by Korea’s Lee Joonhan, the film was supported by Infocomm Media Development Authority (IMDA)’s New Director grant. China’s Rediance is handling international sales.
It received four nominations for the upcoming Golden Horse Awards in Taiwan including Best New Director, Best Original Screenplay, Best Leading Actress for veteran Singaporean actress Hong Huifang, and Best Supporting Actor for Korean actor Jung Dong-hwan.
The film will be released in cinemas in Singapore on October 27, through Golden Village Pictures.
Chen said, “After Ilo Ilo, Pop Aye and Wet Season, Giraffe Pictures is honoured to fly the flag again as Singapore’s Oscar contender with He Shuming’s charming debut Ajoomma. We are just at the start of the film’s journey and look forward to bring laughs and tears to audiences far and beyond our shores. This is definitely the Singapore film of the year to watch!”
Silent era movie icon Anna May Wong is now a different kind of star. Starting Monday, her image will appear on new quarters, making her the first Asian American to appear on US currency.
Patrick Frater Asia Bureau Chief Singapore has banned the release of “#LookAtMe,” a feature film by local director Ken Kwek. The InfoComm Media Development Authority said that the film exceeds film classification guidelines because it denigrates a religious community. Supposedly based in true events, the film depicts a man who is offended by a pastor who preaches against homosexuality, but whose behavior contradicts his teachings. The protagonist’s viral video about the aberrant priest lands him in jail, causing the man’s gay identical twin to fight for justice. “#LookAtMe,” premiered at the New York Asian Film Festival and local media report that the film has been selected for next month’s Singapore International Film Festival. But the IMDA ruling means that it cannot now be shown in any form in Singapore unless Kwek is successful with an appeal.
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Naman Ramachandran Indonesia’s KawanKawan Media has partnered with Singapore’s Momo Film Co on Nelson Yeo’s “Dreaming & Dying” and Duong Dieu Linh’s “Don’t Cry Butterfly,” it was revealed at this week’s Asian Contents & Film Market, held on the sidelines of the Busan International Film Festival. “Dreaming & Dying,” about three middle aged individuals who are forced to confront their inner demons as a long-buried love triangle between them resurfaces, is currently in production. Yeo said: “ ‘Dreaming & Dying’ is the accumulation of my obsession with dreams and memories. Primarily, it is about how we choose to remember things in our own ways, and as time passes, that fantasy becomes the reality.”
In one of the first such cases of its kind, a court in Singapore sentenced adult content creator Titus Low Kaide to three weeks imprisonment and a fine of $3,000 over his OnlyFans account. A local court convicted him of charges of transmitting obscene materials online and breaching a police order not to access his OnlyFans account. The Strait Times reported that Low pleaded guilty to both charges. Following his sentencing, Low took to social media to address his fans. He said that he will start his prison sentence in a few weeks, but he “was glad the case was over” as it was taking a toll on his mental health. In another Instagram story, he posted from an event: “Enjoying my time outside first”.
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Rebecca Souw TITLE: Behind The Scenes For Singapore-Korea Co-Production “Ajoomma” And Its Journey Ahead Post-Busan The past few weeks have gone by in a blur for Singapore-Korean co-produced comedy film “Ajoomma.” In a short span, it had a world premiere at the 27th Busan International Film Festival, earned four Golden Horse nominations including best actress, best new director, best original screenplay and best supporting actor. And Singapore has selected the film as itOscars contender. But it took seven years to get his far. At a Busan workshop on Saturday, first-time director He Shuming, co-founder of Giraffe Pictures and the film’s executive producer Anthony Chen and co-producer Lee Joon-han discussed the how the film came to life. “Ajoomma: The Curious Case Study of a Singaporean-Korean Co-production” was presented by mylab at the Asian Contents & Film Market.
Naman Ramachandran Singapore’s Momo Film Co has boarded a raft of projects, it was revealed on the opening day of the Busan Asian Contents & Film Market on Saturday. Momo, in which Blue Ant Media’s Beach House Pictures has a majority stake, was founded in 2018 by writer-director Kris Ong (“Sunday”) and Tan Si En, who is a co-producer on Busan and Locarno title “Arnold is a Model Student.” Tan has boarded “Andragogy” by Wregas Bhanuteja (Cannes winner “Prenjak,” Busan 2021 title “Photocopier”) as a co-producer. The film will follow Prani, a middle-aged schoolteacher, whose angry video goes viral and she gets trolled online. Adi Ekatama is producing for Indonesia’s Rekata Studio (“Photocopier”).
Rebecca Souw Along with “Return to Seoul” and Kore-eda Hirokazu’s “Broker,” Singaporean comedy film “Ajoomma” joins a growing list of recent foreign movies set in Korea or probing contemporary Korean culture. “Ajoomma,” which premieres at the upcoming Busan International Film Festival on Friday in the New Currents competition section, tells the story of stereotypical Singaporean middle–aged woman (or “auntie”). Her obsession with Korean TV dramas leads her to visit Korea for the first time and as a result, embarks on a journey of self-discovery.
Naman Ramachandran Celebrated filmmakers Anthony Chen (“Wet Season”), Anurag Kashyap (“Dobaaraa”), Ifa Isfansyah (“Losmen Bu Broto”), Joko Anwar (“Impetigore”) and Ho Yuhang (“The Ghost Bride”) are serving as directing mentors for the ongoing Malaysian Development Lab for Fiction Feature Films (mylab) initiative at the Busan International Film Festival. The directing mentors will work with the filmmakers of mylab and participate in depth conversations and exchanges on cinema and filmmaking. An incubator program for scriptwriters, directors, producers to work on developing scripts and film projects under lectures and the guidance of regional and international experts in scriptwriting, directing, producing, distribution, and markets and festivals, mylab focuses on projects at an early stage of development, with a team of scriptwriter, director and/or producer attached, targeted at regional or international audiences.
Patrick Frater Asia Bureau Chief Hong Kong multi-hyphenate Peter Chan Ho-sun is far too intellectual to call himself an “arms dealer,” as Sony Pictures has in casting itself as an unattached supplier to streaming platforms. But politeness and Bob Dylan references aside, Chan’s new company, Changin’ Pictures, aims to become a major independent purveyor of premium Asian TV content for the streamers. The company is using this week’s Busan International Film Festival as its launchpad and will unveil the first five series of its 20-title pan-Asian slate. Chan’s thesis is that global audiences are hungry for Asian content but have not been able to access it easily under legacy film and TV distribution systems. With streaming making everything accessible everywhere, and audiences no longer balking at subtitles, quality Asian drama can and will travel.
China still has much to gain from its current relationship with Russia even as the invasion of Ukraine drags on, turning Russia into an international pariah and threatening to rub off on China’s reputation as well. "China has, in effect, doubled down on its support for the Putin war effort, and we saw this, for instance, last month when China's third rank leader went to Moscow, spoke to the State Duma, and in very clear terms, expressed Beijing's support for Russia," Gordon Change, author of "The Coming Collapse of China," told Fox News Digital. "Then, [we] see Jinping himself when he was in Uzbekistan for the Shanghai Cooperation Organization summit, actually confirmed that endorsement," Chang added. "The only conclusion that we can come to is that Beijing is not backing away from Russia." The China and Russia dynamic has remained a troubling one for the United States since even before the invasion of Ukraine started in March 2022.
Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.
EXCLUSIVE: Poppy Liu has joined the Stampede Ventures movie Space Cadet which is currently filming with Emma Roberts (Holidate, Madame Web), Gabrielle Union (The Inspection, Bad Boys II), Tom Hopper (The Umbrella Academy, Love in the Villa), Columbian Pop Star Sebastián Yatra, David Foley (The Kids in the Hall, A Bug’s Life), and Desi Lydic (The Daily Show, Awkward). Liz. W. Garcia (The Lifeguard) is helming off her screenplay.
Ashley Cain is the former footballer who, at the age of only 32, has gone through more than what most people would in a lifetime after the heartbreaking loss of his baby daughter Azaylia, who died at eight months old from leukaemia. Ashley is currently starring in Channel 4's Celebrity SAS: Who Dares Wins, the show that pushes celebrities to the limit, both mentally and physically. Ashley has endured a heartbreaking couple of years, after his daughter, Azaylia Diamond Cain, who he shared with ex-partner Safiyya Vorajee, was born in August 2020, and was diagnosed with an aggressive form of leukaemia just two months later.