EXCLUSIVE: Ken Jeong (Crazy Rich Asians) and Lochlyn Munro (Riverdale) have signed on to star alongside Zhang Jingchu, Michelle Krusiec and more in Impossible Dream Entertainment’s comedy Tiger Mom, which has entered production in Vancouver.
04.10.2022 - 04:17 / variety.com
Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.
The company expects to sign up a mix of Asia’s top-billing established filmmakers and fresh talents “to create innovative drama series for Pan-Asian netizens, with an eye to cross-cultural global assimilation.” Its COO is Esther Yeung, a seasoned executive with ten years at Bill Kong’s Edko Films and prior experience at Fortissimo Films. Changin’ Pictures will unveil its first five series in Busan, representing a quarter of the projects it already has in active development, and expects to deliver in its first four years. The figure excludes follow-on seasons and spinoffs. The first shows hail from Hong Kong, Korea, Taiwan, Thailand and Japan. Subsequently, the firm will cast its net wider and expand to Indonesia, Vietnam, the Philippines, Singapore and Malaysia. “We aspire to be Asia’s most effective one-stop-shop for international production partners and streaming platforms,” said Chan. “It
EXCLUSIVE: Ken Jeong (Crazy Rich Asians) and Lochlyn Munro (Riverdale) have signed on to star alongside Zhang Jingchu, Michelle Krusiec and more in Impossible Dream Entertainment’s comedy Tiger Mom, which has entered production in Vancouver.
Naman Ramachandran For the first time in its 37-year history, the SXSW festival in Austin will host South Asian House, an initiative to celebrate South Asians from India, Nepal, Pakistan, Bangladesh, Sri Lanka, Bhutan, and Maldives as well as accomplished members of the diaspora. The initiative, scheduled for the first weekend of SXSW on March 11 and 12, 2023, will feature programming around film and television, dance and music, technology, business, fashion, comedy and climate change from a South Asian world view across plenaries, sessions, panel discussions, workshops, art exhibits, book launches and music concerts. It will take place in the 4th Street neighborhood of downtown Austin, near the Austin Convention Center event headquarters.
Patrick Frater Asia Bureau Chief Korean indie production house, IMTV is developing and will produce a drama series based on the New York Times best-selling novel, “The Island of Sea Women” by Lisa See. The story is set largely on the remote Korean island of Jeju, among the community of ‘haenyo,’ women who earn a living by free diving for mollusks, seaweed and other sea life from the depths of the ocean. Representatives of a rare semi matriarchal society, the women work while the menfolk typically stay at home, though property is passed down along male lines. Celebrated activist and Nobel Prize-winner Malala recently boarded a documentary project about the haenyo of Jeju that is set up at the A24 U.S. indie studio.
K.J. Yossman Jemima Khan (“What’s Love Got to Do With It?”) and Jaime Ray Newman (“Dopesick”) have boarded Seemab Gul’s Oscar-qualifying short film “Sandstorm” as executive producers. A coming of age story, centering around a Pakistani schoolgirl called Zara, “Sandstorm” navigates the “tricky terrain of internet dating in a conservative Muslim society,” according to the logline as well as questions “the objectification of the female body and its relationship to honor in Pakistani culture.” In the short, Zara sends her virtual boyfriend a “sensual dance video” which he then uses to blackmail her. “Caught between his manipulative behaviour and the desire to experience love on her own terms, Zara searches for the strength to reject the confines of a patriarchal society,” reads the synopsis.
Manori Ravindran International Editor An uplifting documentary about an Irish teacher who uses Plato’s teachings to defuse violence among his young pupils is set to be adapted into a feature film by The Bureau, the producers of “Supernova.” Directed by Neasa Ní Chianáin (“School Life”) and Declan McGrath and produced by David Rane for Soilsiú Films, “Young Plato” was recently released in U.S. cinemas following a major 40-festival run. The film has won nine Irish and international awards, including the George Morrison Feature Documentary Award at the Irish Film and Television Academy (IFTA) Awards, the ICCL Human Rights on Film Award, the Special Jury Award at the Thessaloniki Film Festival, and an Honorable Mention at Greenwich IFF.
Naman Ramachandran A heavyweight producers panel discussed the modalities of producing independent films in Southeast Asia at a mylab panel on the sidelines of the Busan International Film Festival on Thursday. Panelists included: Liza Diño, former chair of Film Development Council of the Philippines (FDCP) who had greenlit several films during her tenure; Indonesia’s Yulia Evina Bhara, producer of Venice-winner “Autobiography” that’s also playing at Busan; Thailand’s Donsaron Kovitvanitcha, producer of Locarno and Busan title “Arnold is a Model Student,”; and Malaysia’s Haris Sulong, producer of “Beautiful Mind.” The discussion was moderated by Variety Asia editor Patrick Frater.
Patrick Frater Asia Bureau Chief Kamila Andini, Indonesian filmmaker and member of the jury at this year’s Busan International Film Festival, said that she would look out for “Asian texture” among the films presented in the festival’s premiere New Currents competition section. French director Alain Guiraudie said that he would be seeking “new colors” and “new flavors.” He added that he thought Asian cinema could be “enigmatic and mysterious.” Both were speaking at a meet the press event on Thursday, the first full day of the festival. And jurors have yet to start screening the competition titles.
Patrick Frater Asia Bureau Chief Hong Kong multi-hyphenate Peter Chan Ho-sun is far too intellectual to call himself an “arms dealer,” as Sony Pictures has in casting itself as an unattached supplier to streaming platforms. But politeness and Bob Dylan references aside, Chan’s new company, Changin’ Pictures, aims to become a major independent purveyor of premium Asian TV content for the streamers. The company is using this week’s Busan International Film Festival as its launchpad and will unveil the first five series of its 20-title pan-Asian slate. Chan’s thesis is that global audiences are hungry for Asian content but have not been able to access it easily under legacy film and TV distribution systems. With streaming making everything accessible everywhere, and audiences no longer balking at subtitles, quality Asian drama can and will travel.
Naman Ramachandran Malala Yousafzai, who heads her own film and TV production company, Extracurricular Productions, is joining “Joyland,” Pakistan’s Oscar submission in the international feature category, as an executive producer. The film had its world premiere at Cannes earlier this year where it won the Queer Palm and the jury prize at the festival’s Un Certain Regard strand. It subsequently had its North American premiere at Toronto. It is currently playing at both the BFI London Film Festival, where it is competing for the Sutherland Award, which recognizes the most original and imaginative directorial debut, and the Busan International Film Festival, where it is in the A Window on Asian Cinema strand.
Hong Kong filmmaker Peter Ho-sun Chan has launched a production company to focus on streaming content, Changin’ Pictures, with a debut slate of five projects and talent including action star Donnie Yen and Chinese actress Zhang Ziyi.
TheSingapore Film Commission has selected He Shuming’s Singapore-Korea co-production Ajoomma as its submission to the best international feature category at the Oscars.
Chris Cuomo debuted his new NewsNation show on Monday with a pledge that his nightly hour “won’t be typical.”
Patrick Frater Asia Bureau Chief EST Studios, the film company established this year by 88Rising co-founder Jaeson Ma and former Vice Media executive Eric Tu, has struck a partnership arrangement with China’s Hugoeast Media. The partnership is looking at an initial slate of eight projects, with EST Studios representing sales at the major film markets including the upcoming Asian Contents and Film Market and Asian Project Market at the Busan International Film Festival. EST will be the exclusive representative for Hugoeast’s titles in North America. In other territories (outside of China) it will handle them on a non-exclusive basis.
Patrick Frater Asia Bureau Chief Veteran media executive Fotini Paraskakis is launching Empire of Arkadia, an Asia-focused content company. The firm expects to unveil its debut slate in time for MIPCOM later this month. Paraskakis is joined in the venture by Japanese media executive Shigeko (Cindy) Chino and former Discovery APAC and EMEA president, Arthur Bastings. The trio describe Empire of Arkadia’s mission as bringing Asian-inspired stories, in both scripted and non-scripted sectors, to the international stage. They will lead with “forwarding-thinking stories that speak to younger generations.”
Patrick Frater Asia Bureau Chief Fresh from a chaotic Singapore Grand Prix on Sunday, TV coverage of Formula One motor racing is set to shift broadcasting partner in Asia-Pacific. Sports Business reports that pay-TV broadcaster beIN Sports is finalizing a multi-year deal beginning in 2023 reaching across most of its Asia-Pacific footprint, but excluding Australia, where Foxtel recently renewed its deal, and New Zealand.
International format sales veteran Siobhan Crawford, who helped bring The Mole to Netflix, is launching a distribution business ahead of Mipcom.
Patrick Frater Asia Bureau Chief Asian streaming firm Viu is approaching profitability by staying its lane and sticking with the business principles that have made it a regional success story – Asian content, AVOD and SVOD models under one roof, and resistance to over-expansion. “The industry for streaming has matured very rapidly [in part due to COVID],” said CEO Janice Lee, speaking Wednesday at the APOS convention in Singapore. “But what makes Asia different is that Asia has not yet reached mature market status.” After some six years in business Viu is now EBITDA positive. “We always been focused on monetization. Our AVOD-SVOD mix remains the sustainable model,” said Lee, who also confirmed the company has been able to raise subscription prices in selected markets. The launch of advertising-supported models is now a direction being embraced by the sector giants Netflix and Disney.
Patrick Frater Asia Bureau Chief Online video is taking up the role of growth engine for the Asia Pacific video industry as free-TV in the region moves into long-term decline, says a new report. The video sector is forecast to remain robust this year, but recession could deal a blow to sector performance in 2023. Video sector revenues – defined as subscription fees and advertising generated by free TV, pay-TV and online video platforms – in 14 Asia-Pacific markets are forecast to will grow by 6.4% in the current year to reach $143 billion, according to Media Partners Asia.
Patrick Frater Asia Bureau Chief Singapore-based production group Beach House Pictures has teamed up with executive Raghav Khanna to launch new unit Riverland Entertainment in Mumbai, India. The newly-formed production company will develop a slate of unscripted series and documentaries from India. It will do so by partnering with local Indian talent to create content intended for global and Indian audiences, while also leveraging Beach House Pictures’ international expertise and reach, and with access to Beach House’s post-production facility, Space Lion Studios. Khanna, who is a former head of Netflix’s documentary production in Asia-Pacific, is set as MD of the new operation. He will work closely with Beach House Pictures founders Donovan Chan and Jocelyn Little.
Elsa Keslassy International Correspondent Les Films du Losange has closed a raft of major deals on Kasja Naess’s animated feature “Titina” which is produced by the teams behind the Oscar-nominated film “The Triplets of Belleville” and Oscar-winning short “The Danish Poet.” “Titina” will world premiere at Animation Is Film Festival, which takes place Oct. 21-23, and is produced by GKids, in collaboration with Annecy International Animation Film Festival and Variety. Budgeted at $8.5 million, the Norwegian animated movie was produced by Mikrofilm (“The Danish Poet”) and Vivi Film (“The Triplets of Belleville”). The film tells the real-life story of a fox terrier that accompanied her master on an expedition to the North Pole in an air balloon in the 1920’s. It will be released in Norway by Norsk Film Distribusjon, and in France by Les Films du Losange.