Hong Kong’s ‘Limbo’ Leads Golden Horse Award Nominations Despite China Boycott

Patrick Frater Asia Bureau Chief Singapore has banned the release of “#LookAtMe,” a feature film by local director Ken Kwek. The InfoComm Media Development Authority said that the film exceeds film classification guidelines because it denigrates a religious community. Supposedly based in true events, the film depicts a man who is offended by a pastor who preaches against homosexuality, but whose behavior contradicts his teachings. The protagonist’s viral video about the aberrant priest lands him in jail, causing the man’s gay identical twin to fight for justice. “#LookAtMe,” premiered at the New York Asian Film Festival and local media report that the film has been selected for next month’s Singapore International Film Festival. But the IMDA ruling means that it cannot now be shown in any form in Singapore unless Kwek is successful with an appeal.

Clayton Davis The Critics Choice Documentary Awards announced its nominees where Sara Dosa’s lava-fueled love story “Fire of Love” led the field with seven nominations including best documentary feature and director. Co-distributed by National Geographic and Neon, the film’s Ryan White’s “Good Night Oppy,” the moving reflection on the Mars rovers, received a hearty six-nom tally including editing and score. “This year’s nominees prove that documentaries of all lengths and formats are advancing nonfiction media like never before,” said Christopher Campbell, Co-President of the Critics Choice Association Documentary Branch.

Patrick Frater Asia Bureau Chief Homecoming, a patriotic rescue movie, dominated the mainland China box office for the third successive weekend. Overall numbers remained anemic in the first full week after the National Day holiday period, sometimes referred to as a ‘Golden Week’. “Homecoming” garnered $12.1 million (RMB85.6 million) between Friday and Sunday, according to data from consultancy and research firm Artisan Gateway. That gave the film a 64% share of the nationwide weekend aggregate. Accordingly, it was far ahead of second-placed film “Give Me Five,” which released on Sept. 9, 2022. “Give Me Five” earned just $1.9 million over the weekend, for a six-week cumulative of $63.8 million.

Patrick Frater Asia Bureau Chief Taiwan-based development and production operation Organic Media is teaming up with Los Angeles-based sales agency and content aggregator Shoreline Entertainment in a strategic pact that sees Shoreline take responsibility for much of Organic’s sales function. The pairing will make its debut at this week’s MIPCOM TV rights market in Cannes. It will follow that with an appearance at the American Film Market in Santa Monica in early November. Organic was co-founded in 2019 by veteran sales and production executive Steve Chicorel and Kelly Mi Li (“Bling Empire”) and now has operations in Taipei, Los Angeles, London, Riga and Brisbane. The operation, now headed by Chicorel and Shari Hamrick, is currently in post-production on two movies and the second season of “Cypher,” a series for Roku.

An investigation has been launched after a protest erupted into violence outside the Chinese Consulate in Manchester on Sunday afternoon (October 16). Police were called to the incident, which involved pro-democracy Hong Kong protestors, outside the Consulate General of the People's Republic of China in Rusholme.

K.J. Yossman Emmy Award nominated journalist and anchor Anelise Borges has signed with CAA, Variety can exclusively reveal. Borges, who speaks four languages fluently including French, Spanish and Portuguese, has reported from more than 30 countries, covering war, migration, dictatorships and Europe’s identity crises. She boasts over a decade of experience in the field. She has worked at Euronews, TRT and France 24 covering topics including the war in Syria, the European refugee crisis and the Greek economic bailout. While based in Istanbul, she covered the Middle East, Africa, and Europe, breaking stories and reporting from the field.

Patrick Frater Asia Bureau Chief Chinese filmmaker, Bi Gan, best-known for his single-take feature “Long Day’s Journey Into Night” has seen his “A Short Story” picked up by Kino Lorber for distribution in North America. A fairy tale that follows the relationship between man and cat, the film had its world premiere in competition at the 2022 Cannes Film Festival and now has its North American premiere in the Currents section of the New York Film Festival. Kino Lorber plans to qualify “A Short Story” for the 96th Academy Awards, showing it theatrically nationwide in early 2023 in tandem with a theatrical re-release of “Long Day’s Journey Into Night.” “Kino Lorber rarely acquires short films, but Bi Gan has packed more cinematic delight into the fifteen minutes of ‘A Short Story’ than many feature length films deliver in two hours,” said Kino Lorber SVP Wendy Lidell. The deal was brokered by Les Films du Losange.

Patrick Frater Asia Bureau Chief Novelist Amy Tan and Oscar-winning “Rain Man” screenwriter Ron Bass are on board to deliver a sequel to “The Joy Luck Club,” the 1993 movie that broke new ground for Asian American representation. The new film, “Joy Luck Club 2,” is set up at Ashok Amritraj’s Hyde Park Entertainment Group, with Ashok and Priya Amritraj producing alongside Tan, Bass and Jeff Kleeman. A director hasn’t been announced yet. The original “Joy Luck Club,” directed by Wayne Wang, was an epic, multigenerational saga of Chinese and Chinese-American mothers and daughters, whose histories, stories and lives interweave as they navigate life. Club members included characters played by Tsai Chin, France Nuyen, Lisa Lu and Kieu Chinh. The ensemble cast also included Tamlyn Tomita, Rosalind Chao and Russell Wong.

Patrick Frater Asia Bureau Chief Kamila Andini’s “Before Now and Then” (aka “Nana”) topped the nominations for the Asia Pacific Screen Awards, with nods in four categories including best film and best director. The film, about a gentlewoman’s memories of escaping from a Communist purge, narrowly headed three films with three nominations each: “Poet” (aka “Akyn”) by Kazakhstan’s Darezhan Omirbayev; “This Is What I Remember” (aka “Esimde”) by Kyrgyzstan’s Aktan Arym Kubat; and Philippines director Lav Diaz’s “When The Waves Are Gone” (“Kapag Wala Nang Mga Alon”). APSA casts its net wide, seeking honors for cinematic excellence from 78 countries and territories defined as Asia Pacific. The awards will be presented at a ceremony at HOTA on Australia’s Gold Coast on Nov. 11, 2022.

Patrick Frater Asia Bureau Chief “Future Laobans,” a project directed by Maung Sun and produced by Maung Sun and Ma Aeint, claimed the Busan Prize, the top award at the Asian Project Market, on Tuesday. The awards were made at an event held at the Paradise Hotel in Busan’s Haeundae district at the end of three days of quick-fire meetings between producers and directors and an array of potential co-producers, financiers and distributors. Organizers said that they put together 705 such one-on-one meetings. The CJ ENM Award went to Indonesia’ “Gaspar,” to be directed by Yosep Anggi Noen and produced by Yulia Evina Bhara and Cristian Imanueli.

Patrick Frater Asia Bureau Chief Patriotic rescue film “Homecoming” largely dominated the Chinese box office over the latest weekend and brought to a close a deeply-depressed National Day holiday period. “Homecoming” earned $21.5 million between Friday and Sunday to lift its ten-day cumulative to $163 million, according to data from consultancy Artisan Gateway. That score accounted for a 71% share of the weekend’s $30.3 million total. Second-placed film “Ordinary Hero” earned just $2.2 million, giving it a ten-day total of $19.7 million. Previous top-ranking film, “Give Me Five” held on to third place, despite the volley of new releases on either September 30 or October 1. It collected $1.7 million for a cumulative of $60.8 million since release on Sept. 9, 2022.

Patrick Frater Asia Bureau Chief Hong Kong multi-hyphenate Peter Chan Ho-sun is far too intellectual to call himself an “arms dealer,” as Sony Pictures has in casting itself as an unattached supplier to streaming platforms. But politeness and Bob Dylan references aside, Chan’s new company, Changin’ Pictures, aims to become a major independent purveyor of premium Asian TV content for the streamers. The company is using this week’s Busan International Film Festival as its launchpad and will unveil the first five series of its 20-title pan-Asian slate.  Chan’s thesis is that global audiences are hungry for Asian content but have not been able to access it easily under legacy film and TV distribution systems. With streaming making everything accessible everywhere, and audiences no longer balking at subtitles, quality Asian drama can and will travel.

Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.

Patrick Frater Asia Bureau Chief EST Studios, the film company established this year by 88Rising co-founder Jaeson Ma and former Vice Media executive Eric Tu, has struck a partnership arrangement with China’s Hugoeast Media. The partnership is looking at an initial slate of eight projects, with EST Studios representing sales at the major film markets including the upcoming Asian Contents and Film Market and Asian Project Market at the Busan International Film Festival. EST will be the exclusive representative for Hugoeast’s titles in North America. In other territories (outside of China) it will handle them on a non-exclusive basis.

Patrick Frater Asia Bureau Chief Fresh from a chaotic Singapore Grand Prix on Sunday, TV coverage of Formula One motor racing is set to shift broadcasting partner in Asia-Pacific. Sports Business reports that pay-TV broadcaster beIN Sports is finalizing a multi-year deal beginning in 2023 reaching across most of its Asia-Pacific footprint, but excluding Australia, where Foxtel recently renewed its deal, and New Zealand.

Patrick Frater Asia Bureau Chief Patriotic action film “Homecoming” dominated cinemagoing in China over the weekend with a nearly $60 million haul. But the National Day holiday season is in a deep slump compared with recent years. Directed by Rao Xiaozhi, the film is yet another tale of a heroic rescue of Chinese citizens in danger in foreign lands. In this instance, two Chinese diplomats must return to war-torn 2011 Libya to save 125 people who have been left behind. The film opened on Friday and garnered an impressive $59.3 million (RMB421) according to data from consultancy Artisan Gateway. It accounted for a thumping 67% market share. Imax reported that the film had been shot with Imax-certified cameras and that $3 million of the total came from its screens in China.

Patrick Frater Asia Bureau Chief Japanese indie sales Firm Free Stone Productions has added a quartet of new titles to its line-up in time for the rights markets in Busan and Tokyo. The company is unable to travel to Busan and will meet with clients virtually at the Asian Contents & Film Market. The TIFFCOM market, which runs alongside the Tokyo International Film Festival later in the month, is anyway a virtual event. Top of the list is “In Her Room,” a romance about a young dentist who embarks on a romance with a mysterious woman but cannot figure her out. The film will play in the Nippon Cinema Now section of the Tokyo festival and have a Japanese commercial release from January. It is the feature debut if Ito Chihiro and stars Iguchi Satoru, Baba Fumika and Kawai Yuumi.

Film noir is a story of migration and its uncertainties. The genre made its way from France in the crime novels of Marcel Duhamel via the term Série noire, then smuggled itself into the United States in the mid-1940s, first used by Nino Frank to undress the battered pulp of Dashiell Hammett.

Hong Kong has selected the crime thriller Where the Wind Blows as its official submission to this year’s International Feature Oscar race.