Marta Balaga “Hesitation Wound” and “Hollywoodgate” were named winners at the Zurich Film Festival, as the 19th edition of the Swiss festival came to a close. Selman Nacar’s drama “Hesitation Wound” impressed the Feature Film Competition jury.
18.09.2023 - 12:23 / variety.com
Jessica Kiang In the second half of the 20th century a system of categorizing personalities into “Type A” and “Type B” gained mainstream pop-psychological traction. The obvious limitations of its binary, or at best linear, approach have seen the theory largely fall out of favor but sometimes, like when watching Selman Nacar’s sober, stressful second feature, “Hesitation Wound,” it’s hard not to be reminded of it.
Defense attorney Canan (an outstanding Tülin Özen, avid and serious) is competitive, status-conscious, impatient, ambitious and hard-working to the point of work addiction. In other words, she’s the Type A-est Type A to ever have had a very hard day.
Nacar, who studied law himself, has written a screenplay that piles incident on incident, and moral quandary on moral quandary, each bumping into the rear of the next like a knock-on collision in rush hour traffic. But he directs with a spontaneity that means the drama never seems contrived, especially as conveyed in the considered realism of Tudor Panduru’s cinematography.
Panduru, who has been responsible for some of Romania’s most deceptively handsome recent films (among them Cristian Mungiu’s “R.M.N.,” Radu Muntean’s “Intregalde” and Alexandru Belc’s “Metronom”) also shot Nacar’s well-received debut, “Between Two Dawns,” and between them, director and DP have developed a coolly restrained aesthetic that matches the film’s heroine in both elegance and intelligence. Because even though she dresses rapidly this morning in the hospital room where her aged mother lies in an unresponsive state, Canan is always immaculately turned out, in a silk jade blouse or a soft teal sweater, under a lawyer’s gown or a tailored tweed coat topped with an efficient chignon.
Marta Balaga “Hesitation Wound” and “Hollywoodgate” were named winners at the Zurich Film Festival, as the 19th edition of the Swiss festival came to a close. Selman Nacar’s drama “Hesitation Wound” impressed the Feature Film Competition jury.
Owen Gleiberman Chief Film Critic The sequels — or, in two cases, prequels — to “The Exorcist” have all been unqualified turkeys. There is now a movement at hand to declare that John Boorman’s crackpot insect-swarm fantasia “Exorcist II: The Heretic” (1977) was some sort of misunderstood masterpiece, but that’s an act of revisionism every bit as loony tunes as “Heaven’s Gate” revisionism.
Beloved TV host and baker Mary Berry suffered a tragic loss in 1989 leaving her overcome with grief. The 88-year-old TV personality - who has written more than 80 books and become a household name after judging amateur bakes on The Great British Bake Off - lost her son William after he died in a car crash aged 19.
Fans have jumped to Paris Fury's defence as she showed off her daughter's extravanage birthday display before bemoning a 'long day of normal life'. The wife of boxer Tyson Fury made sure to pull out all the stops for her eldest daughter as she turned 14 on Tuesday (Setepmber 26).
Guy Lodge Film Critic As directorial head-to-heads go, Jack Huston versus Stanley Kubrick isn’t anyone’s idea of a fair fight. But that’s exactly the clash the actor and Hollywood scion sets up for himself in his directorial debut “Day of the Fight” — named for Kubrick’s famous 1951 documentary short of the same title, and likewise following an Irish-American boxer through his daily New York routine, in the hours leading up to a climactic evening match.
“Scattershot: Life, Music, Elton, and Me” (Hachette) that Elton became friends with a youngwoman named Linda Woodrow, and that he somehow came to see it as more than just a friendship.“At a time when he was unsure of his own sexual orientation and how to distribute his pent-up love, it was extraordinary to watch him approach a traditional heterosexual dance,” Taupin writes. “I truly don’t think he knew what hit him and was just swept up in the accepted normality of it all.”But Elton couldn’t hide the truth of his own sexuality from himself for long.“It all changed with an intervention after Elton, in a staged cry for help, opened all the windows, stuck his head in the gas oven, and awaited a dramatic response,” writes Taupin.“Perhaps due to the unorthodox nature of the attempt, gas on low and an embroidered pillow to rest his head on, sympathy was not forthcoming.
Spector have shared their latest single ‘Another Life’ from their upcoming LP ‘Here Come the Early Nights‘.Speaking about the track in a press release, frontman Fred Macpherson said: “‘Another Life’ is one of the most upbeat tracks on ‘Here Come the Early Nights’, but still makes sense in the album’s sunset universe. We wrote it with our old friend Fyfe (aka Paul Dixon) who opened on Spector’s first-ever tour and was in bands with Jed [Cullen, guitarist] as a teenager, so it’s a nice full circle moment.”He continued: “Lyrically it’s about falling out with people you’re close to as a result of loyalty to others – a kind of daydream about what we’re doing here and what everything would be like in different contexts/circumstances/universes.
In a heartwarming glimpse into her daily routine, reality TV star Charlotte Crosby recently invited fans into her world with a video featuring her and her adorable daughter, Alba. Charlotte welcomed her first child, a daughter named Alba, in October 2022, with her boyfriend Jake Ankers.The family of three live in a massive Sunderland mansion which she had totally renovated ahead of her daughter’s birth.
Debby Friday is the winner of the 2023 Polaris Music Prize. The Nigerian-born, Toronto-based electronic artist's latest project Good Luck, which featured the Song You Need-playlisted "So Hard To Tell," was selected by a panel of Canadian journalists and industry professionals as the country's best album of the year.
and Something About Her sandwich mogul will make her Lifetime movie debut as a police officer on a mission to reunite mother and daughter in Buying Back My Daughter.Madix's role as officer Karen was first announced back in March, when she was deep in the throes of . She has since moved on from her cheating ex and found bigger and better things on the other side of their breakup—namely, an acting career.Here's everything we know so far about Madix's first Lifetime movie role in Buying Back My Daughter.After 16-year-old Alicia (Faith Wright) sneaks out to go to a party and never returns, her mother Dana (Meagan Good) asks the police to open an investigation into her disappearance.
Peter Debruge Chief Film Critic Four years ago, before COVID turned everything upside-down, a new Asian masterpiece world premiered virtually unnoticed at the Toronto Film Festival. I’m referring to “A Sun,” a multi-faceted Taiwanese family saga from director Chung Mong-Hong that seemed to shift and evolve as it unfolded, challenging what audiences though they knew about the characters.
“Three and a half years in jail or twenty-five (thousand) in the bank”? That’s the premise, essentially, of the new MUBI dramedy, “The Delinquents,” which was one of the big hits from Cannes’ Un Certain Regard section earlier this year (read our glowing review here). In short, bank workers toiling away for pennies get fed up, know the system well, and think they can pull off a bank heist with minimal interruptions to their lives—some jail time— and meanwhile, they get rich.
Matthew McConaughey doesn’t like to be put in box.
As majestic in appearance as a “National Geographic” special or any episode of “NOVA,” the opening shots of the semi-documentary “Songs of Earth” are quick to immediately showcase beautiful cinematography that’s as much a character as any of the several humans who materialize from time to time, both elements of the film that do their best to drive things forward and attempt to keep the onscreen action from slipping into a black hole of dull.
The western genre has been so pervasive throughout the entire history of the movies, and it is hard to imagine doing anything in it that hasn’t already been done. Viggo Mortensen, in writing, directing, producing, and co-starring in only his second film behind the camera (after 2020’s Falling) finds a moving, if tragic, love story to play against the stunning landscape of the circa 1860’s west, and somehow it all feels new. John Ford and Howard Hawks would love this movie.
There’s been a lot of jealous talk about nepotism in the film world lately, but who would really want to come into the movie world as a, what, fourth-generation Huston? There are likely swords already being sharpened for Jack Huston, the handsome, charming, 40-year-old nephew of Anjelica, grandson of Jack and great-grandson of Walter. But his directing debut, Day of the Fight, which premiered this week in the Venice Film Festival’s Horizons Extra section, is certainly worthy of the family name. It’s a little earnest, sometimes a bit too style-conscious, and Huston is inclined to put performance before story every time. But the emotional input really earns its payoff in a confident, imaginatively mounted calling card.
Rain is expected to hit the region later this week, as the UK recorded its hottest day of 2023 so far. According to the Met Office, Thursday (September 7) was provisionally the hottest day of the year so far, with 32.6C recorded in Wisley, Surrey.
For his feature directorial debut, Day of the Fight, Jack Huston has reteamed with his former Boardwalk Empire colleague Michael Pitt to tell the story a once celebrated boxer who takes a redemptive journey through his past and present on the day of his first bout since leaving prison.
The Huston dynasty has produced so many raw, undeniable talents that its younger members are undoubtedly among the very few “nepo babies” who can still come out of that exhausting discourse unscathed. We may even feel pity for them, sometimes, living as they do in the shadows of so many brilliant relatives.
Just as this summer’s New York City wildfire smoke, LA hurricane and sneaker-melting heat have brought home the reality of climate change, the Disney-Charter carriage battle is foregrounding the fragility of the pay-TV bundle.