deadline.com
26.06.2024 / 13:53
‘MaXXXine’ Review: Ti West And Mia Goth’s Horror Trilogy Comes To A Satisfyingly Bloody Conclusion
Ti West’s decades-spanning horror trilogy, which began in the late ’70s with X (2022) and then jumped back over half a century for the same year’s WW1 prequel Pearl, now fast-forwards to the mid-’80s with a capper that requires a little more thought than its gory, crowd-pleasing predecessors. You’d be forgiven for thinking that the Reagan years would be West’s safe space, given 2009’s pitch-perfect period piece The House of The Devil (which covers similar ground, thematically), but MaXXXine pulls back on that kind of detail in a way that’s surprising. Despite the obvious genre set-up, which promises way more violence than you’d expect, but is pretty gory when you do get it — West’s film is actually an abstract think-piece about women in cinema, predicated on Bette Davis’s quote: “In this business, until you’re known as a monster, you’re not a star.”