‘Gutfeld!’ Gangs Up on Disney Movie Box Office Failures: ‘I Like Watching Them Tank’ (Video)

What on earth possessed a whole bunch of us to think pink on Monday night? True, many of us were in a playful mood, me included, because Warner Bros Discovery was hosting a series of multimedia screenings of Barbie across several screens at two multiplexes in central London.

On the edge of what is bound to be the domestic box office’s third $200M+ weekend thanks to Barbie and Oppenheimer, the motion picture industry’s fret is whether the great post-pandemic moviegoing rebound is about to screech to a halt due to the SAG-AFTRA strike and actors prohibited from promoting.

according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.

that was hoped to have come from Cruise’s box office triumph with “Top Gun: Maverick” last year.On the other hand, “Dead Reckoning” is enjoying much stronger word of mouth than “Indiana Jones 5” with an A on CinemaScore and Rotten Tomatoes scores of 96% critics and 94% audience. “Dead Reckoning” has also been reported to have stronger opening days in key overseas markets like South Korea and Great Britain, grossing $82 million internationally through Friday as it is on course for a $240 million global start.

UPDATE, with video Geraldo Rivera said on ABC’s The View today that his recent firing from Fox News’ The Five came amidst his “toxic relationship” with one of the show’s co-hosts.

Naman Ramachandran Disney releases “Elemental” and “Indiana Jones and the Dial of Destiny” were locked in a near dead heat at the U.K. and Ireland box office, with the animated elements edging out the veteran archaeologist. “Elemental” debuted with £3.049 million ($3.876 million), according to numbers from Comscore. In its second weekend, “Indiana Jones and the Dial of Destiny” whipped up £3.046 million ($3.873 million) for a close second and now has a total of £13.1 million. If looking at weekend numbers alone, Harrison Ford’s last adventure as the man in the hat won the race as the “Elemental” numbers include “limited secret sneak previews from across the market,” according to Disney.

The Clay & Buck Show,” the conservative syndicated talk radio show hosted by Clay Travis and Buck Sexton. Travis asked the Florida governor if he thinks Disney, which has suffered a still-going streak of box-office failures and down-trending theme park traffic, is being “Bud Light-ed.”“A big article in The Wall Street Journal, the headline is Disney World hasn’t felt this empty in years,” Travis said.

Rebecca Rubin Film and Media Reporter “Sound of Freedom,” a religious thriller led by “The Passion of the Christ” star Jim Caviezel, is becoming an unlikely box office savior. The faith-based movie about child sex trafficking has collected an impressive $40 million after six days of release. Angel Studios opened “Sound of Freedom” last Tuesday, generating a mighty $14.2 million on Independence Day. The film picked up another $18.2 million between Friday and Sunday, enough to place third on domestic box office charts behind “Insidious: The Red Door” ($32.6 million) and “Indiana Jones and the Dial of Destiny” ($26.5 million). It’s also playing in 2,850 North American theaters — a smaller footprint than those two studio films (playing in 3,188 theaters and 4,600 theaters, respectively).

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

McKinley Franklin editor Let’s-a-go: “The Super Mario Bros. Movie” is officially making its way to Peacock on Aug. 3, the streamer announced on Thursday. Fans will also get treated to bonus content when the blockbuster animated film arrives on Peacock, including behind-the-scenes interviews with the voice cast, an immersive video field guide and a lucrative “Peaches” lyrical video. Peacock $4.99/Month Buy Now

We can knock Disney all we want over less-than stellar post-Covid results on Marvel, Pixar and Lucasfilm titles, but the fact of the matter is the brands are still delivering, making the theatrical motion picture studio the continued box office leader with $3.4 billion worldwide for the period of Jan. 1-July 2.

Disney has been the Teflon movie studio, remarkably adept at withstanding the tectonic changes impacting the film industry, and well fortified by its arsenal of key properties such as Marvel, Lucasfilm and Pixar. But this year, the long-reigning titan of the box office has shown cracks as four of its biggest releases from those brands and others have struggled in theaters. There was the dispiriting release of “Ant-Man and the Wasp: Quantumania,” a rare Marvel movie to likely lose tens of millions in its theatrical run; “The Little Mermaid,” a remake of the 1989 classic that fell drastically short of expectations; “Elemental,” an original story that tried and failed to recapture Pixar’s magic; and most recently “Indiana Jones and the Dial of Destiny,” a nearly $300 million investment in one of cinemas’ most venerable franchises, which no longer appears to have the same hold on today’s audiences. On paper, these films seemed like they had all of the makings of huge hits, but somehow the Disney sparkle was lacking this time, in terms of filling movie theater seats.

Naman Ramachandran Disney’s “Indiana Jones and the Dial of Destiny” debuted atop the U.K. and Ireland box office with £7.1 million ($9 million), according to numbers released by Comscore. The release marked the fifth biggest opening weekend for a film in 2023 in the territory, including previews, with a market share of 43%. In its fifth weekend, Sony’s “Spider-Man: Across the Spider-Verse” racked up a further £1.5 million in second place, taking its total to £25.9 million. Universal’s “Ruby Gillman, Teenage Kraken” debuted in third position with £885,056. In its sixth weekend, Disney’s “The Little Mermaid” earned £837,859 in fourth place for a total of £25 million.

according to IMDB’s Box Office Mojo.The film stars Harrison Ford in his fifth and final portrayal of archeologist-extraordinaire Jones. “While Ford is scrappy and lovable as ever, Indy was never a role that should have been played for 41 years,” The Post said.“Spider-Man: Across the Spider-Verse” remained in second place this week, taking home $3.435 million.

SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial of Destiny doesn’t fall apart tonight and at least stays on course for a Mission: Impossible – Fallout type opening in the $60M range over three days. That figure might be good for exhibition and popcorn sales over the five-day holiday weekend, but it stinks for a movie that has a reported cost of $250M to near $300M before P&A.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is gunning for the top spot on box office charts. The fifth and final adventure to star Harrison Ford as the legendary, globe-trotting explorer is targeting at least $65 million from 4,500 North American theaters in its opening weekend. The latest Indy installment is also debuting day-and-date at the international box office, where it’s aiming to add $80 million for a global start of $145 million to $150 million. Those ticket sales are decent, especially for the fourth sequel to a decades-old property that’s aimed at older audiences. But Disney spent a mind-boggling $295 million to bring the action-adventure to life. That’s not including marketing costs, such as a no-expense-spared premiere and afterparty at the Cannes Film Festival where much champagne was tippled. Even in the best circumstances, it’ll take a heroic feat — and a lot of nostalgia from long-time fans of the series — for “Indiana Jones 5” to turn a profit in its theatrical run.

As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.

$2.3 billion “Avatar: The Way of Water” raked in last Christmas — movie theaters are back to being an armory of high-profile bombs. This weekend, wobbly Warner Bros.’ “The Flash” dropped a staggering 73% in its second week to a worldwide total of just $210 million. A more-than-50% decline for an expensive DC Comics superhero film spells trouble.Consider that fellow Justice League member “Aquaman” made $229 million by his second weekend in the US and Canada alone.Pixar’s uninspired “Elemental,” released June 16 and so far having grossed $121 million, will wind up as one of the Disney-owned animation studio’s biggest failures ever.

according to IMDB’s Box Office Mojo.The Jennifer Lawrence-led flick centers around a 32-year-old bartender and Uber driver who accepts a job to date a 19-year-old from a Craigslist ad created by his parents.Rolling Stone said the A-List actress is “easily the best thing in this comedy about a woman hired to ‘date’ a shy high school senior — yet not even foul-mouthed, no-filter J-Law can save this mess.”“Spider-Man: Across the Spider-Verse” crawled up to second place after being in third last week, earning 5.7 million. There was buzz from fans that a sequel to the flick would be released in March, but that rumor was dispelled from an anonymous artist who worked on the movie.“There’s no way that movie’s coming out then,” the employee dished to Vulture.“Everyone’s been fully focused on Across the Spider-Verse and barely crossing the finish line.

did lose the Civil War, at the time, the Union was led by President Lincoln’s Republican Party, while the pro-slavery Southern states were Democrats. The shift in party platforms was helped along when Harry Truman introduced a pro-civil rights platform in 1948, which led to several Democrats abandoning the party to become the “Dixiecrats.” Meanwhile, the Republican Party employed what became known as the “Southern Strategy” to appeal to white voters by amplifying racism.