Disney’s Harsh New Reality: Costly Film Flops, Creative Struggles and a Shrinking Global Box Office

Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M.

Naman Ramachandran Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore. The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory. In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.

“Mission: Impossible – Dead Reckoning Part One” is shaping up to be the biggest blockbuster of summer 2023.

according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.

Naman Ramachandran Disney releases “Elemental” and “Indiana Jones and the Dial of Destiny” were locked in a near dead heat at the U.K. and Ireland box office, with the animated elements edging out the veteran archaeologist. “Elemental” debuted with £3.049 million ($3.876 million), according to numbers from Comscore. In its second weekend, “Indiana Jones and the Dial of Destiny” whipped up £3.046 million ($3.873 million) for a close second and now has a total of £13.1 million. If looking at weekend numbers alone, Harrison Ford’s last adventure as the man in the hat won the race as the “Elemental” numbers include “limited secret sneak previews from across the market,” according to Disney.

Can Tom Cruise save summer?

Naman Ramachandran The total U.K. and Ireland box office for June 2023 was £90.3 million ($114.8 million), 28% lower than June 2022, according to numbers released by Comscore. Year-to-date 2023 is currently running 7% behind the same period in 2022, the numbers reveal. The territory is very much weather-driven and June 2023 was the hottest June since records began, per the U.K. Met Office, meaning that potential cinema audiences spent a larger proportion of their leisure time outdoors. June’s highest-grossing film was Sony’s “Spider-Man: Across The Spider-Verse” with £26.7 million, which comfortably surpassed the lifetime total of its predecessor, “Spider-Man: Into The Spider-Verse” (£10.8 million). The animated sequel is currently the third-biggest release of the year so far.

Patrick Frater Asia Bureau Chief Pixar animation film “Elemental” expanded further at the South Korean box office in its fourth weekend of release, giving the film its third weekend triumph in four weeks of release. “Mission: Impossible – Dead Reckoning Part One” took third place from preview screening ahead of its official release on Wednesday. “Elemental” earned $6.11 million between Friday and Sunday, according to data from Kobis, the box office tracking service operated by the Korean Film Council (Kofic). That represented a 14% increase on its previous weekend performance and was the best of its four weekends so far. It also increased its market share to 49%, also its strongest market position, despite only adding a handful of additional screens.

Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

“Joy Ride” opened to strong numbers at the box office from Thursday previews alone.

J. Kim Murphy “Indiana Jones and the Dial of Destiny” is staying in line with some tempered box office expectations, still tracking to fall in line with estimates that had pegged the film with an opening between $80 million and $85 million through the Fourth of July holiday. The Harrison Ford finale earned $11.8 million on Monday, pushing its domestic total to $71 million. Unlike some other holidays, Independence Day isn’t exactly the largest box office booster — with families hitting the beach, barbecuing red meat and waiting for fireworks, filmgoing isn’t exactly at the top of the agenda for most Americans. Rather, it’s the time off around the Fourth that can offer some extra lift to studio tentpoles.

Naman Ramachandran Disney’s “Indiana Jones and the Dial of Destiny” debuted atop the U.K. and Ireland box office with £7.1 million ($9 million), according to numbers released by Comscore. The release marked the fifth biggest opening weekend for a film in 2023 in the territory, including previews, with a market share of 43%. In its fifth weekend, Sony’s “Spider-Man: Across the Spider-Verse” racked up a further £1.5 million in second place, taking its total to £25.9 million. Universal’s “Ruby Gillman, Teenage Kraken” debuted in third position with £885,056. In its sixth weekend, Disney’s “The Little Mermaid” earned £837,859 in fourth place for a total of £25 million.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. The film earned $117 million, according to data from consultancy Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the second biggest film on the planet, behind “Indiana Jones,” according to Comscore. After two weekends on release, it has accumulated $320 million. “Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,” which itself was adapted from a Robert Thomas stage play. It sees a woman disappear while on an overseas trip with her husband. Just as mysteriously, she reappears at the moment that the search for her is running out of steam. But the man refuses to accept that she is the same woman and believes that she is an imposter.

Patrick Frater Asia Bureau Chief Pixar animation film “Elemental” expanded at the South Korean box office in its third weekend of release and easily bested new release title “Indiana Jones and the Dial of Destiny.” “Elemental” earned $5.27 million between Friday and Sunday, according to data from Kobis, the box office tracking service operated by the Korean Film Council (Kofic). That represented a 38% increase on its previous weekend performance and was the best of its three weekends so far. It also increased its market share to 39%, also its strongest market position, despite only adding a handful of additional screens. After 19 days on release, “Elemental” has amassed $16.9 million from 2.25 million spectators.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is stumbling in its box office debut, generating $70 million internationally and $130 million globally to start. Those ticket sales wouldn’t be bad for a film aimed at older audiences, except for the fact that Disney and Lucasfilm spent $295 million before marketing to bring the fifth and final action-adventure, starring Harrison Ford, to the big screen. “Dial of Destiny” is posting similar numbers to Warner Bros. and DC’s misfire “The Flash,” which opened to $75 million internationally and $139 million globally but cost $100 million less to make. Both tentpoles are expected to lose money in their theatrical runs.

Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

according to IMDB’s Box Office Mojo.The film stars Harrison Ford in his fifth and final portrayal of archeologist-extraordinaire Jones. “While Ford is scrappy and lovable as ever, Indy was never a role that should have been played for 41 years,” The Post said.“Spider-Man: Across the Spider-Verse” remained in second place this week, taking home $3.435 million.