‘Mission: Impossible 7’ Plots Course for $78 Million 5-Day Box Office Start

Naman Ramachandran Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore. The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory. In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.

Patrick Frater Asia Bureau Chief Tom Cruise has become a regular visitor to South Korea and, while his latest visit was more than a week ago, the impact of his efforts appeared to endure. His ‘Mission: Impossible – Dead Reckoning’ got off to the second strongest start at the Korean box office of any Hollywood movie released this year. The film grossed $9.75 million between Friday and Sunday, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 60% market share, earned from some 2,400 screens. In its full opening five days (plus previews), it earned $14.2 million.

Rebecca Rubin Film and Media Reporter “Mission: Impossible – Dead Reckoning Part One” topped domestic box office charts while falling short of initial expectations. Tom Cruise’s latest blockbuster collected $56.2 million between Friday and Sunday, a lackluster start for a movie that cost nearly $300 million before marketing. Heading into the weekend, Paramount and Skydance’s action-adventure was projected to set a new franchise record with $60 million or more. Instead, ticket sales landed behind 2018’s “Mission: Impossible – Fallout” ($61 million) and 2000’s “Mission: Impossible II” ($57.8 million), which remain as the top openings in the 27-year-old series.

SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.

according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.

Rebecca Rubin Film and Media Reporter “Mission: Impossible – Dead Reckoning Part One” ignited to $7 million on Tuesday previews, a solid start before the film opens nationwide on Wednesday. Comparisons are difficult because “Dead Reckoning Part One” is the first installment in the long-running series to debut on a Wednesday rather than a Friday. But 2018’s “Mission: Impossible – Fallout,” the most recent adventure anchored by Tom Cruise’s teflon operative Ethan Hunt, picked up $6 million in previews before launching to $61 million, a franchise record. For another point of reference, Disney’s “Indiana Jones and the Dial of Destiny” landed $7.2 million in Thursday previews when it opened in advance of July 4th. The action-adventure, starring Harrison Ford, went on to earn $60 million over the traditional weekend and $83.5 million through the five-day holiday frame.

EXCLUSIVE: Paramount/Skydance’s Mission: Impossible: Dead Reckoning – Part One is looking at $6M-$7M in previews so far, which is bound to be higher than the Thursday previews of the last Mission Impossible – Fallout back in 2018 which did $6M. This is according to sources. The figures we’re seeing now could go higher or lower.

Sony/Stage 6 Films/Blumhouse’s Insidious: The Red Door may have stolen No. 1 away from Indiana Jones and the Dial of Destinyat the weekend box office, but Angel Studios’ indie wonder Sound of Freedom won Monday with an estimated $4 million.

Rebecca Rubin Film and Media Reporter Tom Cruise’s mission, should he choose to accept it, is to save the summer box office… again. After a lackluster start to popcorn season (“The Flash,” “Indiana Jones” and “Elemental,” we’re looking at you), Paramount’s action-adventure “Mission: Impossible – Dead Reckoning Part One” is hoping to bring people back to movie theaters across the globe. The big-budget tentpole is projected to collect at least $60 million between Friday and Sunday. Anything more than that would cement a new opening weekend benchmark for the long-running, globe-trotting spy series. “Mission: Impossible – Fallout” currently holds the record with $61 million, followed by 2000’s “Mission: Impossible II” with $57.8 million.

Naman Ramachandran Disney releases “Elemental” and “Indiana Jones and the Dial of Destiny” were locked in a near dead heat at the U.K. and Ireland box office, with the animated elements edging out the veteran archaeologist. “Elemental” debuted with £3.049 million ($3.876 million), according to numbers from Comscore. In its second weekend, “Indiana Jones and the Dial of Destiny” whipped up £3.046 million ($3.873 million) for a close second and now has a total of £13.1 million. If looking at weekend numbers alone, Harrison Ford’s last adventure as the man in the hat won the race as the “Elemental” numbers include “limited secret sneak previews from across the market,” according to Disney.

Can Tom Cruise save summer?

Naman Ramachandran The total U.K. and Ireland box office for June 2023 was £90.3 million ($114.8 million), 28% lower than June 2022, according to numbers released by Comscore. Year-to-date 2023 is currently running 7% behind the same period in 2022, the numbers reveal. The territory is very much weather-driven and June 2023 was the hottest June since records began, per the U.K. Met Office, meaning that potential cinema audiences spent a larger proportion of their leisure time outdoors. June’s highest-grossing film was Sony’s “Spider-Man: Across The Spider-Verse” with £26.7 million, which comfortably surpassed the lifetime total of its predecessor, “Spider-Man: Into The Spider-Verse” (£10.8 million). The animated sequel is currently the third-biggest release of the year so far.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

J. Kim Murphy “Indiana Jones and the Dial of Destiny” is staying in line with some tempered box office expectations, still tracking to fall in line with estimates that had pegged the film with an opening between $80 million and $85 million through the Fourth of July holiday. The Harrison Ford finale earned $11.8 million on Monday, pushing its domestic total to $71 million. Unlike some other holidays, Independence Day isn’t exactly the largest box office booster — with families hitting the beach, barbecuing red meat and waiting for fireworks, filmgoing isn’t exactly at the top of the agenda for most Americans. Rather, it’s the time off around the Fourth that can offer some extra lift to studio tentpoles.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is stumbling in its box office debut, generating $70 million internationally and $130 million globally to start. Those ticket sales wouldn’t be bad for a film aimed at older audiences, except for the fact that Disney and Lucasfilm spent $295 million before marketing to bring the fifth and final action-adventure, starring Harrison Ford, to the big screen. “Dial of Destiny” is posting similar numbers to Warner Bros. and DC’s misfire “The Flash,” which opened to $75 million internationally and $139 million globally but cost $100 million less to make. Both tentpoles are expected to lose money in their theatrical runs.

Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.