Breaking Baz: ‘Barbie’ Preparing To Dig Her Heels Into Box Office Reminds Of Quentin Tarantino Conversation About Modern Movie Stars

Barbie has hit the $1billion dollar mark at the global box office, just two weeks after its release.Greta Gerwig‘s film is the 53rd movie of all time to hit the milestone, and the first ever to be solely directed by a woman.The dual release of Barbie and Oppenheimer on July 21 led to a sizeable uptick in UK box office numbers last month.On the films’ first weekend, Gerwig’s comedy brought in $110million (£86.6million) at the US box office, over twice the expected takings of Christopher Nolan’s biopic about the creator of the atomic bomb.Barbie is currently the third-highest grossing film of 2023, behind The Super Mario Bros. Movie and Guardians Of The Galaxy Vol.

Ryan Gosling surprised Barbie director Greta Gerwig yesterday (August 4) with a flash mob to celebrate her 40th birthday.A video was posted of the flash mob to Barbie‘s official social media channels. Gerwig was in a pilates class when a group of dancers arrived and performed a routine set to Gosling’s song from the movie, ‘I’m Just Ken’.Gerwig is seen tearing up as the dancers perform before hugging them after the dance ends.“As Kens know…. Sometimes the only way to express your feelings is through song & dance,” was the accompanying caption on the video.

As she heads into the third weekend of release, Warner Bros’ Barbie has hit two new milestones, crossing both $500M at the international box office and the nine-century mark worldwide. The Greta Gerwig-directed phenomenon added $16.8M from 69 offshore markets on Thursday, bringing the overseas total to $509.7M through yesterday. Globally, the doll is standing tall with $916.1M as she looks to rollerblade past $1B this weekend. 

EXCLUSIVE: Moulin Rouge! The Musical, based on Baz Luhrmann’s 2001 luscious pop classic movie starring Nicole Kidman, Ewan McGregor and Jim Broadbent, has recouped its costs — not only the $28 million Broadway price tag, but it also recouped sizable sums in London’s West End and Australia.

J. Kim Murphy “Barbie” and “Oppenheimer” ain’t afraid of no ghost. Disney’s new “Haunted Mansion” is settling for third place behind the formidable pair of blockbusters.

EXCLUSIVE: The UK box office is booming thanks to Barbenheimer.

We knew Warner Bros’ Barbie and Universal’s Oppenheimer were going to be big, but not this big.

After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through yesterday is $226.3M, bringing the global Kenergy to $414.4M.

Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M.

Patrick Frater Asia Bureau Chief While “Barbie” was romping to box office records in North American and scoring strongly in many international territories, the pink phenomenon could muster only fifth place in China, the world’s second largest movie market, on its opening weekend. “Barbie” managed $8.2 million in its opening three days, according to data from consultancy firm Artisan Gateway. Local box office sources show the film trapped in that position on all three days of the weekend session, as the locally-produced titles jostled for leadership and swapped positions. Somewhat encouragingly, the daily score for “Barbie” had increased by Sunday as it was given more screening sessions by Chinese exhibitors.

Rebecca Rubin Film and Media Reporter The battle of the bomb versus the bombshell has gone global. Over the weekend, Greta Gerwig’s very pink fantasy-comedy “Barbie” collected a stunning $182 million at the international box office, bringing its worldwide total to $337 million. Meanwhile, Christopher Nolan’s R-rated historical drama “Oppenheimer” held its own, igniting to $93.7 million from 78 markets for a huge global tally of $174 million. The two seemingly different blockbusters, which were jokingly pitted against each other, crushed already-stratospheric expectations thanks to the cultural phenomenon known as “Barbenheimer.” Hundreds of thousands of moviegoers booked a double feature for the ages, attending same-day viewings of “Barbie” and “Oppenheimer.”

EXCLUSIVE: Tobias Menzies was hiding in plain sight at a rally held by UK actors union Equity in support of its sister union SAG-AFTRA.

At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined $260M+ global start.

Naman Ramachandran Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore. The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory. In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.

SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.

according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.

that was hoped to have come from Cruise’s box office triumph with “Top Gun: Maverick” last year.On the other hand, “Dead Reckoning” is enjoying much stronger word of mouth than “Indiana Jones 5” with an A on CinemaScore and Rotten Tomatoes scores of 96% critics and 94% audience. “Dead Reckoning” has also been reported to have stronger opening days in key overseas markets like South Korea and Great Britain, grossing $82 million internationally through Friday as it is on course for a $240 million global start.

EXCLUSIVE: Nicole Kidman hadn’t figured on taking an acting role in the latest entry in the Taylor Sheridan universe, Special Ops: Lioness. Then she got hooked.

Rebecca Rubin Film and Media Reporter Tom Cruise’s mission, should he choose to accept it, is to save the summer box office… again. After a lackluster start to popcorn season (“The Flash,” “Indiana Jones” and “Elemental,” we’re looking at you), Paramount’s action-adventure “Mission: Impossible – Dead Reckoning Part One” is hoping to bring people back to movie theaters across the globe. The big-budget tentpole is projected to collect at least $60 million between Friday and Sunday. Anything more than that would cement a new opening weekend benchmark for the long-running, globe-trotting spy series. “Mission: Impossible – Fallout” currently holds the record with $61 million, followed by 2000’s “Mission: Impossible II” with $57.8 million.

Can Tom Cruise save summer?