‘Freud’s Last Session’: Read The Screenplay That Imagines What Happens When Sigmund Freud And C.S. Lewis Decide To Have A Chat

The Teenage Mutant Ninja Turtles have been around since the ‘80s. They’ve starred in several animated TV series, live-action movies from Jim Henson costumes to CGI turtles, and two animated films. The latest, Teenage Mutant Ninja Turtles: Mutant Mayhem, reinvents the comic book heroes in several ways.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Andrew Haigh’s romantic fantasy All of Us Strangers. Haigh directs and wrote the film that’s loosely inspired by Taichi Yamada’s 1987 novel Strangers.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Maestro, which is directed, co-written, produced by and stars Bradley Cooper.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Paul King-directed and co-written Wonka. From Warner Bros, Village Roadshow and Heyday Films, the Timothée Chalamet starrer is also co-written by Simon Farnaby based on characters created by Roald Dahl.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Dream Scenario, A24’s surreal dark comedy from Norwegian filmmaker Kristoffer Borgli that plays off Nicolas Cage’s decades-long permeation of the imagination. 

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the ambitious Ava DuVernay-directed drama Origin, with the script also written by DuVernay inspired by Pulitzer Prize winner Isabel Wilkerson’s groundbreaking book Caste: The Origin of Our Discontents.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Christopher Nolan’s epic biographical thriller Oppenheimer. Based on American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin, Nolan wrote the script about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Sofia Coppola’s biopic Priscilla. Based on the 1985 memoir Elvis and Me co-authored by Priscilla Presley and Sandra Harmon, the script was adapted by Coppola who also directed.

Stretching from Handforth to Winter Hill and Holme Moss to Hindley, this is what the Tube would look like if it was in Greater Manchester. The fascinating map superimposes the London Underground's 11 lines and 270 of its stations onto our region.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Asteroid City, Wes Anderson‘s latest film that had its world premiere at this year’s Cannes Film Festival.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Michel Franco’s Memory, the thoughtful drama that won Peter Sarsgaard the Best Actor Volpi Cup in Venice earlier this year. Franco directs and wrote the movie that also stars Jessica Chastain.

People have been warned to look out for an early warning symptom of dementia which can appear when walking up or down a set of stairs.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with action franchise smash John Wick: Chapter 4. The fourth installment in the Chad Stahelski-directed series was penned by Shay Hatten and Michael Finch (based on characters created by Derek Kolstad) in their first turn with Baba Yaga — even if the titular revenge artist, played by Keanu Reeves, speaks only 380 words of dialogue.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Todd Haynes-directed May December starring Julianne Moore, Natalie Portman and Charles Melton. It made a splash at Cannes this year when the darkly comedic and complex feature, loosely based on the story of Mary Kay Letourneau, was picked up by Netflix in a splashy $11 million rights deal.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Flamin’ Hot, the script from Lewis Colick and Gentefied creator Linda Yvette Chávez that became Eva Longoria‘s feature directorial debut.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Neon’s murder mystery Anatomy of a Fall. The Cannes Palme d’Or winner from French filmmaker Justine Triet (only the third woman ever to take that top prize) is co-written by Triet and Arthur Harari. Last week, it scooped Best International Feature and Best Screenplay at the Gotham Awards. 

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Kelly Fremon Craig‘s adaptation of Are You There God? It’s Me, Margaret, which marks the first time a book penned by YA icon Judy Blume has made it to the big screen.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Rustin, Netflix‘s biopic of civil rights icon Bayard Rustin. Colman Domingo stars in the film, which is directed by Tony winner George C. Wolfe and hit theaters and the streamer in November after its world premiere at the Telluride Film Festival.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Killers of the Flower Moon, the Apple Original Films epic that sports the season’s biggest list of bona fides. Oscar winner Martin Scorsese directed the film, which he co-wrote with Oscar-winning screenwriter Eric Roth based on David Grann’s bestselling book. Leonardo DiCaprio, Robert De Niro, Lily Gladstone and Jesse Plemons star.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Fingernails, the Apple Original Films sci-fi love story of sorts that marks the English-language debut of Greek writer-director Christos Nikou. It came off the success of his debut pic Apples, which was Greece’s submission to last year’s Oscar race.