‘Priscilla’: Read The Screenplay For Sofia Coppola’s Biopic Telling The Untold Story Of The King’s Queen

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with The Iron Claw, which tells the saga of the wrestling Von Erich family in two hours.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Napoleon, David Scarpa‘s screenplay that fuels Ridley Scott‘s historical epic starring Joaquin Phoenix.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with writer-director Cord Jefferson‘s feature film debut American Fiction.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Nimona, Netflix‘s animated feature based on ND Stevenson’s 2015 National Book Award-nominated graphic novel about finding friendship in the most surprising situations and accepting yourself and others for who they are.

The Teenage Mutant Ninja Turtles have been around since the ‘80s. They’ve starred in several animated TV series, live-action movies from Jim Henson costumes to CGI turtles, and two animated films. The latest, Teenage Mutant Ninja Turtles: Mutant Mayhem, reinvents the comic book heroes in several ways.

Are Tom Sandoval and Tom Schwartz really the guys to talk about cheating? Well, in a way the Vanderpump Rules stars have the right experience for the job…

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Andrew Haigh’s romantic fantasy All of Us Strangers. Haigh directs and wrote the film that’s loosely inspired by Taichi Yamada’s 1987 novel Strangers.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Maestro, which is directed, co-written, produced by and stars Bradley Cooper.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Paul King-directed and co-written Wonka. From Warner Bros, Village Roadshow and Heyday Films, the Timothée Chalamet starrer is also co-written by Simon Farnaby based on characters created by Roald Dahl.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Dream Scenario, A24’s surreal dark comedy from Norwegian filmmaker Kristoffer Borgli that plays off Nicolas Cage’s decades-long permeation of the imagination. 

Variety Staff Follow Us on Twitter Darryl F. Zanuck was a legendary figure in Hollywood known for leading a major studio, producing top films and assaulting aspiring actresses in the 1930s. That same decade, the term “casting couch” surfaced to describe the abuse of power by Zanuck and other high-powered men who were the gatekeepers of access to the big screen.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the ambitious Ava DuVernay-directed drama Origin, with the script also written by DuVernay inspired by Pulitzer Prize winner Isabel Wilkerson’s groundbreaking book Caste: The Origin of Our Discontents.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Christopher Nolan’s epic biographical thriller Oppenheimer. Based on American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin, Nolan wrote the script about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed.

While Francis Coppola plans to set cinema alight in 2024 with his final epic Megalopolis, the Oscar-winner will begin the year with a revisit of one his most misunderstood efforts, One From The Heart. That’s the 1981 picture that Coppola threw himself into so hard, creatively and financially, that his American Zoetrope had to declare bankruptcy when it failed to draw audiences. It took Coppola years to build back his fortune with film hits and a win empire, to the current situation where he was able to self finance the $100 million+ Megalopolis.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Asteroid City, Wes Anderson‘s latest film that had its world premiere at this year’s Cannes Film Festival.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Michel Franco’s Memory, the thoughtful drama that won Peter Sarsgaard the Best Actor Volpi Cup in Venice earlier this year. Franco directs and wrote the movie that also stars Jessica Chastain.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with action franchise smash John Wick: Chapter 4. The fourth installment in the Chad Stahelski-directed series was penned by Shay Hatten and Michael Finch (based on characters created by Derek Kolstad) in their first turn with Baba Yaga — even if the titular revenge artist, played by Keanu Reeves, speaks only 380 words of dialogue.

In 1972, a small passenger plane crashed into a mountain in the Andes, its tail and wings ripping off in the impact. When the fuselage came to rest on the snow, it contained 33 survivors, among them the young members of a Uruguayan rugby team. Over an unimaginable 72 days, they would contend with starvation, exposure, hypothermia and two avalanches, until only 16 remained alive. Ultimately, they were forced to make an agonizing choice: consume the bodies of the dead or die themselves. J.A. Bayona’s film Society of the Snow, based on Pablo Vierci’s book of the same name, takes a fresh look at the story, giving voice to both the dead and the living. Here, the Spanish filmmaker and the Uruguayan author discuss how they collaborated to tell a vital story of human will and sacrifice that would honor the real experience of the survivors and their dear departed friends.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Freud’s Last Session, which Sony Pictures Classics pre-bought after teaming with star Anthony Hopkins to release his Oscar-winning turn in The Father.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Todd Haynes-directed May December starring Julianne Moore, Natalie Portman and Charles Melton. It made a splash at Cannes this year when the darkly comedic and complex feature, loosely based on the story of Mary Kay Letourneau, was picked up by Netflix in a splashy $11 million rights deal.