‘Anatomy Of A Fall’: Read The Screenplay For Justine Triet’s Murder Mystery That Won Cannes’ Palme d’Or

On Sandra Hüller’s wall is the first piece of art she ever owned: a photograph she bought from a shop in Munich. “I won’t say its name,” she says archly, “because that would be advertising.” It’s a dynamic, joyous image showing the ensemble cast of Stravinsky’s ballet The Rite of Spring as staged by Pina Bausch, the German choreographer famous for saying, “Dance, dance, otherwise we are lost.” “I just love it,” Hüller says admiringly, turning her head for another look. “These people are all making the same movement, as you can see. But everybody is doing it completely differently. They have the same task, but you can see each personality in the way they’re doing it. I love it so much. It’s like they’re almost flying.” It explains a lot about Hüller and her craft.

The Teenage Mutant Ninja Turtles have been around since the ‘80s. They’ve starred in several animated TV series, live-action movies from Jim Henson costumes to CGI turtles, and two animated films. The latest, Teenage Mutant Ninja Turtles: Mutant Mayhem, reinvents the comic book heroes in several ways.

It’s been an eventful 2023 for international TV and film. As the strikes shut down Hollywood and streamers retrenched from the mega-spends of the Covid era, shows and movies from far and wide came were already in demand like never before, as viewers look to new countries for inspiration. Call it the Squid Game effect, or whatever you want, but neither subtitles nor geographical boundaries are an impediment to content getting seen any more. Here, we run down each Deadline International journalist’s top pick from the year, for the most part avoiding spoilers (there are some though, so this is a fair warning). You’ll find big-ticket U.S. fare, Japanese anime, restaurant TV dramas and Australian newsroom stories among our eclectic selections.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Andrew Haigh’s romantic fantasy All of Us Strangers. Haigh directs and wrote the film that’s loosely inspired by Taichi Yamada’s 1987 novel Strangers.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Maestro, which is directed, co-written, produced by and stars Bradley Cooper.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Paul King-directed and co-written Wonka. From Warner Bros, Village Roadshow and Heyday Films, the Timothée Chalamet starrer is also co-written by Simon Farnaby based on characters created by Roald Dahl.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Dream Scenario, A24’s surreal dark comedy from Norwegian filmmaker Kristoffer Borgli that plays off Nicolas Cage’s decades-long permeation of the imagination. 

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the ambitious Ava DuVernay-directed drama Origin, with the script also written by DuVernay inspired by Pulitzer Prize winner Isabel Wilkerson’s groundbreaking book Caste: The Origin of Our Discontents.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Christopher Nolan’s epic biographical thriller Oppenheimer. Based on American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin, Nolan wrote the script about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Sofia Coppola’s biopic Priscilla. Based on the 1985 memoir Elvis and Me co-authored by Priscilla Presley and Sandra Harmon, the script was adapted by Coppola who also directed.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Asteroid City, Wes Anderson‘s latest film that had its world premiere at this year’s Cannes Film Festival.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Michel Franco’s Memory, the thoughtful drama that won Peter Sarsgaard the Best Actor Volpi Cup in Venice earlier this year. Franco directs and wrote the movie that also stars Jessica Chastain.

Justine Triet’s “Anatomy of a Fall” is continuing its winning ways. The courtroom drama already won the Palme d’Or at the 2023 Cannes Film Festival and picked up two major honors at the Gotham Awards almost two weeks ago.

French director Justine Triet’s Cannes Palme d’Or winning film Anatomy Of A Fall swept the awards at 36th European Film Awards in Berlin this evening, winning Best European Film, Director, Screenplay (with Arthur Harari) and actress for Sandra Hüller.

Leo Barraclough International Features Editor The 36th European Film Awards are underway at the Arena in the German capital of Berlin. The awards have been voted on by the 4,600 members of the European Film Academy.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with action franchise smash John Wick: Chapter 4. The fourth installment in the Chad Stahelski-directed series was penned by Shay Hatten and Michael Finch (based on characters created by Derek Kolstad) in their first turn with Baba Yaga — even if the titular revenge artist, played by Keanu Reeves, speaks only 380 words of dialogue.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Freud’s Last Session, which Sony Pictures Classics pre-bought after teaming with star Anthony Hopkins to release his Oscar-winning turn in The Father.

Elsa Keslassy International Correspondent Justine Triet‘s “Anatomy of a Fall” missed out on being chosen as France’s Oscar entry, but the movie has been a critical and commercial hit — including in the U.S., where it’s become the highest-grossing specialized foreign-language release post-pandemic, according to distributor Neon. Released in the States on Oct. 13, “Anatomy of a Fall” has pulled in $3.5 million so far, putting it ahead of Joachim Trier’s “The Worst Person in the World” and on track to match last year’s Palme d’Or winner “Triangle of Sadness,” another Neon movie.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Todd Haynes-directed May December starring Julianne Moore, Natalie Portman and Charles Melton. It made a splash at Cannes this year when the darkly comedic and complex feature, loosely based on the story of Mary Kay Letourneau, was picked up by Netflix in a splashy $11 million rights deal.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Flamin’ Hot, the script from Lewis Colick and Gentefied creator Linda Yvette Chávez that became Eva Longoria‘s feature directorial debut.