Gregg Araki’s 1997 Cult Film ‘Nowhere’ Gets 4K Restoration (EXCLUSIVE)

Heidi Klum inadvertently became part of the "free the nipple" movement, when her titillating gown couldn't hold her together. The 49-year-old judge attended the  premiere Wednesday at the 76th annual Cannes Film Festival and, while walking the red carpet at Palais des Festivals, all eyes were on Klum, who looked stunning in an aurora yellow Zuhair Murad gown with a hip-high leg slit, crossed neckline and bejeweled sleeves.With her trademark blonde locks flowing, Klum smiled as she raised her arms, and therein lay the problem — when she raised her arms to extend her long cape she suffered a bit of a wardrobe malfunction with a nip slip. Not that she's ever been shy about nudity.Back in February, Klum and her husband, Tom Kaulitz, appeared to have stripped down to their birthday suit to celebrate their four-year wedding anniversary.«Love of my life ❤️,» Klum wrote in her celebratory post.A post shared by Heidi Klum (@heidiklum)The model's dedication to her husband led with a video of her and Kaulitz sharing a kiss in bed.

On-location filming in Los Angeles continues to nosedive amid the ongoing Writers Guild strike, plunging 51.5% last week compared with the same time a year ago. The WGA strike is now in its 23rd day with no signs of abating as films and TV shows shutting down production across the county.

K.J. Yossman Sports.com have inked a deal with Twickenham Film Studios – known for iconic films including “Gandhi” and “Top Gun: Maverick” – to create a slate of original projects that will stream on their platform. The range of content includes features, docs, scripted and unscripted longform content, podcasts and live studio productions all themed around sport, which will be produced from the studio. “Sports.com will create the ultimate world of fan engagement in sport, all from one immersive platform,” said Sports.com’s director of original content, Shelly Hammond. “Original content is a key driver to deliver ground- breaking sports entertainment to fans. Together with Twickenham Film Studios, we aim to deliver captivating and high-quality original content to entertain and engage audiences across the emerging platform and the globe.”

Cults and eating disorders warp the mind much in the same way: they convince the individual that their behavior is special and vital, that everyone else can’t see themselves or the world clearly, and that any external opposition only proves the effectiveness and power of their behavior. In her grueling new film “Club Zero,” Austria’s most fearless button-pusher Jessica Hausner fuses the two into a trajectory of slow-moving, inexorable body horror as primly buttoned-up as the lemon-lime polo shirt uniforms selected by her costume-designer sister Tanja.

adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.

Nick Vivarelli International Correspondent This year at Cannes Iran being repped by just one film, the timely underground drama “Terrestrial Verses,” co-directed by Canada-based Alireza Khatami and Iran-based Ali Asgari, premiering in Un Certain Regard. Shot in Tehran after the Mahsa Amini movement started, “Verses” consists of 12 tableaus depicting the increasingly absurd and tragic plight that Iranians face in their everyday life with a scathingly ironic deadpan tone. Variety spoke to the directors about how they teamed up and decided to capture the zeitgeist in turbulent Tehran. How did the project germinate?

 got a boisterous 9-minute standing ovation after the three-hour epic premiered Saturday at the 76th annual Cannes Film Festival.Leonardo DiCaprio, director Martin Scorsese and the rest of the cast soaked up every second of the ovation displayed at Palais des Festivals in Cannes, France.  posted a snippet of the thunderous applause, and outlet's co-editor-in-chief, Ramin Setoodeh, reports that the nine-minute standing ovation is «the biggest and loudest» of the film festival so far.According to, Scorsese took the mic after the ovation and addressed the excited crowd.«Thank you to the Osages,» he said. «Everyone connected with the picture.

French Culture Minister Rima Abdul Malak has said her ministry is looking at ways to resolve a funding crisis for France’s Clermont-Ferrand International Short Film Festival after its regional support was cut out of the blue earlier this month.

Naman Ramachandran Classic cult film streamer Cultpix has struck a deal with Polish cultural institution WFDiF – Documentary and Feature Film Studios (Wytwórnia Filmów Dokumentalnych i Fabularnych) for a season of Polish erotic cinema classics from the 1980s and early 1990s. Titles featured in the season include Krzysztof Nowak’s “What Do the Tigers Like: (1989); Andrzej Barański’s “Bachelor Life in a Foreign Country” (1992); Roman Załuski’s “Och Carol” (1985); Ryszard Ber’s “Thais” (1983); Marek Koterski’s “Porn” (1990); and Jacek Bromski’s The Art of Loving (1989). The deal was revealed at the ongoing Cannes film market, where Cultpix expanded deals with previously signed film libraries – Germany’s The Playmaker Munich, as well as Echelon Studios and Vinegar Syndrome from the U.S. – for over 250 titles to be released later in 2023 and in early 2024.

Gregg Goldstein “I never really wanted to be a cinematographer,” says Sean Price Williams, who has nevertheless shot nearly 60 indie features, some 50 shorts and seven series since 1999. “I didn’t even know what that job was. I’ve always wanted to direct, but didn’t have the means to make a movie.” At age 45, the widely respected lensman is finally getting around to his solo feature directorial debut, “The Sweet East,” pictured above, premiering in Cannes’ Directors’ Fortnight. The Match Factory is repping sales. Why the wait? “I wasn’t putting it off,” he says. “I just didn’t think anybody would ever give me money to do it.” Through his longtime collaborator and “Sweet” producer Alex Ross Perry’s agency connections, they enlisted stars like Jacob Elordi and Talia Ryder to secure financing. His adventure comedy follows a South Carolina high school senior (Ryder) who breaks away from a class trip to start her own journey. “She guides us through different scenarios that illustrate idealogues in contemporary America,” he says. “They’re representations of current beliefs and situations.” The lineup includes Elordi as a Robert Pattinson-type star trying his hand at an indie film and Simon Rex as a white supremacist college professor.

The ongoing Writers Guild strike is continuing to take a staggering toll on films and TV shows that normally would be shooting on location in Los Angeles.

The Cannes Film Festival kicked off this year with opening-night movie Jeanne du Barry, with Deadline’s on the ground to watch all the key films. Here is a compilation of our reviews from the fest, which last year saw Ruben Östland’s Triangle of Sadness win the coveted Palme d’Or on its way to an Oscar Best Picture nomination.

Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.

Johnny Depp poses for photos at the premiere screening of his movie, Jeanne du Barry, at the opening ceremony of the 2023 Cannes Film Festival on Tuesday (May 16) in Cannes, France.

Nick Vivarelli International Correspondent Adriana Chiesa, the pioneering Italian sales agent who has been a fixture at Cannes for 40 years, has sold her film library to Italy’s Minerva Pictures. The 85-title ACEK library comprises a broad mix of prominent works by revered directors such as Lina Wertmuller’s “Swept Away” (pictured) and “Summer Night With Greek Profile, Almond Eyes and a Scent of Basil” and cult movies including Lamberto Bava’s gonzo horror “Macabro,” revenge Western “Garringo” by Rafael Romero Merchant, and Asia Argento’s directorial debut, “Scarlet Diva,” on which Chiesa and Minerva chief Gianluca Curti jointly served as executive producers.

Leo Barraclough International Features Editor The trailer for Moroccan filmmaker Asmae El Moudir’s Cannes entry “The Mother of All Lies” debuts here (below). The documentary hybrid, about the lies that pervaded El Moudir’s childhood in Casablanca, has its premiere in Un Certain Regard on May 24. World sales are being handled by Autlook Filmsales. The film starts with El Moudir wanting to know why she has only one photograph from her childhood, and why the girl in the picture isn’t even her. To get to the truth, El Moudir and her father build a miniature set that recreates their neighborhood, and bring the whole family to the soundstage where it is built.

Requests by scripted TV production companies to film on location in Los Angeles plummeted 51% in the first week of the Writers Guild’s strike compared to the same week a year ago, according to FilmLA, the city and county film permit office.

When you look at the state of the “Star Wars” franchise, there are two different stories to be told. On the one hand, you have the TV side of things over on Disney+, which seems to be thriving.

Leo Barraclough International Features Editor DR Sales has sold Canadian distribution rights for Norwegian director Tonje Hessen Schei’s “Praying for Armageddon” to LevelFilm. The deal was revealed follows the film’s North American premiere at Hot Docs Film Festival. The film made its world premiere in CPH:DOX. The film explores the power and influence of powerful U.S. fundamentalist evangelicals as they aim to fulfil the biblical prophecy of Armageddon. With close quarters journalism, the feature documentary embeds with American believers who prepare for the Holy War and exposes how powerful megachurch pastors call for the “final battle” that they believe will trigger the Second Coming of Christ. A deep dive into power and policy, the film unveils how politicians driven by faith embrace Israel as the key to their prophetic vision for the end of days. At any cost.

Few figures tower over contemporary cinema like Hungarian director Béla Tarr, even though Tarr hasn’t made a film since 2011’s “The Turin Horse.” Now, twenty-three years after its initial release, Tarr’s modern classic “Werckmeister Harmonies” gets a 4K restoration from Janus Films and a theatrical re-release to go with it. READ MORE: ‘Twilight’ Trailer: György Fehér’s Underseen 1990 Serial Killer Classic Gets The 4K Treatment In NYC On April 21 Based on László Krasznahorkai‘s 1989 novel “The Melancholy Of Resistance,” “Harmonies” takes Tarr’s signature long-take style in exciting and evermore haunting directions.