‘F*cking Bornholm,’ a Tart Comedy of Social Discomfort, Racks Up Sales (EXCLUSIVE)

Leo Barraclough International Features Editor Documentary specialist Autlook Filmsales closed a raft of sales at a vibrant market during the Copenhagen documentary festival CPH:DOX. “Subject,” directed by Camilla Hall and Jennifer Tiexiera, got picked up by Sweden’s SVT, Denmark’s DR, Norway’s NRK, Norway’s VGTV, The Netherlands’ VPRO, Israel’s Yes Doc, and Madman for Australia and New Zealand. Dogwoof released the film early this month in the U.K. “Subject” is an examination of the relationship between nonfiction filmmakers and their subjects. It raises important ethical questions during a golden of age for documentaries, when docs are screened by millions of viewers. The film re-visits protagonists of some of the most viewed documentaries of today – “The Staircase,” “The Square,” “Hoop Dreams,” “The Wolfpack” and “Capturing the Friedmans.”

Leo Barraclough International Features Editor Swiss sales agency Lightdox has acquired the international rights to feature documentary “On the Edge” by Nicolas Peduzzi, which just had its world premiere at Copenhagen documentary festival CPH:DOX in the DOX:AWARD competition, and received a Special Mention from the jury, who said the film “gripped us, and took us on a journey through the labyrinth of a human mind.” The film centers on Jamal Abdel Kader, who is the only psychiatrist in a 400-bed state hospital on the outskirts of Paris. Dedicated to his patients, he does his utmost to soothe their pain, listen to their words, and protect them from their own demons. However, the public health service is doing badly. There isn’t enough time, the caregivers are under severe strain as the institution is understaffed and underfunded. Yet Jamal and his colleagues keep striving to fulfil their mission: to heal bodies and souls.

Oh boy, oh boy, Jimmy’s closet has caught the attention of Shrinking audiences — and are contacting costume designer Allyson Fanger for details.

Leo Barraclough International Features Editor GlobeScreen Auditoriums has taken French rights to “Blix Not Bombs,” a documentary about former UN weapons inspector Hans Blix, who was given the task of looking for weapons of mass destruction in Iraq, in the period running up to the U.S.-led invasion of the country 20 years ago. The deal was closed by Toronto-based sales agent Syndicado Film Sales, which is also an executive producer on the film. The film had its world premiere at Copenhagen documentary festival CPH:DOX on Monday, the anniversary of the invasion. In the film, Czech-Swedish filmmaker Greta Stocklassa interviews the Swedish diplomatic, now 94 years old, about what happened in the months leading up to war. He describes his meetings with George W. Bush and Tony Blair, his frustration when Colin Powell gave his pivotal speech in the UN Security Council, and his feeling of emptiness when the U.S. started the invasion, despite his reports that his team had found no weapons of mass destruction in Iraq.

Jennifer Maas TV Business Writer Jimmy O. Yang and Amazon are back in the funny business: The “Crazy Rich Asians,” “Love Hard” and “Silicon Valley” star has lined up his second standup comedy special with streamer Prime Video, titled “Guess How Much?” Set to launch May 2, the event is a followup to Yang’s first Amazon comedy special, “Good Deal,” which launched in August 2020. In his new standup engagement, Yang will poke fun at “love languages, loser friends, and negotiating with his Asian parents,” per Prime Video. Aside from his memorable parts in “Crazy Rich Asians,” Netflix’s “Love Hard” and HBO’s “Silicon Valley,” Yang is best known as the author of “How to American: An Immigrant’s Guide to Disappointing Your Parents,” which chronicles his journey from life as a young Chinese immigrant to becoming a comedian and actor.

Lise Pedersen Paris-based CAT&Docs has come onboard as sales agent for Italian-Swedish director Erik Gandini’s “After Work,” which had its world premiere in the main competition at CPH:DOX, the Copenhagen Intl. Documentary Film Festival. Variety speaks to the director at the festival. In this stunningly cinematic doc, lensed by Ruben Östlund’s long-time DOP Fredrik Wenzel and shot in the U.S., Italy, South Korea and Kuwait, Gandini explores the notion of work in the 21st century, as automation and technology free up time, and asks what the future could be like in a work-free society. One of the inspirations for the film, Gandini says, was Swedish sociologist Roland Paulsen’s writings on the ideology of work, which is rooted in the notion of a work ethic developed some 350 years ago.

Elsa Keslassy International Correspondent Yes Studios, the Israeli producer and distributor behind “Fauda” and “Shtisel,” has boarded “Unsilenced,” a six-part series about sexual violence which is inspired by Odelia Carmon’s novel “The Confidante.” The multi-layered series stars Yaakov Zada Daniel (“Fauda”), Avraham Shalom Levi (“Shtisel”), Nelly Mira Rubin (“Fire Dance”), Dana Meinrath and Irit Nathan Benedek. Loosely inspired by actual events, “Unsilenced” is set pre-#MeToo, in the early 2000’s, when powerful men could readily mask and perpetuate abhorrent behaviors with the help of people they installed around themselves.

Ready to roll with the homies again. Stacey Dash would totally be down for a Clueless sequel — as long as director Amy Heckerling was involved.

acceptance speech.Sandler’s “50 First Dates” and “The Wedding Singer” co-star Drew Barrymore called him “a national treasure” when asked how she felt about him being honored for his comedy chops.“Every award that was ever created on the planet should go to Adam,” Barrymore expressed.Steve Buscemi, who acted alongside Sandler in films like “Mr.

It just never ends with this guy… And why not, since his followers have fully bought into the defense that every investigation into Donald Trump is just a massive conspiracy and all-capitals WITCH HUNT.

EXCLUSIVE: As The Goldbergs is wrapping its 10-season run on ABC, series star Wendi McLendon-Covey has been tapped to lead another single-camera broadcast comedy, NBC pilot St. Denis Medical.

Elsa Keslassy International Correspondent French pay TV group Canal+ has ordered a second season of its dazzling historical drama “Marie Antoinette.” BAFTA-nominated Ed Bazalgette (“The Last Kingdom,” “Doctor Who”) will direct the first four episodes. While Deborah Davis (“The Favourite”) still on board as creator, season 2’s writing team is led by Louise Ironside, joined by Charlotte Wolf, Francesca Forristal and Andrew Bampfield. The series, which is being backed by Banijay and Capa Drama (Newen Studios), is expected to start filming in the fall. The new season will continue telling the epic story of the avant-garde young queen, played by Emilia Schüle (“Ku’damm 56/ 63”), with Louis Cunningham (“Bridgerton”) as the king of France, Louis XVI.

Patrick Frater Asia Bureau Chief Hollywood producer Scott M. Rosenfelt has joined Filipino TV crime-action series, “Sellblock,” as U.S.-based Blue Fox Entertainment joins as the show’s sales and distribution representative. Planned as a three-season series, “Sellblock” chronicles the activities of one of Asia’s biggest drug empires which is operating from inside a Philippines maximum-security prison. Production is scheduled to start in May. The cast is headlined by Jericho Rosales (“Basurero,” “Siargao,” “Pacquiao: The Movie”) alongside actors Empoy Marquez, Ronnie Lazaro, Mon Confiado, Sylvia Sanchez, and Ria Atayde.

EXCLUSIVE: Writer, producer and director Florian Sigl, the filmmaker behind the recent movie version of Mozart’s The Magic Flute, has signed with CAA for representation.

Ben Croll Urban Sales and KMBO have boarded the 2D family film “The Hermit and the Bear,” with the Paris-based exporter handling international sales for the animated title as Gallic distributor KMBO covers the domestic release. This joint distributor/sales agent deal marks a dual show of faith for a development title that recently pitched to substantial buyer interest at the Cartoon Movie pitch and co-production forum in Bordeaux — where KMBO was voted distributor of the year. Adapted from a 1990s tome, the film follows the long apprenticeship between a lonely bear and an irascible hermit. Beginning as an awkward pupil and a rusty teacher, the pair’s bond soon develops into an unusual and life-affirming fellowship. The duo then set off into the forest, singing the benefits of friendship to all the woodland critters.

It turns out, Paul talks to Jimmy about more than just potatoes. Harrison Ford may wear his personal fedora on Shrinking, but it was Jason Segel‘s love for a jumpsuit that piqued his interest off set.

Owen Gleiberman Chief Film Critic In “Bottoms,” a high-school comedy that is brazenly gonzo, scaldingly and at times even dementedly over-the-top, and actually about something, PJ (Rachel Sennott) and Josie (Ayo Edebiri) have been best friends since the first grade, but in their senior year at Rock Ridge High they’re at the end of their tether. They’re losers, they’re lonely, they’re lesbians — and in their eyes, that puts them beneath the bottom of the food chain. So they do what anyone in their position might do. They decide to start a fight club! It’s modeled (sort of) on the one in “Fight Club,” though the movie isn’t particularly interested in that film, where the characters staged bare-knuckle brawls out of a kind of self-serious macho romantic doomsday nihilism. In “Bottoms,” PJ and Josie, in the time-honored tradition of teen-movie protagonists out to lose their virginity, are just looking for a way to sleep with the cheerleaders they have crushes on. They build the club around a scurrilous and rather ridiculous lie: that they’ve both spent time in “juvie.” Sitting around in the gym, with a handful of the “normal” girls they’ve roped into joining the club, all of them share stories about the men they’ve had to fend off (stalkers, pervy stepfathers, you name it). And when they get to the fight-club part, letting out their aggression, the jabs are shockingly violent. We laugh, but we also think: What’s going on here?

Leo Barraclough International Features Editor The first image has been unveiled from Miguel Gomes’ upcoming late 1910s drama “Grand Tour,” which is being sold by The Match Factory. The film is currently shooting in Italy, and stars Gonçalo Waddington and Crista Alfaiate. “Grand Tour” comes after the successful international sales and distribution of Gomes’ critically acclaimed features “Tabu,” “Arabian Nights” and “The Tsugua Diaries” – all titles sold by The Match Factory. “Grand Tour” kicks off in Rangoon, Burma, 1917. Edward, a civil servant for the British Empire, runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Yet Molly, determined to get married and amused by his move, follows his trail on this Asian grand tour.

Zack Sharf Digital News Director Disney CEO Bob Iger is touting “newness” when it comes to the Marvel Cinematic Universe. The executive appeared at the Morgan Stanley Technology, Media and Telecom Conference and questioned whether or not Marvel needs to continue churning out multiple sequels for individual characters. His comments arrived amid critical and box office disappointment for the most recent MCU tentpole, “Ant-Man and the Wasp: Quantumania.” “Sequels typically worked well for us,” Iger said at the conference. “Do you need a third and a fourth, for instance? Or is it time to turn to other characters?” Not only is “Ant-Man and the Wasp: Quantumania” one of the worst-reviewed Marvel films in history (its 48% on Rotten Tomatoes nearly matches the record-low “Eternals” score of 47%), but the film dropped a massive 69% at the box office in its second weekend, marking the second-biggest drop in MCU history. “Quantumania” currently stands at $420 million worldwide and $189 million domestically. While these grosses are higher than the first two “Ant-Man” movies, they’re also underwhelming considering “Quantumania” kicks off Phase 5 of the MCU and introduces the new Thanos-sized villain of the franchise in Jonathan Majors’ Kang the Conquerer.

Comedian Sarah Silverman said during an interview on CBC Radio One’s “Q with Tom Power” that she cringes at some jokes from her past, but claimed it’s a normal learning process as time goes on.Silverman has made a career out of using shoc value in her comedy, from saying, “I hope the Jews did kill Christ, I’d do it again” in a standup routine, to wearing blackface in a past comedy skit. In a recent interview she noted that many of her past jokes make her uncomfortable, but she thinks that comedians and America in general need to accept societal progress.“Gee, comedy is not evergreen,” she said in the interview.