European Box Office Soared 70% to $5.5 Billion in 2022, But Stayed a Third Lower Than Pre-Pandemic Levels, Study Reveals – Global Bulletin

professional mermaid.Bailey first rose to fame and internet acclaim as half of Chloe X Halle, the singing group she formed in her parent’s living room with older sister Chloë. The self-taught duo’s staggering renditions of Beyoncé classics like “Best Thing I Never Had,” garnered the attention of Queen Bey herself who eventually signed the sisters to her Parkwood Entertainment record label.

In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad.

EXCLUSIVE: France-based distribution outfit The Coven is launching world sales on threequel Terrifier 3, following the breakout box office success of Terrifier 2.

Broadway box office overall held steady last week, even as the recent Tony Award nominations already seemed to lose some of their power to boost ticket sales. Some shows with nominations saw declines at the box office, from Good Night, Oscar and Some Like It Hot to Leopoldstadt and New York, New York.

Naman Ramachandran Disney’s “The Little Mermaid” made a splashy debut at the U.K. and Ireland box office, topping the charts with £5 million ($6.2 million), per numbers from Comscore. In its second weekend, Universal’s “Fast X” held strong with £2.2 million in second place for a total of £10.2 million. In third position, in its fourth weekend, Disney’s “Guardians Of The Galaxy Vol. 3” collected £1.5 million for a total of £31.6 million. Universal’s “The Super Mario Bros. Movie” earned £292,155 in fourth place in its eighth weekend for a total of £52.2 million. Warner Bros.’ “Hypnotic” rounded off the top five debuting with £217,252.

Brent Lang Executive Editor How high can “Spider-Man: Across the Spider-Verse” climb? The sequel to 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse” is getting a lift from good buzz and residual fondness for its predecessor, one of the inaugural cinematic forays into all things multiverse. And while reviews are still embargoed, critics flipped for the first one, so assuming the follow-up sticks the landing, the notices could propel “Across the Spider-Verse” ever higher. But it’s a crowded marketplace and five years has passed since audiences were first introduced to Miles Morales and a wide web of Spider-People. Plus, there’s been an ever expanding array of superhero films and streaming shows to turn to, increasing the competition for moviegoers who like their heroes costumed and masked.

Disney’s live action movies are huge money makers!

Brent Lang Executive Editor Family audiences turned out in force, propelling Disney’s “The Little Mermaid” to the top of the box office over the Memorial Day weekend. The film, a live-action remake of the 1988 animated favorite, earned a splashy $117.5 million over the four-day holiday. It ranks as the fifth largest Memorial Day debut — last year’s “Top Gun: Maverick” set a new record for the holiday with its $160.5 million launch. At one point over the weekend, it looked as if “The Little Mermaid” might even open north of $120 million, but ticket sales flagged slightly. For Disney, the film’s popularity is a testament to its strategy of digging deep into its vaults and rebooting animated titles as live action movies, something it has done successfully with the likes of “Aladdin,” “Beauty and the Beast” and “The Lion King.” Waiting out on the horizon: Ahmir “Questlove” Thompson, the Oscar-winning director of “Summer of Soul,” is helming a remake of “The Aristocats” for Disney.

Rotten Tomatoes. There’s a good chance that “Little Mermaid” can keep legging out even against Sony’s “Spider-Man: Across the Spider-Verse” and Paramount’s “Transformers: Rise of the Beasts” given the female-majority audience doesn’t have significant overlap with those films.

Mark Schilling Japan Correspondent After opening on April 28 in Japan, “The Super Mario Bros. Movie” has hit the JPY10 billion ($71 million) milestone in just 31 days – the quickest ever by a non-Japanese animation in the Japanese market.In the latest three-day period from May 28 to 28, the film earned JPY632 million ($4.5 million), bringing its cumulative box office to JPY10.1 billion ($71.7 million), according to figures supplied by distributor Toho-Towa. Based on an iconic Japanese game series, “The Super Mario Bros. Movie” currently ranks third all-time at the worldwide box office for animated films, behind “Frozen” and Frozen II.” Toho-Towa has not issued a final earnings forecast for the film. And the title still has a way to go to catch Japan’s all-time box office leader, the locally-produced “Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train.” That earned JPY40.4 billion ($288 million) in 2020.

“The Little Mermaid” made moviegoers want to be under the sea on Memorial Day weekend.

Patrick Frater Asia Bureau Chief “Fast X” predictably won a second weekend on top of the mainland China box office, driving its total past the $100 million mark. But the disappointing start for Disney’s live-action “The Little Mermaid” was the bigger talking point. “Fast X” earned $17.6 million in China according to data from consultancy Artisan Gateway. That was a 66% drop compared with its opening weekend, but still gave the film a $110 million cumulative after 12 days and has caused estimates to be further revised upwards. Ticketing agency Maoyan is now forecasting that the film will finish with RMB880 million ($126 million), having previously predicted RMB728 million ($104 million), and then RMB840 million.

A24’s Julia Louis-Dreyfus-starrer You Hurt My Feelings will top an estimated $1.7 million in limited nationwide release for the four-day holiday weekend, at the high end of expectations on 912 screens. That puts it at no. 8 at a domestic box office where Little Mermaid is making all the waves.

“Fast X” is doing blockbuster business at the box office, not just in North America but worldwide.

Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide.

Rotten Tomatoes. Those are the scores this remake will need to keep legging out against a crowded June slate that starts next weekend with “Spider-Man: Across the Spider-Verse.” But here comes the bad news: “The Little Mermaid” has posted an international opening of just $68 million from 51 markets.

Brent Lang Executive Editor Thirty five years after the animated story of Ariel, a flame-haired siren of the sea who falls for a prince, charmed audiences, a live-action remake of “The Little Mermaid” dominated the Memorial Day weekend box office. The Disney release is on track to debut to a massive $118 million over the four-day holiday, with $96 million of that coming over the weekend. It ranks as the fifth highest Memorial Day opening in history. The film got a lift from many of the same moviegoers who first fell in love with Ariel when she flitted across the screen in 1988, as well as from the generations of fans who weren’t alive when the original movie opened, but who were nevertheless weaned on the classic from its various appearances on DVD, television, and later streaming. The live action “Little Mermaid” (and “live action” is doing a lot of lifting here considering the sheer tonnage of CGI required to bring Ariel’s ocean home to life), was directed by Rob Marshall and stars Halle Bailey as the title character. Melissa McCarthy plays Ursula, the malevolent sea witch who steals Ariel’s voice in return for giving her legs and a chance to canoodle with the dreamy Prince Eric (Jonah Hauer-King). Javier Badem, Awkwafina and Daveed Diggs round out the ensemble.

according to IMDB’s Box Office Mojo.It is expected to enjoy a $104 million three-day weekend, according to Deadline.The Post called the flick, produced in part by Lin-Manuel Miranda, “more lifeless than far better two-dimensional painted drawings.”“Fast X,” which was in the No. 1 spot last Friday, slowed down to second, with $6.3 million in sales.The 11-title “Fast and Furious” franchise already sped past $7 billion in the global box office.

on Rotten Tomatoes) amid a marketplace lacking youth-skewing biggies since “The Super Mario Bros. Movie” in early April.

Jordan Moreau Disney’s live-action remake of “The Little Mermaid” is beginning its box office swim with $10.3million in previews. It opens in 4,320 theaters on Friday. Thursday’s preview haul is the seventh-highest ever for a G- or PG-rated movie. “The Little Mermaid” also picked up $850,000 from Wednesday early access screenings. Starring singer and actor Halle Bailey as Ariel, the new movie is projected to open with $100 million this holiday weekend. With Memorial Day on Monday, its four-day total could land between $120 million and $125 million. “The Little Mermaid” is expected to make a big splash as one of Disney’s more successful live-action remakes. In comparison, Disney’s most recent remake, the 2019 photorealistic and computer animated “The Lion King,” roared with a $191 million opening from $23 million in previews. It went on to make more than $1 billion globally. And just a couple months before “The Lion King” released, the live-action “Aladdin” opened with $117 million over the four-day Memorial Day weekend (from $7 million in previews) and also cracked $1 billion worldwide.