Egyptian Filmmaker Marianne Khoury Appointed Artistic Director of El Gouna Film Festival

Oliver Stone said Friday he was shocked to hear that the stars of Christopher Nolan’s Oppenheimer had walked out of its London premiere the day before as SAG-AFTRA officially declared strike action.

Olive Stone has said he was shocked to hear that the stars of Christopher Nolan’s Oppenheimer had walked out of its London premiere on Thursday as SAG-AFTRA officially declared strike action.

Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.

Venice may have Luca Guadagnino’s “Challengers” with Zendaya and Josh O’Connor to open the annual soiree on the Liido, but the New York Film Festival is going to kick off with some Cannes gold. Today, the Film Society of Lincoln Center revealed that Todd Haynes’ “May December,” which premiered on la Croisette, will open the 61st edition of the New York Film Festival.

EXCLUSIVE: LA’s Micheaux Film Festival (July 10-16) is to honor director Steven Caple Jr. (Creed II) and actress Yvette Nicole Brown (Community).

Nick Vivarelli International Correspondent For his third edition at the helm, Locarno Film Festival artistic director Giona A. Nazzaro has assembled a wide spectrum of films that “do not resemble each other in terms of tone or form” while reflecting “the world in all its expressions and manifestations,” he tells Variety. This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says  “mixes Kung Fu, hard rock and the Orthodox Church.”

The unseen and the obscene are the subject of Pascal Plante’s disturbingly brilliant psychological horror, which takes an overused genre — the serial killer movie — and an often-misused technique — dark Lynchian surrealism — and somehow alchemizes the two into something new and original. It’s strong meat for sure (the courtroom-drama framing is deceptive, since this is not really a film about justice), but word-of-mouth cult status beckons, and a healthy nightlife on the genre circuit is assured.

Leo Barraclough International Features Editor Sales agency The Playmaker has signed with Lieblingsfilm to handle international sales for their Zlin Film Festival winner “What the Finn?!” (“Kannawoniwasein”). “What the Finn?!” is based on the children’s book by Martin Muser, which was adapted for the screen by Klaus Döring, Adrian Bickenbach and Stefan Westerwelle, who is also the director of the film. The film had its world premiere at Zlin, where it won the main prize, the Golden Slipper Award for Best Feature Film for Children. The Playmaker will present “What the Finn?!” at the upcoming German Films Previews in Potsdam (July 5 – 8), where it will screen for international buyers.

The Stockholm Film Festival has set SkyShowtime as its new official streaming partner in an agreement that will also see the streamer host the festival’s rising star award for new talent. 

Self-seriousness is a common trait in the world of European cinema, but the opening night of the 57thKarlovy Vary International Film Festival was a wholly playful affair, starting with the most unexpected sight of a troupe of acrobatic ice-skating showgirls spinning and whirling through fake snow and dry ice. MC Marek Eben followed in a similarly feelgood vein, with a dryly witty monologue that touched on current affairs in the Czech Republic and the wider world without getting too heavily into the politics. A “surprise” appearance by festival stalwart Jiří Bartoška, whose attendance was initially in doubt, occasioned the first standing ovation of the night.

Will Tizard Contributor Spa town Karlovy Vary is known for more than healing waters to emerging filmmakers and producers from Central and Eastern Europe and the Middle East. Those on track to reach global audiences are well acquainted with the festival’s industry section, headlined by the Eastern Promises collection of development and marketing workshops and mentorship programs. Aside from packed panels and talks by international veterans, such as the masterclass by indie mogul Christine Vachon of Killer Films, one of the industry program’s most buzzworthy events is the regionally focused Midpoint Institute Feature Launch. This year-round training platform took off more than a decade ago to support emerging talents by helping them to integrate their projects into the marketplace. It provides them with international collaboration and networking opportunities which, as Sona Morgenthalova, Feature Launch program coordinator for Midpoint, says, have proven highly effective.

Marta Balaga The Karlovy Vary Film Festival, which takes place in an elegant spa resort in the Bohemian region of the Czech Republic, is set to get political during its 57th edition, but in a subtle way. “I am not sure if you can even use the word ‘subtle’ when talking about politics, but it doesn’t always have to be in your face. You can be political by showing the existential struggles of an elderly lady who gets framed by some crooks,” says artistic director Karel Och, mentioning Stephan Komandarev’s “Blaga’s Lessons,” which will vie for the Crystal Globe. While the main competition features many stories about people trying to return home or simply find their place in the world, he adds, the festival will also celebrate Iran with a separate section “Another Birth. Iranian Cinema Here and Now.” “Before our consultant Lorenzo Esposito came up with this name, we thought about ‘Iranian Underground,’ but you can be political also by being poetic. We are not telling our audience how to react. We want them to be our partners,” notes Och. Observing that satire is also making a comeback.

In exciting news for movie lovers and soccer enthusiasts alike, the Toronto International Film Festival (TIFF) has announced that Taika Waititi’s soccer comedy, “Next Goal Wins”, will have its world premiere at the 48th edition of the festival.

Rebecca Rubin Film and Media Reporter Taika Waititi’s sports comedy “Next Goal Wins” will have its world premiere at this year’s Toronto International Film Festival. “We’re thrilled to welcome Taika back to the Festival and share his audacious take on the most popular sport in the world,” said Cameron Bailey, CEO of TIFF. “’Next Goal Wins’ is perfect for TIFF fans of the beautiful game looking for their football fix until the 2024 World Cup arrives.” Waititi, who most recently directed Marvel’s “Thor: Love and Thunder,” was last at the festival in 2019 with “Jojo Rabbit.” The offbeat comedy, about a 10-year-old Hitler Youth member whose imaginary friend is the Führer himself, won the TIFF People’s Choice Award and an Academy Award for adapted screenplay. Waititi is also known for “Hunt for the Wilderpeople,” “Our Flag Means Death” and “What We Do in the Shadows.”

Patrick Frater Asia Bureau Chief Lee Yong-kwan, one of the original founders of the Busan International Film Festival, says he is stepping down as the event’s chairman – this time with immediate effect. He says the move is intended to defuse a morass of factional infighting and political interference surrounding Asian’s most prominent film festival. A festival spokesman told Variety that the board of directors “has decided to persuade the chairperson to return. So, the resignation has not been accepted yet.”

This year’s Edinburgh International Film Festival (EIFF) will close with the UK premiere of British Iranian filmmaker Babak Jalali’s well-received Sundance pic Fremont.

The newly rebooted Taormina Film Festival kicked off on Friday night in the Sicilian city’s landmark Teatro Antico amphitheatre in an unusual but magnificent style with benefit event “Pavarotti Forever”.

As the DC Universe enters a new era under Peter Safran and James Gunn’s vision, many projects were scrapped or left in development hell. However, Blue Beetle director Angel Manuel Soto says his film is part of the future that the DC co-heads are building.

This year’s scaled-down, “special one-year iteration” of the Edinburgh International Film Festival (EIFF) will open on August 18 with the world premiere of Silent Roar, the debut feature from Scottish writer and director Johnny Barrington.

Naman Ramachandran International Film Festival Rotterdam (IFFR) has appointed former BFI London Film Festival director Clare Stewart to the position of managing director, taking over from Marjan van der Haar. Stewart was most recently interim CEO at Sheffield DocFest and commences in the role at IFFR on June 21. IFFR has a dual leadership structure where the managing director and festival director oversee the commercial and creative elements of the organization respectively, working in partnership. Stewart previously consulted with the IFFR board of directors in 2021 in its first phase of re-evaluation prior to her joining DocFest, with a focus on the IFFR program structure and content strategy.