‘Red Rooms’ Review: A Disturbingly Brilliant Psychological Horror – Karlovy Vary Int’l Film Festival

Leo Barraclough International Features Editor The 80th Venice Film Festival has revealed its selection of projects for Venice Immersive, the XR-Extended Reality section of the festival, which runs Aug. 30 – Sept. 9. The program will include VR experience “Wallace & Gromit in the Grand Getaway” and a Fatboy Slim project. Venice Immersive is devoted to immersive media and includes all XR means of creative expression: 360° videos and XR works of any length, including installations and virtual worlds. The program, which will take place on the island of Lazzaretto Vecchio, will present 44 projects from 25 countries, and 24 works in the Worlds Gallery section. It will comprise:

Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.

The lessons learned in this pitch-black German-Bulgarian co-production are very grim indeed, a social-realist drama that takes an unexpectedly shocking turn at its harrowing climax. The film’s recent win at Karlovy Vary, where it took the Grand Prix in the Crystal Globe Competition, should give it a welcome boost on the arthouse circuit, but the unwary are warned that Stephan Komandarev’s latest feature packs a punch not seen since Lars Von Trier or Michael Haneke in their provocative prime.

Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.

Nick Vivarelli International Correspondent Jane Campion, Laura Poitras, Mia Hansen-Løve and Martin McDonagh are among high-caliber members of the Venice Film Festival’s main jury. The prominent directors, most of whom are Venice regulars – Poitras last year scored the Golden Lion with documentary “All the Beauty and the Bloodshed” – will be joined on the Venice jury panel by Palestinian actor Saleh Bakri (“Wajib”); Chinese star Shu Qi (“The Assassin”); Italian director Gabriele Mainetti, who was at Venice last year with “Freaks Out”; and Argentinian auteur Santiago Mitre whose “Argentina, 1985” also launched from the Lido last year. They will join Damien Chazelle who – as previously announced – will serve as president of the Venice competition jury. 

Nick Vivarelli International Correspondent Veteran Swedish star Stellan Skarsgård, who plays villain Baron Harkonnen in Denis Villeneuve’s “Dune” – part two of which will be released in November – will be honoured by the Locarno Film Festival with its Leopard Club Award. Skarsgård, who started his Hollywood career working with top directors such as StevenSpielberg in “Amistad” (1997) and Gus Van Sant in “Good Will Hunting,” the same year, and segued to memorable roles in Gore Verbinsky’s “Pirates of the Caribbean” franchise and in “Mamma Mia!,” among other films. He is being feted by the Swiss fest dedicated to indie cinema with its Leopard Club Award dedicated to a film industry artist who has made a “mark on the collective imagination.”

Leo Barraclough International Features Editor Berlin- and Paris-based Salaud Morisset, a leading short film production and distribution outfit, has acquired two feature films for world sales – one selected by Karlovy Vary Film Festival and the other by Locarno Film Festival – as the company accelerates into feature film sales and production. Salaud Morisset has taken world sales rights on Cyril Aris’ feature documentary “Dancing on the Edge of a Volcano,” which premiered in the main competition at Karlovy Vary this week, and Una Gunjak’s fiction feature “Excursion,” just announced as the opener of Locarno Film Festival’s Filmmakers of the Present section. Salaud Morisset, which is also a co-producer on “Excursion,” aims to continue fostering synergies between its production and sales operations as it commits to a full slate of feature projects.

Norwegian cinema has been enjoying a moment lately, what with Joachim Trier’s crowdpleasing The Worst Person in the World pulling up to Drive My Car in the Oscar race and Kristoffer Borgli’s Sick of Me carving out a rep on the festival circuit. The Hypnosis, Ernst de Geer’s feature debut, sits somewhere between the two of them, fashioning a fitfully funny relationship drama that tilts at some very modern windmills (coaches, gurus, new-tech start-ups, workshops that involve blue-sky thinking) within a framework similar to Kristian Levring’s 2008 Danish drama Fear Me Not, in which a man’s personality changes after he becomes addicted to an experimental drug. The Hypnosis doesn’t quite follow that film’s melodramatic course, but there are similar thoughts raised about the human mind.

Jessica Kiang At a festival the size and stature of the Czech Republic’s Karlovy Vary, new discoveries are a daily occurrence. But it is rare that at festival’s end, one of the most excitingly buzzy emergent names should be that of a filmmaker who died 27 years ago and who has languished in relative obscurity – certainly in the Anglophone world – ever since. And yet here we are, at the tail end of an 11-film Yasuzo Masumura retrospective – the biggest of its kind ever mounted at an international film festival – that has proved, in a word, revelatory.  It’s not just in terms of blowing the dust from this extraordinary, unjustly overlooked filmmaker’s catalog, but also in the broader sense of being an exemplary model for how to connect a vibrant, youthful regional audience to global film history. There is a classic film fan born every minute, but in Karlovy Vary this year, you could feel it happen in real time during the screenings of Masumura’s  “A Cheerful Girl” (1957), “Hoodlum Soldier” (1965), “Spider Tattoo” (1966) and so on.  

Since producing Todd Haynes’ Sundance-winning drama “Poison” in 1991, Christine Vachon has helped bring some of the most unique and memorable independent films to the big – and small screen.

Winner of the Caméra d’Or for the best first feature film last month at the Cannes Film Festival, writer-director Pham Thien An’s “Inside the Yellow Cocoon Shell” is a deeply felt three-hour spiritual odyssey about grief in its many forms.  READ MORE: ‘You Sing Loud, I Sing Louder’ Review: A Vulnerable Ewan McGregor Can’t Save This Father-Daughter Addiction Drama [Karlovy Vary] An impressive tracking shot moves from a nighttime soccer game through a lively street in Saigon before settling on friends having send-off drinks for a member of the group who is forsaking the city for a simple life in the mountains.

Nick Vivarelli International Correspondent For his third edition at the helm, Locarno Film Festival artistic director Giona A. Nazzaro has assembled a wide spectrum of films that “do not resemble each other in terms of tone or form” while reflecting “the world in all its expressions and manifestations,” he tells Variety. This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says  “mixes Kung Fu, hard rock and the Orthodox Church.”

The Karlovy Vary International Film Festival’s Eastern Promises industry strand has unveiled the winners of it’s project showcases, which took place at the fest from July 2-4.

Nick Vivarelli International Correspondent Riz Ahmed will be honoured by the Locarno Film Festival where the latest short in which the British actor appears – titled “Dammi” and directed by French auteur Yann Mounir Damage – will world premiere. Ahmed, who earned an Oscar nomination for best actor in 2021 for his performance as a drummer who suddenly goes deaf in Amazon’s “Sound of Metal,” will be feted by the Swiss fest dedicated to indie filmmaking cinema with with its 2021 Excellence Award Davide Campari, which pays tribute to film personalities who have left their personal stamp on contemporary cinema. “Dammi,” which was teased at Cannes, is an experimental work, broadly on the theme of immigration and identity, produced by French fashion brand  AMI, founded by Alexandre Mattiussi, and also starring Isabelle Adjani, Souheila Yacoub, Sandor Funtek and Suzy Bemba. The buzzed-about short will screen at Locarno’s 8,000-seat Piazza Grande, on opening night, Aug. 2, during the ceremony at which Amed will receive the award.

Leo Barraclough International Features Editor Assel Aushakimova’s dark comedy about journalism in Kazakhstan “Bikechess” has won the Karlovy Vary Film Festival’s Works in Progress award, which runs as part of the festival’s industry section, Eastern Promises. The section is focused on feature film projects from Central and Eastern Europe, the Balkans, the former Soviet Union, the Middle East and North Africa. The Kazakh film follows Dina, who works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married camera­man. Dina looks after her young sis­ter, a lesbian activist, who regularly finds herself in trouble with the au­thorities.

Leo Barraclough International Features Editor Sales agency The Playmaker has signed with Lieblingsfilm to handle international sales for their Zlin Film Festival winner “What the Finn?!” (“Kannawoniwasein”). “What the Finn?!” is based on the children’s book by Martin Muser, which was adapted for the screen by Klaus Döring, Adrian Bickenbach and Stefan Westerwelle, who is also the director of the film. The film had its world premiere at Zlin, where it won the main prize, the Golden Slipper Award for Best Feature Film for Children. The Playmaker will present “What the Finn?!” at the upcoming German Films Previews in Potsdam (July 5 – 8), where it will screen for international buyers.

EXCLUSIVE: Christine Vachon offered her outlook on some of the industry’s most pressing issues at a keynote masterclass session this afternoon at the Karlovy Vary International Film Festival.

You know the modern world is in a dark place when even a middle-aged Iranian woman says that things were better in the old days. Indeed, for his feature debut, director Behrooz Karamizade has fashioned an intelligent and thoughtful drama that should travel well in today’s climate of insecurity, offering a fresh perspective on a multiplicity of worldwide issues (trickle-down theory, the gig economy) while adding an especially nuanced subplot exploring the refugee crisis and the mechanics of people-trafficking.  

Brave is the man who will sign up for a real-life father-daughter road movie set the aftermath of an acrimonious divorce, but Ewan McGregor his no regrets about pairing up with his eldest child — by his first wife — for You Sing Loud, I Sing Louder, which screened as a tribute to the actor in Karlovy Vary. Set in a dreamlike American West, and very far removed from the specifics of the McGregors’ own personal situation, it finds a reformed alcoholic dad trying to reconnect with his offspring after collecting her from hospital. She thinks they’re off to visit an artist friend of her father’s, but the truth is that, in a bid to absolve himself of many years’ worth of guilt, he’s taking her to rehab.

Given the stories that Russell Crowe was still celebrating his open-air concert at Karlovy Vary’s Thermal Hotel until the small hours of the morning, there was little surprise that the actor was late for his meeting with a group of international journalists. However, the 59-year-old showed no signs of wear and tear, and even graciously insisted the press conference go on past its strict 30-minute cut-off time.