Russell Crowe Gives The Opening Night Of Karlovy Vary Int’l Film Festival His Seal Of Approval: “I’ve Been To So Many Film Festivals That Are Absolute Hellscapes”

Moviegoers already knew that Todd Haynes‘ “May December” would open the 61st annual New York Film Festival this Fall. But now another North American premiere will happen in NYC.  Sofia Coppola‘s “Priscilla” will be the festival’s Centerpiece on October 6 before it hits theaters later that month courtesy of A24.

The lessons learned in this pitch-black German-Bulgarian co-production are very grim indeed, a social-realist drama that takes an unexpectedly shocking turn at its harrowing climax. The film’s recent win at Karlovy Vary, where it took the Grand Prix in the Crystal Globe Competition, should give it a welcome boost on the arthouse circuit, but the unwary are warned that Stephan Komandarev’s latest feature packs a punch not seen since Lars Von Trier or Michael Haneke in their provocative prime.

Goldie Hawn is opening up about her decades-long relationship with Kurt Russell.

Helen Mirren dedicated a Jerusalem Film Festival life-time achievement award to actors around the world on Thursday, just an hour before a looming SAG-AFTRA strike was made official.

Reese Witherspoon is getting real about her divorce from Jim Toth.

Norwegian cinema has been enjoying a moment lately, what with Joachim Trier’s crowdpleasing The Worst Person in the World pulling up to Drive My Car in the Oscar race and Kristoffer Borgli’s Sick of Me carving out a rep on the festival circuit. The Hypnosis, Ernst de Geer’s feature debut, sits somewhere between the two of them, fashioning a fitfully funny relationship drama that tilts at some very modern windmills (coaches, gurus, new-tech start-ups, workshops that involve blue-sky thinking) within a framework similar to Kristian Levring’s 2008 Danish drama Fear Me Not, in which a man’s personality changes after he becomes addicted to an experimental drug. The Hypnosis doesn’t quite follow that film’s melodramatic course, but there are similar thoughts raised about the human mind.

The 57th Karlovy Vary International Film Festival has concluded yet another wonderful week of cinematic discoveries. Previously announced awards were given to a variety of contributors to global cinema.

The 57th Karlovy Vary International Film Festival (June 30 – July 8) came to a close this evening with an awards ceremony that bestowed two key prizes to contemporary Bulgarian drama Blaga’s Lessons (Urotcite Na Blaga) by director Stephan Komandarev.

Will Tizard Contributor Bulgarian crime story “Blaga’s Lessons” by Stephan Komandarev scored the top prize and $25,000 at the 57th Karlovy Vary Film Festival on Saturday, capping a week of celebrating art film, stars and bold global work. With sold out screenings ranging from Russell Crowe introducing “Master and Commander: The Far Side of the World” to rare Japanese masterworks by Yasuzo Masumura and a tribute to actor Daniela Kolarova, Czech audiences proved once again to be hungry for every kind of film they cannot experience at any other venue. The Crystal Globe competition special jury prize, along with $15,000, went to “Empty Nets,” a German-Iranian gritty love story directed by Behrooz Karamizade.

Since producing Todd Haynes’ Sundance-winning drama “Poison” in 1991, Christine Vachon has helped bring some of the most unique and memorable independent films to the big – and small screen.

Johnny Depp isn’t against making a comeback at Disney.

The unseen and the obscene are the subject of Pascal Plante’s disturbingly brilliant psychological horror, which takes an overused genre — the serial killer movie — and an often-misused technique — dark Lynchian surrealism — and somehow alchemizes the two into something new and original. It’s strong meat for sure (the courtroom-drama framing is deceptive, since this is not really a film about justice), but word-of-mouth cult status beckons, and a healthy nightlife on the genre circuit is assured.

he is “not involved” in the upcoming sequel to the 2000 film, with Normal People and Aftersun star Paul Mescal rumoured to take the starring role, though Crowe did say he was “slightly jealous” of the sequel.The new film is currently in production in Malta, and Crowe revealed to Deadline that he accidentally had a recent crossing of paths with the set.“I was in Malta recently, because we did a concert there,” he revealed, “and I looked across to Fort Ricasoli, and the Colosseum’s been built there again, just like it was in 1999.”I tell you, man, it was like a time warp — for a couple of seconds there, I was like, What year is this? Where are we?”“I don’t know what I was expecting, but I wasn’t expecting that that they would rebuild the Colosseum in the exact same place.”Of the intricacies of the film itself, he added: “I don’t know anything about the cast, I don’t know anything about the plot. Well, I wouldn’t, would I? ‘Cause I’m dead!”But I just know that whoever’s involved in that movie, if Ridley has decided to do a second part of that story 24 years later, he will have really strong reasons to do so.

EXCLUSIVE: Christine Vachon offered her outlook on some of the industry’s most pressing issues at a keynote masterclass session this afternoon at the Karlovy Vary International Film Festival.

Karim Ainouz film “Firebrand,” in which she stars as the 16th-century British queen Catherine Parr opposite Jude Law’s King Henry VIII. For Vikander, it marked a return to the Czech Republic, where she made her first international movie, 2012’s “A Royal Affair,” starring as another queen, Denmark’s controversial 16th-century monarch Caroline Matilda.In between those two royal dramas, Vikander has starred in movies that include “Anna Karenina,” “Ex Machina,” “Jason Bourne,” “The Green Knight” and “The Danish Girl,” for which she won the Academy Award for Best Supporting Actress.During her trip to Karlovy Vary, Vikander sat down with TheWrap for a discussion of “Firebrand,” the importance of depicting honest, unapologetic women onscreen and just how disgusting it was to smell the special perfume Jude Law commissioned to capture the scent of a dying Henry VIII.

You know the modern world is in a dark place when even a middle-aged Iranian woman says that things were better in the old days. Indeed, for his feature debut, director Behrooz Karamizade has fashioned an intelligent and thoughtful drama that should travel well in today’s climate of insecurity, offering a fresh perspective on a multiplicity of worldwide issues (trickle-down theory, the gig economy) while adding an especially nuanced subplot exploring the refugee crisis and the mechanics of people-trafficking.  

Brave is the man who will sign up for a real-life father-daughter road movie set the aftermath of an acrimonious divorce, but Ewan McGregor his no regrets about pairing up with his eldest child — by his first wife — for You Sing Loud, I Sing Louder, which screened as a tribute to the actor in Karlovy Vary. Set in a dreamlike American West, and very far removed from the specifics of the McGregors’ own personal situation, it finds a reformed alcoholic dad trying to reconnect with his offspring after collecting her from hospital. She thinks they’re off to visit an artist friend of her father’s, but the truth is that, in a bid to absolve himself of many years’ worth of guilt, he’s taking her to rehab.

Johnny Depp has just delivered an unexpected performance in the opening trailer for the Karlovy Vary International Film Festival (KVIFF) currently underway in the Czech Republic.

The raucous period drama “Firebrand” was the official opening-night film at the 57th annual Karlovy Vary International Film Festival on Friday night in the spa resort town outside Prague, but there was a lot more going on in and around the Grand Hall at the Hotel Thermal than just the on-screen battle between Alicia Vikander’s Catherine Parr and Jude Law’s King Henry VIII. It also included the presentation of awards to Vikander and Russell Crowe, the usual complement of opening-night speeches, an extended dance number that appeared to be performed on ice skates (though it wasn’t on ice but on an artificial surface that mimicked ice but could be walked on safely) and, during breaks and after the movie, complete concerts by the British band Morcheeba and by Crowe’s nine-piece band, Indoor Garden Party.

Given the stories that Russell Crowe was still celebrating his open-air concert at Karlovy Vary’s Thermal Hotel until the small hours of the morning, there was little surprise that the actor was late for his meeting with a group of international journalists. However, the 59-year-old showed no signs of wear and tear, and even graciously insisted the press conference go on past its strict 30-minute cut-off time.