Cannes Review: Paul Verhoeven’s ‘Benedetta’

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Tatiana Huezo’s eye for lyrical truth has materialized in documentaries like “Tempestad” or “The Tinniest Place,” works that penetrate some of the most tenebrous corners in recent Latin American history with shimmering compassion. Her stance as an acute observer of the people that survive and persevere through tumultuous sociopolitical and economically disadvantaged contexts produces thought-provoking filmic meditations.

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When teenaged environmental activist Greta Thunberg made her now-famous speech at the UN Headquarters in 2019, she was met with equal parts admiration and derision, likely an unfavorable imbalance toward the latter. For every A-list celebrity who reposted a clip on their Instagram story, adorned with enthusiastic heart emojis, surely another handful of Internet trolls lurked in the comments and left discouraging messages.

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Of the many films playing at Cannes which have gained in resonance since the coming of the pandemic, “Zero F*cks Given” from French duo Julie Lecoustre, and Emmanuel Marre does not represent the creepiest, most alarming kind of coincidence — that description would better fit “Benedetta” from Dutch master Paul Verhoeven, which features an actual plague, face coverings and quarantine measures.

his latest film Benedetta.Speaking after critics questioned some of the scenes, including one where an effigy of the Virgin Mary is used as a sex toy, Verhoeven said (per Variety): “I don’t really understand how you can really blaspheme about something that happened, even in 1625.“You cannot change history, you cannot change things that happened, and I based it on the things that happened.

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CANNES, France -- The veteran provocateur Paul Verhoeven premiered his lesbian nun drama “Benedetta” at the Cannes Film Festival with a solemn vow to resurrect sexuality in movies.“Benedetta” predictably stirred the French Riviera festival over the weekend. In it, the Belgian actor Virginie Efira stars as Benedetta Carlini, a 17th-century French nun who communicates directly with Jesus and who falls in love with a farm girl saved by the convent (Daphné Patakia).

At the Cannes Film Festival press conference for Paul Verhoeven’s competition title Benedetta this morning, director and cast fielded a series of questions about the film’s use of nudity and sex while Verhoeven bristled at the suggestion Benedetta is in any way blasphemous. “I do not understand really how you can be blasphemous about something that happened… You cannot basically change history after the fact.

K.J. Yossman “Basic Instinct” director Paul Verhoeven slammed the new “puritanism” he perceives has taken over cinema during a charged Cannes press conference for his latest film “Benedetta,” saying critics “don’t want to look at the reality of life.”The Belgian auteur has received a generally positive response to his risqué new film, which stars Virginie Efira and Daphne Patakia as two nuns embarking on an illicit lesbian affair in their convent.

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For just a moment, as a particularly sepulchral stretch of Anne Dudley‘s liturgical score plays over a solemn black screen emblazoned with the words “inspired by real events,” you might think Paul Verhoeven‘s gone and gotten serious on us, and that “Benedetta,” his hotly lusted-after Cannes title is going to be, whisper it, tasteful.

Ramin Setoodeh Executive EditorRacy sex in a convent? Explicit dreams about Jesus Christ? A coming-of-age lesbian love story? Paul Verhoeven’s “Benedetta” featured all that and more, leaving its premiere audience at the Cannes Film Festival searching for words to describe the movie they’d just seen.But in the end, the French approved.

Sharon Stone recently shocked everyone with her comments related to the filming of one of Basic Instinct's explicit scenes. The actress in her recently released memoir opened up about the infamous interrogation scene and suggested that she was tricked into it.