‘Zero F*cks Given’: Adèle Exarchopoulos Tries To Conceal The Despair of Life In This Shimmering Drama [Cannes Review]

Director Rachel Lang follows military couples in Our Men, an intriguing insight into French Foreign Legion life that closed the Cannes Directors’ Fortnight section. Lang herself graduated as Lieutenant from the French army, and served in the Sahel desert in 2017, so it’s fair to say she has more knowledge of this world than many filmmakers.

Well, that’s a wrap on the 2021 Cannes Film Festival; 56 reviews and counting (there might be one or two more stragglers to come, but we are basically done). It was a pretty great festival and strong year despite the COVID-19 protocol confusion, those changing rules, and Spike Lee spoiling the Palme d’Or prize early (Spike!!).

It’s not on the level of M*A*S*H or The Hospital, but The Divide (La Fracture) keeps you on your toes with its frenetic look at a besieged Paris emergency room hospital staff as, along with its regular patients, it tries to cope with the many people injured during a Yellow Vests protest that gets out of hand in late 2019.

Lots of stars were in attendance for the closing ceremony of the 2021 Cannes Film Festival!

There is a moment of genuine tension at the very beginning of Joachim Lafosse’s “The Restless” that is worth your attention. Damien (Damien Bonnard), is swimming with his son Amine (Gabriel Merz Chammah, the grandson of Isabelle Huppert, no less) off a boat on the rocky French coast.

Bruno Dumont’s peculiar blend of the transcendental with a clumsy kind of realism was a natural fit to “Jeannette” and “Joan of Arc,” both films dealing with the same presumed miracle — an ordinary little girl claiming to be guided by Saints.

Few films have accurately captured the definitive Millennial experience—lovelorn, cash-strapped, self-absorbed, and tech-addicted—though a few have tried, and some even succeeded. Modern love is no joke, as films and shows like “Frances Ha” and “Girls” know, and neither is modern friendship, or any part of early adulthood these days.

Bruno Dumont uses a French anchorwoman to explore his country’s media in France, a Cannes Film Festival competition entry that’s glossy and watchable but ultimately disappointing. Léa Seydoux plays France de Meurs, a TV anchorwoman and reporter so famous that she stopped for selfies everywhere she goes, from cafes to war zones. After she is involved in a traffic accident, she quits her job and ends up in a Swiss spa, but the respite she meets there isn’t quite what she’d hoped for.

The eclectic veteran French director Jacques Audiard shifts gears yet again (his last feature was 2018’s unusual western, The Sisters Brothers) with Paris, 13th District (Les Olympiades), an adaptation of stories by the American comic book writer and artist Adrian Tomine.

Arnaud Desplechin returns to the Cannes Film Festival with Deception (Tromperie), a self-indulgent Philip Roth adaptation that’s only marginally better than 2017’s derided Ismael’s Ghosts. One of the late Roth’s most openly personal novels, it details a string of affairs conducted by Jewish-American writer “Philip,” here played by French actor Denis Podalydes, speaking French.

Timothee Chalamet goes bold in a graphic jacket while arriving at the Louis Vuitton Dinner at Fred L’Ecailler on Tuesday night (July 13) in Cannes, France.

Having been a mainstay of the Croisette for years and a Palme d’Or winner in 2015 for “Dheepan,” French filmmaker Jacques Audiard (“The Beat That My Heart Skipped,” “A Prophet,” both Cannes prize winners), is no stranger to the Cannes Film Festival. Since 2005, all of his films have debuted at Cannes save one (2018’s “The Sisters Brothers” that went to Venice).

Adele Exarchopoulos walked the carpet in two different looks this year at the 2021 Cannes Film Festival!

July 12th, 2021, Cannes – Reader, I ratatat out this missive in haste on my trusty Smith-Corona from the South of France, in the paltry hopes it may adequately convey my delight in viewing the latest cinematographic marvel from Mr. Wes Anderson, originally of Houston, Texas but more latterly resident of a nearby color-coded, symmetrical nebula almost entirely of his own design.

Jodie Turner-Smith appears to have been the victim of a robbery.

Check out TheWrap’s digital Cannes magazine issue here. You can find all of TheWrap’s Cannes coverage here.We’re entering Week 2 of Cannes, and as people eagerly await Wes Anderson’s “The French Dispatch,” strong reviews continue to roll out of the festival, including for recent premieres “Bergman Island” and “Drive My Car.” “Bergman Island” from director Mia Hansen-Løve turns out to be very Swedish, drawing much of its energy not just from legend Ingmar Bergman, but also a dance sequence set to

If Wes Anderson hasn’t already been ordained as the king of twee, he certainly will be with The French Dispatch. There can never have been a film so entirely marked and dominated by preciously perfectionist compositions, arcane detail, meticulous camera moves, ornate décor, historical and design minutiae, styles of typography, precision diction, arch attitude, obsessive attention to cultural artifacts and loyalty to Oscar Wilde’s notion that art needn’t express anything other than itself.

A sweeping social protest met with utter chaos in an emergency room—especially to the American festival-goer at Cannes, this brief sounds like an unpleasant evocation of 2020. And indeed, filmed in the immediate aftermath of the gilets jaunes protests in France, Catherine Corsini’s “The Divide” (“La fracture”) both reflects the past year and eerily foreshadows the true disaster in emergency rooms that followed the events of the film.

France's most famous actors, may miss the Cannes Film Festival after testing positive for COVID-19.Seydoux has been fully vaccinated but she tested positive while working on a film, her publicist Christine Tripicchio confirmed Saturday. She is asymptomatic and isolating at home in Paris, hoping that negative tests on consecutive days could allow her to still attend the festival in the south of France.Seydoux was set to be one of the most ubiquitous stars at Cannes this year.

Lea Seydoux is supposed to be the toast of this year’s Cannes Film Festival with four films, including three in competition. But sources say that the French star may cancel her trip to the South of France after testing positive for Covid.Seydoux has not made the trip to Cannes yet; she’s currently on the production of a film during which contracted Covid.