‘Hytti Nro 6’: Lonely Strangers On A Train Connect In Finnish Director Juho Kuosmanen’s Linklater-Esque Escapist Drama [Cannes Review]

How well do you actually know someone? Even if the person is your spouse, sibling, or best friend, do you really know all the dirty secrets that person has? Probably not.

It’s rare for the last ten minutes of a film to radically change your opinion of the movie at large, let alone your entire viewing experience, but in “Hold Me Tight” (“Serre-Moi fort”), which premiered at the Cannes Film Festival, director Mathieu Amalric does precisely that.

"She Said," a dramatic retelling of the sexual harassment investigation that took down Harvey Weinstein and sparked the #MeToo movement, is coming to theaters next year. The movie, from Universal Pictures, will be released on Nov.

In one scene of Apichatpong Weerasethakul’s “Memoria,” Jessica (Tilda Swinton) and a friend browse refrigerated cabinets designed to preserve flowers. “In here, time stops,” the saleswoman says proudly, gesturing at the blue cupboards.

Pat Saperstein Deputy EditorSony Pictures Classics announced Thursday it has acquired rights for North America, Latin America, Eastern Europe, Southeast Asia and the Middle East for “Compartment No. 6,” the Finnish film that premiered in competition in Cannes.Acquired from Totem Films, it’s the second feature directed by Juho Kuosmanen, and is based on the novel by Rosa Liksom.

Sony Pictures Classics said Thursday that it has acquired North America, Latin America, Eastern Europe, Southeast Asia and Middle East rights to Juho Kuosmanen’s Compartment No. 6, the Finnish film that just had its world premiere in Competition at the Cannes Film Festival. The deal was struck with Totem Films.

Sony Pictures has acquired the rights to “Compartment No. 6,” which is currently in competition at the 2021 Cannes Film Festival.Juho Kuosmanen’s film was produced by Jussi Rantamäki and Emilia Haukka for Aamu Film Company, based on the novel by Rosa Liksom.

Rebecca Rubin Film and Media Reporter“She Said,” a dramatic retelling of the sexual harassment investigation that took down Harvey Weinstein and sparked the #MeToo movement, is coming to theaters next year.The movie, from Universal Pictures, will be released on Nov.

Universal Pictures has set a November 18, 2022, release date for She Said, about the reporters who broke the Harvey Weinstein sexual-assault story.

A coming-of-age summer romance yarn, “Mi Iubita, Mon Amour” succeeds in shifting the power dynamic within the classic genre archetype, albeit in a way that increases the creep factor.

Earlier this year, comic book writer/artist and filmmaker Dash Shaw presented his latest animated film, “Cryptozoo” at the 2021 Sundance Film Festival to much acclaim. Shaw was primarily known for his inventive comic book work but then quickly moved into animated filmmaking with “My Entire High School Sinking Into the Sea,” which was critically acclaimed and had its world premiere at the 2016 Toronto International Film Festival.

Boyz n the Hood.New York City had Do the Right Thing, care of Spike Lee. But outside of West Coast rap lyrics, Boyz n the Hood was one of the first dramas to dive into the lives of Black families living in South Central LA.

Naman Ramachandran The Netherlands Film Fund and the Swedish Film Institute are among eight European public funders that are launching ‘New Dawn,’ an inclusion and equality production fund that aims to support under-represented groups in the world of film. Apart from the Netherlands and Sweden, the other founder funding bodies are from Slovenia, Denmark, Finland, French and Flemish Belgium, and Luxembourg.

Of the many films playing at Cannes which have gained in resonance since the coming of the pandemic, “Zero F*cks Given” from French duo Julie Lecoustre, and Emmanuel Marre does not represent the creepiest, most alarming kind of coincidence — that description would better fit “Benedetta” from Dutch master Paul Verhoeven, which features an actual plague, face coverings and quarantine measures.

Marta Balaga Following his 2016 Un Certain Regard win with “The Happiest Day in the Life of Olli Mäki,” Finnish director Juho Kuosmanen is back in Cannes with “Compartment No. 6,” and this time, in the main competition.

If you’ve ever fancied taking the train from Moscow to the far northwestern Russian city of Murmansk above the Arctic Circle, Compartment No. 6 (Hytti No. 6) will almost certainly cure you of the urge. At the same time, Finnish director Juho Kuosmanen’s second film, which is about such a journey, offers up vivid emotional twists and turns that are charted with unusual acuity, qualities that will propel it to a modest but well noted life on the festival circuit.

Chilean filmmaker Dominga Sotomayor, who is one of the directors on Neon’s anthology movie The Year Of The Everlasting Storm which premieres in Cannes next week, is set to write and direct Niebla for RT Features’ Rodrigo Teixeira.

Like father like son, and just like that, there’s competition in the Panahi family for the best filmmaker.

Lise Pedersen A tribute to the Nordic film industry’s resilience, four Nordic titles have made it through to Cannes’ Official Selection. And unlike previous years, when Denmark (Lars Von Trier, Thomas Vinterberg) or Sweden (Rüben Östlund) drew most of the worldwide attention, audiences should watch out for new and established voices from Norway, Finland and Iceland. “Compartment No. 6” Juho Kuosmanen’s sophomore feature marks Finland’s return to competition after a decade away (the previous