Jesus Christ, Paul Verhoeven! Lesbian Nuns and Racy Convent Sex Make ‘Benedetta’ the Talk of Cannes

Leo Barraclough International Features EditorThe Playmaker Munich has released the first teaser for upcoming sci-fi movie “Rubikon,” which is one of seven international genre projects selected for this year’s Frontières Buyers Showcase, which is running during the Cannes Film Festival.“Rubikon,” directed by Magdalena Lauritsch and written by Jessica Lind and Lauritsch, is in post-production.

Jake Owen is mourning the loss of his dog.

his latest film Benedetta.Speaking after critics questioned some of the scenes, including one where an effigy of the Virgin Mary is used as a sex toy, Verhoeven said (per Variety): “I don’t really understand how you can really blaspheme about something that happened, even in 1625.“You cannot change history, you cannot change things that happened, and I based it on the things that happened.

CANNES, France -- The veteran provocateur Paul Verhoeven premiered his lesbian nun drama “Benedetta” at the Cannes Film Festival with a solemn vow to resurrect sexuality in movies.“Benedetta” predictably stirred the French Riviera festival over the weekend. In it, the Belgian actor Virginie Efira stars as Benedetta Carlini, a 17th-century French nun who communicates directly with Jesus and who falls in love with a farm girl saved by the convent (Daphné Patakia).

At the Cannes Film Festival press conference for Paul Verhoeven’s competition title Benedetta this morning, director and cast fielded a series of questions about the film’s use of nudity and sex while Verhoeven bristled at the suggestion Benedetta is in any way blasphemous. “I do not understand really how you can be blasphemous about something that happened… You cannot basically change history after the fact.

K.J. Yossman “Basic Instinct” director Paul Verhoeven slammed the new “puritanism” he perceives has taken over cinema during a charged Cannes press conference for his latest film “Benedetta,” saying critics “don’t want to look at the reality of life.”The Belgian auteur has received a generally positive response to his risqué new film, which stars Virginie Efira and Daphne Patakia as two nuns embarking on an illicit lesbian affair in their convent.

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For just a moment, as a particularly sepulchral stretch of Anne Dudley‘s liturgical score plays over a solemn black screen emblazoned with the words “inspired by real events,” you might think Paul Verhoeven‘s gone and gotten serious on us, and that “Benedetta,” his hotly lusted-after Cannes title is going to be, whisper it, tasteful.

Ever the bad boy even into his 80s, director Paul Verhoeven stirs the pot and turns the heat up to the boiling point in Benedetta, a medieval brew of religious fervor, illicit lesbian sex in a convent, Catholic church politics and — to incidentally add a contemporaneous touch — a plague sweeping the land.

#Cannes premiere. ‘Lesbian nuns’ is only the half of it.”“Benedetta” is an erotic drama directed by Verhoeven about a young nun in 17th century Italy who carries on an affair with another nun, and it’s inspired by a nonfiction book by historian Judith C.

Sharon Stone recently shocked everyone with her comments related to the filming of one of Basic Instinct's explicit scenes. The actress in her recently released memoir opened up about the infamous interrogation scene and suggested that she was tricked into it.

He may be barred from leaving Russia and thus unable to travel to Cannes, but arthouse cinema favorite Kirill Serebrennikov is refusing to let that dampen his spirit ahead of the premiere of his latest movie, Petrov’s Flu, in the French fest’s Competition.

Basic Instinct‘s famous leg-crossing scene.In her recent memoir The Beauty Of Living Twice, Stone stated Verhoeven tricked her into shooting the scene without underwear – among various other anecdotes about sexism and intimidation in the industry – by suggesting that Stone’s underwear was reflecting the light poorly, and asking her to remove them with the caveat that no frontal nudity would appear in the final film.“My memory is radically different from Sharon’s memory,” the director told