Cannes Film Festival Jury: Lily Gladstone, Eva Green, Omar Sy and More Join President Greta Gerwig

Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.

Nick Vivarelli International Correspondent Italy’s film industry is fighting to stay vibrant amid disruption caused both by politics and market forces.After reaping the rewards of a protracted growth spurt, local producers are facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s currently stalled tax incentives for film and TV production. At a packed protest event held in early April at Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the culture ministry to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business.

Angelique Jackson Richard Gere and Jacob Elordi star in Paul Schrader‘s latest, highly anticipated film ‘Oh Canada,’ which premieres at the Cannes Film Festival on Friday. Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam, shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard. In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate.

Uma Thurman has been to Cannes more times than she can remember, either to pledge support for the glamorous annual charity event amfAR or with films as diverse as the genteel Merchant-Ivory period film The Golden Bowl (2000) and Quentin Tarantino’s ultraviolent Kill Bill: Volume 2 (2004), in which she reprised her badass role as The Bride. The film that propelled her to stardom, Pulp Fiction, won the Palme d’Or there, and Thurman hasn’t forgotten what it did for her. This year, she’s back with Paul Schrader‘s Oh, Canada, the kind of smart, character-based indie on which she earned her spurs.

Studiocanal has acquired UK and Ireland rights for Ali Abbasi’s Cannes Palme d’Or contender The Apprentice.

Gregg Goldstein These auteurs are ready for their close-up. When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.

Greta Gerwig addressed the growing #MeToo movement in France at the jury press conference on opening day of this year’s Cannes Film Festival. “I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said when asked how she felt about #MeToo-related rumors swirling ahead of the festival. “I have seen substantive change in in the American film community, and I think it’s important that we continue to expand that conversation.

Paul Schrader was about to start shooting “Oh, Canada,” his adaptation of Russell Banks’ novel about a troubled artist taking stock of his life, when the major actors union went on strike. For a second, it looked like all that hard work, passion and planning might be for nothing — with performers on the picket lines and major studios holding out on their contract demands, it was hard to see how cameras would ever roll on the low-budget indie. “Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film.

Gregg Goldstein These auteurs are ready for their close-up. When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.

Nick Vivarelli International Correspondent New Italian media company Be Water – which is in Cannes for the first time – has announced its full roster of partners and scope of business activities comprising film, documentary and scripted TV production as well as theatrical film distribution, podcasts and live events. The Rome-based potential powerhouse is operating with what is being described as a holistic approach to content production that is congenial to the digital age, which is certainly a novelty for Italy.

Martin Scorsese’s dog bit off part of his thumb and ate it.The screenwriter has worked with Scorsese several times over the decades, including on the classic films Taxi Driver, Raging Bull and The Last Temptation of Christ, and is also known for his own directorial career, which in recent years has included First Reformed and The Card Counter.In a new interview with Variety, it has been reported that Schrader showed up with “a massive, bloody bandage” wrapped around his hand.“So on Tuesday night, I had dinner with Marty at his place,” Schrader explained when asked about his injury.“He has these dogs. They were very cute.

Following a highly successful collaboration on Hulu’s Pam & Tommy, Sebastian Stan and Lily James are set to reteam on Let the Evil Go West, a psychological horror thriller from director Christian Tafdrup (Speak No Evil).

Paul Schrader absentmindedly builds installation art out of seven prescription bottles, two inhalers and an empty martini glass, as we sit in a restaurant for seniors in a Manhattan high-rise. Outside, lights twinkle on the Hudson. In 1975, Schrader went to bed with a pistol under his pillow while writing “Taxi Driver.” “Having the option to end things is the only way I could sleep,” Schrader says.

Elsa Keslassy International Correspondent Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned. Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition.

Paris-based distributor ARP Selection has acquired French rights for Paul Schrader’s Oh, Canada ahead of its world premiere in Competition at the Cannes Film Festival in May.

Greta Gerwig has her jury. This evening, the Cannes Film Festival revealed the rest of the nine-member jury filled with festival veterans and Academy members.

The Cannes Film Festival has named the eight members of its main Competition jury who will join previously announced president Greta Gerwig in deciding the Palme d’Or and other key prizes at 77th edition running from May 14 to 25.

What To Watch.What to watch: 7 movies and shows to stream this week — April 19What to watch: 7 movies and shows to stream this week — April 12“Dead Boy Detectives” follows Charles and Edwin, two dead boys who decide to stick around on Earth in order to investigate supernatural crimes. You get what’s on the tin. More interestingly, the series is in the same universe as “The Sandman,” providing cool opportunities for fans of the franchise.

Salma Hayek had a wonderful time visiting The Pinault Collection, an extensive art collection amassed by her husband, French billionaire François Pinault, and his family. The private collection is at three museums, and she stopped by the Palazzo Grassi and Punta della Dogana in Venice, Italy, to appreciate it.

Pat Saperstein Deputy Editor UPDATE: Canadian filmmaker Xavier Dolan, whose film “Mommy” received the Cannes Jury Prize in 2014, will head the jury of Un Certain Regard at the Cannes Film Festival. Joining him on the jury will be “Cuties” director Maïmouna Doucouré, “The Mother of All Lies” helmer Asmae El Moudir, “Phantom Thread” actor Vicky Krieps and film critic Todd McCarthy. “I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” he said in a statement.