Paul Schrader’s Cannes Competition Film ‘Oh, Canada’ Sets French Distribution With ARP Selection

A small group of villagers are getting ready to rock again as they finalise plans for the fifth running of their very own music festival.

In 2020, Magnus von Horn was excited to find that his film Sweat had been accepted into the Official Selection at Cannes, a big step up from his debut, The Here After, which made Directors’ Fortnight in 2015. The pandemic put an end to that, but his disappointment was short-lived; this year, his dark atmospheric follow-up, The Girl With the Needle, sees him joining the big league. “This is huge to me,” he beams. “The main competition!”

Gregg Goldstein These auteurs are ready for their close-up. When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.

EXCLUSIVE: VMI Releasing, the North American distribution arm of VMI Worldwide, has picked up North American rights to Spanish filmmaker Fernando Trueba’s latest pic Haunted Heart, starring Matt Dillon. 

Paul Schrader was about to start shooting “Oh, Canada,” his adaptation of Russell Banks’ novel about a troubled artist taking stock of his life, when the major actors union went on strike. For a second, it looked like all that hard work, passion and planning might be for nothing — with performers on the picket lines and major studios holding out on their contract demands, it was hard to see how cameras would ever roll on the low-budget indie. “Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film.

Gregg Goldstein These auteurs are ready for their close-up. When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.

Alex Ritman Guy Ritchie has another film in the works that doubles down on the British upper class. The prolific director — already behind this year’s Netflix hit “The Gentlemen” and WWII action thriller “The Ministry of Ungentlemanly Warfare” — has unveiled his 18th feature film, “Wife and Dog,” with Black Bear launching sales in Cannes.

Elsa Keslassy International Correspondent “The Substance,” Coralie Fargeat’s buzzy horror movie starring Margaret Qualley and Demi Moore, has sold to one of France’s biggest distributors, Metropolitan FilmExport, ahead of its world premiere in competition at the Cannes Film Festival. The Match Factory is handling international sales on the female-powered movie, and MUBI just acquired the rights in North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where they will release the film theatrically this year. MUBI has also acquired the movie for Turkey and India.

EXCLUSIVE: Paris-based Nour Films has acquired French rights to Saudi director Tawfik Alzaidi’s first feature Norah ahead of its world premiere in the Cannes Film Festival’s Un Certain Regard.

Nick Vivarelli International Correspondent New Italian media company Be Water – which is in Cannes for the first time – has announced its full roster of partners and scope of business activities comprising film, documentary and scripted TV production as well as theatrical film distribution, podcasts and live events. The Rome-based potential powerhouse is operating with what is being described as a holistic approach to content production that is congenial to the digital age, which is certainly a novelty for Italy.

Martin Scorsese’s dog bit off part of his thumb and ate it.The screenwriter has worked with Scorsese several times over the decades, including on the classic films Taxi Driver, Raging Bull and The Last Temptation of Christ, and is also known for his own directorial career, which in recent years has included First Reformed and The Card Counter.In a new interview with Variety, it has been reported that Schrader showed up with “a massive, bloody bandage” wrapped around his hand.“So on Tuesday night, I had dinner with Marty at his place,” Schrader explained when asked about his injury.“He has these dogs. They were very cute.

EXCLUSIVE: Ever Anderson, an up-and-coming actress known for roles in Disney+’s Peter Pan & Wendy and Marvel’s Black Window, has entered into a new strategic partnership with Amazon MGM Studios, sources tell Deadline.

Paul Schrader absentmindedly builds installation art out of seven prescription bottles, two inhalers and an empty martini glass, as we sit in a restaurant for seniors in a Manhattan high-rise. Outside, lights twinkle on the Hudson. In 1975, Schrader went to bed with a pistol under his pillow while writing “Taxi Driver.” “Having the option to end things is the only way I could sleep,” Schrader says.

Alex Ritman Mubi has kicked off its 2024 Cannes Film Festival early and in style, acquiring worldwide rights to one of the buzziest films set to premiere in competition. The arthouse distributor, production banner and streamer has landed Coralie Fargeat’s body horror “The Substance,” starring Demi Moore, Margaret Qualley and Denis Quaid, picking up all rights for North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where it will release theatrically this year. Mubi has also acquired the rights for Turkey and India.

Naman Ramachandran British boxing champion and “Love Island” runner-up Tommy Fury will make his acting debut with Oceana Studios‘ “The Debt Inherited.” The film also marks the directorial debut of Oceana CEO Danny Sawaf. Dubai-based distribution and production outfit Oceana, whose credits include “Lamborghini: The Man Behind the Legend,” starring Gabriel Byrne and Mira Sorvino, “Monstrous,” starring Christina Ricci, and “Terrifier 2,” will launch sales on “The Debt Inherited” at the Cannes Film Market.

EXCLUSIVE: The Latino Film Institute has set its lineup for the 23rd Los Angeles Latino International Film Festival, which will take place from May 29th through June 2nd at the TCL Chinese Theatres in Hollywood.

Elsa Keslassy International Correspondent Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned. Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition.

EXCLUSIVE: Arizona Distribution has acquired French rights for Argentinian director Federico Luis’s first feature Simon of the Mountain ahead of its world premiere in Cannes Critics’ Week in May.

Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.

“I mean, there’s just nothing that can prepare you for the experience of Drag Race, because it is an experience of its own,” Season 16 queen Q said during a panel at Deadline’s Contenders TV: Documentary + Unscripted awards-season event.