EXCLUSIVE: The murder investigation of Scott Johnson, which highlighted a slew of homophobic killings in Australia in the 1980s, is to be explored in a new feature film.
17.05.2024 - 05:45 / variety.com
Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.
Below is a compendium of new Italian movies in various stages. “Parthenope” Paolo Sorrentino is in Cannes for the sixth time with this love letter to his native Naples, which segues from his Oscar-nominated “The Hand of God,” also set in the sensual southern port city.
Main cast comprises Luisa Ranieri, who played the emotionally troubled aunt Patrizia in “The Hand of God,” Gary Oldman and Silvio Orlando, who was Cardinal Voiello in “The Young Pope.” Lead producers are Lorenzo Mieli for Fremantle’s The Apartment Pictures and Anthony Vaccarello for Saint Laurent. Sales: Fremantle “Queer” Luca Guadagnino’s William S.
Burroughs adaptation features Daniel Craig playing the renowned counterculture author’s alter ego, an outcast drugged-out, American expat, who lives in Mexico, and “Outer Banks” star Drew Starkey as a younger man, a discharged American Navy serviceman, with whom he becomes madly infatuated. Sales: TBA.
“The Tearsmith” This young adult romance based on a turgid Italian best-seller and directed by Alessandro Genovesi shot to number one in April on Netflix’s global non-English language movies chart, an unprecedented feat for an Italian-language film. Set in the U.S., “Tearsmith” follows two diametrically different orphans named
.EXCLUSIVE: The murder investigation of Scott Johnson, which highlighted a slew of homophobic killings in Australia in the 1980s, is to be explored in a new feature film.
Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled a selection that is weighted heavily to world premieres and Chinese, local titles. That gives the festival showcase screenings for the newest works by established Chinese directors Gu Changwei (“Peacock, “Till Death Do Us Part”), Wei Shujun (“Only the River Flows,” “Striding Into the Wind”) and Guan Hu (“Old Fish”). Guan was rewarded in Cannes only last week for his Un Certain Regard-winning picture “Black Dog,” but will unveil his next effort “The Hedgehog in Shanghai’s main competition.
Elsa Keslassy International Correspondent Rolling off its acquisition of Francis Ford Coppola‘s “Megalopolis,” Italy’s leading independent distributor Eagle Pictures has scooped Italian remake rights to French smash hit “A Little Something Extra,” along with a raft of high-profile projects shopped at the Cannes Film Market. The company, which is owned by veteran producer-distributor Tarak Ben Ammar, will produce and distribute the Italian remake of “A Little Something Extra” (“Un Ptit truc en plus), Artus’ heartwarming family comedy which has taken the French box office by storm, selling a whooping 3.4 million tickets in theaters in three weeks. “It’s a delightful film about a father and his son who rob a little jewelry shop in a small town and as they’re looking a place to hide, they get on a bus without realizing that it’s taking them to a summer camp for young adults with disabilities,” Ben Ammar said.
Nick Vivarelli International Correspondent Director Francesca Archibugi, whose feminist fascist-era saga “La Storia” was Italy’s biggest TV event of 2023, is set to return behind camera on World War II drama “The Italian Chapel” set in Scotland’s Orkney Islands. Inspired by a true story, “Italian Chapel” is centered on a clash between the local Orkney community and prisoners of war who are confined there. Against this backdrop, a secret romance springs up between an Italian prisoner and a Scottish islander.
Nick Vivarelli International Correspondent Italian state broadcaster RAI’s new world sales arm is gaining traction in Cannes — following its soft launch in Berlin — with four new titles on its slate, including veteran auteur Roberto Andò’s historical drama “The Blunder” starring Toni Servillo (“The Great Beauty”). In “The Blunder,” which is currently shooting in Sicily, Servillo plays a Sicilian colonel at the head of a ragtag unit trying to outsmart the enemy during the 1860 battle led by Giuseppe Garibaldi that resulted in the unification of Italy (see first-look image, above).
Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night. Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd. “For me, this movie is a celebration of the journey of my life,” he said.
CANNES – If we know anything about Paolo Sorrentino it’s that he adores his hometown of Naples, Italy. His last directorial effort, “The Hand of God” was a love letter to the port city and, in something of a surprise, he taps that well once again for “Parthelone,” a title in competition at this year’s Cannes Film Festival.
Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.
EXCLUSIVE: Paolo Sorrentino‘s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.
Jack Dunn In 2023, Saudi Arabian film agency Film AlUla formed AlUla Creates, a local initiative that provides funding, mentorship and networking opportunities for Saudi filmmakers and fashion designers. And in just one year, AlUla Creates has exploded into a global brand, already hosting 123 international productions in the scenic valleys of AlUla, Saudi Arabia. “We call it a living museum,” said marketing director at Film AlUla Mahsa Motamedi.
Katcy Stephan Indian Paintbrush founder Steven Rales has purchased Criterion and Janus Films. The mission and leadership of the companies will not change following the private transaction.
Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.
Nick Vivarelli International Correspondent A new Italian distribution and international sales company called PiperFilm is launching in Cannes, having scored rights for Italy to Paolo Sorrentino’s Cannes competition title “Parthenope.” Former Vision Distribution managing director Massimiliano Orfei is president of PiperFilm, while Luisa Borella, who is also a former top-level Vision Distribution executive, serves as the new media company’s COO. PiperFilm is adopting an innovative distribution model by striking an agreement with Netflix under which the streaming giant will have the first exclusive post-theatrical window for Italy on their titles, while Warner Bros.
Nick Vivarelli International Correspondent Paolo Sorrentino is back in Cannes for the seventh time with “Parthenope,” a love letter to his native Naples but also, as he puts it, a film about his “missed youth” that comes as a natural follow-up to his autobiographical “The Hand of God.” Perhaps more significantly, “Parthenope” – an epic spanning several decades – is Sorrentino’s first female-centric film. Why? “In thinking of a modern hero, it came naturally to me that it would be a heroine, not a man,” he tells Variety. Let’s start with the film’s titular protagonist, Parthenope. Of course, Neapolitans in Italy are also known as “Parthenopeans.” My impression is that, after returning from Rome to Naples to make “The Hand of God,’ your native city drew you further back into its fold. It’s a bit more complex, actually, not necessarily just linked to Naples.
Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.
Leo Barraclough International Features Editor Manila-based production outfit Parallax Studio and entertainment company Saga Film Studios have formed a joint venture that will distribute the two-part Western epic “Horizon: An American Saga” in the Philippines. The deal is the first of a number of acquisitions planned by the joint venture. The “Horizon: An American Saga” films are directed by and star Academy Award winner Kevin Costner.
Nick Vivarelli International Correspondent The Johnny Depp-directed film “Modì,” about Italian artist Amedeo Modigliani, has secured a distribution deal in Italy, where it will be released by emerging production/distribution player Be Water. Above is a first-look image from the set of the film, which is now in post.
Nick Vivarelli International Correspondent Italy’s film industry is fighting to stay vibrant amid disruption caused both by politics and market forces.After reaping the rewards of a protracted growth spurt, local producers are facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s currently stalled tax incentives for film and TV production. At a packed protest event held in early April at Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the culture ministry to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business.
Nick Vivarelli International Correspondent Arab cinema continues to break new ground with a fresh crop of social dramas, several of which depict female empowerment in different forms. These range from the tale of a young woman who fakes being dead so she can leave everything behind, to a rape-revenge thriller titled “Beretta,” just like the semi-automatic pistol used by Suad, its mute protagonist. Below is a compendium of promising upcoming Arabic-language films in various stages that will be surfacing either at festivals or on streamers.
John Hopewell Chief International Correspondent Chile’s Quijote Films, behind Cannes 2023 Un Certain Regard Fipresci Prize winner “The Settlers,” has tied down a powerful alliance of international partners on “The Mysterious Gaze of the Flamingo,” the first feature of 2018 Cannes Cinéfondation top winner Diego Céspedes. An LGBTQ-themed drama, “The Mysterious Gaze” is set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other.