‘Broker’: Human Trafficking, Murder & More Are Softened By The Warm, Empathetic Touch Of Hirokazu Kore-eda [Cannes]

Mark Schilling Japan CorrespondentBack in Japan after his Korean-language drama “Broker” won two prizes at this year’s Cannes festival, Kore-eda Hirokazu appeared as a press event in Tokyo on Tuesday to announce the launch of a group of industry professionals who aim for structural reform of the Japanese film industry.The group calls itself the “Association for the Establishment of a Japanese Version of CNC.” The reference is to France’s government-backed oversight body, the Centre National du Cinema et de l’Image Animee. Kore-eda noted the low incomes and long working hours of freelance filmmakers and emphasized the need for reform.

Elsa Keslassy International CorrespondentCharades has closed a raft of deals on “Little Nicholas: Happy as Can Be,” an animated feature which world premiered at Cannes in the Special Screenings section and will go on to compete at Annecy festival. Directed by Benjamin Massoubre and Amandine Fredon, “Little Nicholas: Happy as Can Be” is based on author René Goscinny and New Yorker cartoonist Jean-Jacques Sempé’s popular children books from the 1960’s which have been translated into than 30 languages.

Pearl Jam have announced a number of new additions to their BST Hyde Park shows next month.The gigs on July 8 and 9 will be the band’s biggest ever London shows. Pearl Jam were originally due to headline BST Hyde Park in 2021 alongside Duran Duran but the event was cancelled as a result of the COVID pandemic.Newly announced support acts for the shows include October Drift, Fatherson, LIFE and Daytime TV on July 8.

Broker director Hirokazu Kore-eda has spoken about his desire address the “prejudice” faced by mothers who give up their childen through his new film.Broker follows Sang-hyun (Parasite’s Song Kang-ho) who sets up a baby box where parents are able to anonymously leave their babies for him find new parents for. Self-described as a “broker” of goodwill, Sang-hyun works with Dong-soo (Gang Dong-won) in this line of work, during which they cross paths with So-young, played by IU (real name Lee Ji-eun), who leaves her own baby in the baby box.Meanwhile, The Silent Sea’s Bae Doo-na and Lee Joo-young (Itaewon Class) portray the lead detectives in the cast against the broker, who are determined to uncover the operation.According to Korea Herald, Kore-eda recently spoke about his hopes to reduce the prejudice surrounding women who give up their children.

This week’s panel discussion featured Michael Shellenberger, a California gubernatorial candidate, cofounder of the California Peace Coalition, and author of San Fransicko: W,hy Progressives Ruin Cities; and Douglas Murray, columnist for the New York Post and The Sun, and author of War on the West: How to Prevail in the Age of Unreason.

Netflix just dropped the brand new trailer for Money Heist: Korea – Joint Economic Area!

Money Heist: Korea – Joint Economic Area, the highly anticipated adaptation of the Spanish crime drama Money Heist.The new clip, released earlier today (June 3), sees Tokyo (The Call’s Jeon Jong-seo) being recruited by The Professor (portrayed by When My Love Blooms’ Yoo Ji-tae) for a plan to steal ₩4trillion from the Korea Unified Mint.The heist, however, goes awry when a joint task force formed by North and South Korean law enforcers step in to foil their planst. “Getting the public on our side is the last piece of the puzzle,” a voiceover says, as the hostages turn against each other and the task force begins to intervene.

Broker and Decision to Leave have made history at the 2022 Cannes Film Festival, marking the first time two Korean works have won at the same ceremony.The upcoming Korean films Broker and Decision To Leave have both taken home one award each at this year’s Cannes Film Festival, marking the first time two Korean films have won an award at the festival in the same year.South Korean actor Song Kang-ho, who rose to international prominence in Bong Joon-ho’s Parasite in 2019, took home the Best Actor award for his role in Broker, which was directed by Japanese filmmaker Hirokazu Kore-eda. This makes Song the second Korean, after Jeon Do-yeon for 2007’s Secret Sunshine to win the award, and the first Korean male actor to do so.During his acceptance speech, the 55-year-old actor thanked director Hirokazu Kore-eda, along with his Broker co-stars Gang Dong-won, IU, Lee Joo-young and Bae Doo-na.

Patrick Frater Asia Bureau ChiefLocally-produced action franchise movie “The Roundup” continued to stomp its way across the South Korean box office for a second weekend, giving theatres their best month of the year.Over the weekend. “The Roundup” rounded up $15.4 million from 2,520 screens nationwide, according to KOBIS, the tracking service operated by the Korean Film Council (Kofic).

The Barkers are back home.

Following the sparsely attended media conference for Close at Cannes this morning, journalists packed their way into the press room to hear Broker director Hirokazu Kore-Eda and cast, giving them a standing ovation.

Patrick Frater Asia Bureau ChiefKore-eda Hirokazu, director of the well-received Cannes competition film “Broker” says his diverse and lonely characters constitute a family of choice.“This film tells the story of a family which came together by choice. Each character had been rejected. They set off on a car journey, as if by accident.

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

The Palme d’Or can be a blessing and curse, a gold-plated sword of Damocles hanging over the heads of filmmakers lucky enough to claim it. After the first waves of shock and joy recede, and their subsequent year-long victory lap reaches the finish line, those same filmmakers are left alone with one troubling thought: What’s next? Director Hirokazu Kore-eda offers a fine case study in how that question might trip someone up.

Esteemed Japanese director Hirokazu Kore-eda walks a fine line between keen social observation and overt sentimental emotionalism in Cannes competition title Broker.

Peter Debruge Chief Film CriticWhile Americans’ attention is consumed with the issue of abortion, halfway across the world, director Kore-eda Hirokazu (“Shoplifters”) focuses on the alternative for mothers who carry their pregnancies to term, but can’t raise the children on their own. A warm and unexpectedly nonjudgmental look at the Korean gray market for adoption, “Broker” was inspired by the idea of “baby hatches” — essentially, a donation station for unwanted infants — and follows the director’s natural curiosity through to its most humanistic conclusion, as audiences unexpectedly come to empathize with practically everyone involved in the buying and selling of a little bundle of joy.What is Kore-eda, who is Japanese, doing making a film in South Korea, you might ask? It’s not his first time working abroad.

Elsa Keslassy International CorrespondentAndres Ramirez Pulido’s “La Jauria” won the Grand Prize at Critics’ Week, the Cannes Film Festival’s sidebar dedicated to first and second features. The Colombian film also won the SACD prize.

Guy Lodge Film CriticHometowns forget us quickly when we leave them, even if some of the people left behind do not. Architecture, infrastructure and whole communities can change with scant warning or regard for our memories, or our bearings when we return.

Hirokazu Kore-eda‘s next directorial effort is the baby-napping (kidnapping for babies) drama “Broker” which stars Song Kang-ho, who previously played the patriarch in the Best Picture winner “Parasite” and is a fixture of South Korean cinema. Kore-eda, a Japanese filmmaker, made waves in the film awards circuit with his fantastic 2018 drama “Shoplifters” which won the Palme d’Or at the Cannes Film Festival and even etched out a Best Foreign Language Film Oscar nomination.

Zack Sharf Welcome back, Park Chan-wook. The South Korean auteur returned to Cannes six years after “The Handmaiden” with his new detective thriller “Decision to Leave” and earned a five-minute standing ovation.Although the ovation matched the amount of time celebrating “The Handmaiden,” the reception was notably more muted. While the camera the festival uses that normally shows on the creative team’s gracious reaction after the movie, and helps to keep the applause rolling, wasn’t working, the response was quiet even before the technical snafu.“Decision to Leave” centers around a detective who falls in love with a mysterious widow who just happens to be the prime suspect in his latest murder investigation.