‘Broker’ Film Review: Hirokazu Kore-eda Continues to Explore What Makes a Family

Naman Ramachandran Shailaja Padindala’s Kannada-language film “Naanu Ladies” won best narrative feature and Pedro Peira’s English and Spanish-language film “LA QueenCianera” best documentary feature at the 2022 Kashish LGBTQ+ film festival in Mumbai.Gujarati-language shorts “Muhafiz” by Pradipta Ray and “Dal Bhat” by Nemil Shah” won best Indian narrative short and the Riyad Wadia Award for best emerging Indian filmmaker respectively. “Muhafiz” also won best screenplay for Ray and Ashutosh Pathak.Padindala said: “ ‘Naanu Ladies’ is a film attempting to identify cis-het culture [as it] weaves itself into the queerness of everyday life.

Mark Schilling Japan CorrespondentBack in Japan after his Korean-language drama “Broker” won two prizes at this year’s Cannes festival, Kore-eda Hirokazu appeared as a press event in Tokyo on Tuesday to announce the launch of a group of industry professionals who aim for structural reform of the Japanese film industry.The group calls itself the “Association for the Establishment of a Japanese Version of CNC.” The reference is to France’s government-backed oversight body, the Centre National du Cinema et de l’Image Animee. Kore-eda noted the low incomes and long working hours of freelance filmmakers and emphasized the need for reform.

Patrick Frater Asia Bureau Chief“Broker,” the unconventional family drama which appeared in competition at last month’s Cannes Film Festival, topped the box office in South Korea on Wednesday, its opening day.“Broker” grossed $1.10 million, enough to depose crime actioner “The Roundup” from the top spot that it had enjoyed for the past three weeks and which had made it the highest performing film this year.According to data from the Kobis tracking service operated by the Korean Film Council, “Broker” played on 1,590 screens and sold 145,000 tickets for Wednesday screenings. Its cumulative total of $1.15 million includes some $44,000 of previews earned on 14 screens.The feat by a local art-house film gives further support to the notion that cinema attendance is rebounding in Korea.

the 12-minute standing ovation the Broker cast received at the 2022 Cannes Film Festival.The actress recently appeared on an episode of SBS Power FM’s Cine Town segment, where she spoke about what it was like to be part of the Broker cast at the annual film festival. “It felt so unreal,” Lee, who plays Detective Lee in the film, said of the experience, per SBS News.“I had a feeling that Song Kang-ho [who plays the character Sang-hyeon in Broker] would be named ‘Best Actor’ for his performance, so I kind of looked forward to that,” she added.

A boy from Stanley is finding out what it would be like to cycle round South Korea - but he’s making his 1200km bike trek without leaving Scotland.

Spanish Filmin Buys Lars Von Trier’s ‘The Kingdom’ Trilogy

Elsa Keslassy International CorrespondentSpanish streaming service Filmin has acquired Lars von Trier’s “The Kingdom” trilogy, along with the full library of films by the director, from TrustNordisk.Von Trier is currently completing the third and final instalment of “The Kingdom,” his cult 1990s TV show about the good, evil and paranormal inside the neurosurgical ward of Denmark’s main hospital.Filmin is also acquiring the restored Seasons 1 and 2 of the show and will launch the complete series in Spain. The trilogy has already been acquired in several territories, including Germany and Austria (Koch Films), Japan (Synca Creations) and South Korea (AtNine).“We are pleased to experience this high level of interest in the series among buyers, who are evidently intrigued and excited about the series’ epic story, director and cast, which of course comes as no surprise,” said Susan Wendt, TrustNordisk’s managing director.

Nick Vivarelli International CorrespondentParamount+ has partnered with Italian and German public broadcasters RAI and ZDF on coming-of-age TV series “The Gymnasts” from Italy’s Indigo Film (“The Great Beauty”) to be directed by Cosima Spender (“Palio”) and Valerio Bonelli.Also on board as a key partner on “The Gymnasts” — which was recently presented at the Series Mania Co-Pro Pitching Sessions — is London-based super-indie All3Media International, which will be handling international sales of the show in territories not covered by its main broadcasters.The project is part of The Alliance, the production pact forged among continental Europe’s leading public broadcasters to co-finance innovative, high-profile TV series for the international market. But, in an interesting twist, “The Gymnasts” will be premiering as a Paramount+ original in Italy and across France, the U.K., Canada, Australia, Latin America and South Korea.Based on Italian author Ilaria Bernardini’s bestselling novel “Corpo Libero,” the six-episode series revolves around a team of elite female teenage gymnasts engaged in an international competition high up in the snowy Italian Alps.During what is the most important week of their lives, rivalries are fierce and relationships become complex as the young athletes vie for a chance at making the Olympic team.

Here’s a fun bit of symmetry: Of the four French titles competing for this year’s Palme d’Or, the first to screen was “Brother and Sister” and the last was “Mother and Son.” (Presumably daughters and grandparents will get their due next year.) Of the two, “Mother and Son” director Léonor Serraille bests her colleague Arnaud Desplechin in the family-saga sweepstakes, delivering a decade-spanning immigration drama that plays on the most intimate of registers.The film closed out the Cannes competition on Friday, providing it an auspicious berth. This year’s jury will go into deliberations with actress Annabelle Lengronne fresh in mind; should the actress win, she won’t have far to travel.She isn’t entirely the lead, as the triptych follows a Franco-Ivorian family in chapters dedicated to each member.

Following the sparsely attended media conference for Close at Cannes this morning, journalists packed their way into the press room to hear Broker director Hirokazu Kore-Eda and cast, giving them a standing ovation.

Patrick Frater Asia Bureau ChiefKore-eda Hirokazu, director of the well-received Cannes competition film “Broker” says his diverse and lonely characters constitute a family of choice.“This film tells the story of a family which came together by choice. Each character had been rejected. They set off on a car journey, as if by accident.

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

In Hirokazu Kore-eda’s Palme d’Or winner “Shoplifters,” a group of small-time thieves forms their own makeshift family, living every day not only through pure survival instinct but a genuine love for each other. For his first film set in Korea, the Japanese filmmaker reflects on similar themes in “Broker,” a road trip odyssey reflecting on the family we choose and the family we tearfully let go of.

Esteemed Japanese director Hirokazu Kore-eda walks a fine line between keen social observation and overt sentimental emotionalism in Cannes competition title Broker.

Peter Debruge Chief Film CriticWhile Americans’ attention is consumed with the issue of abortion, halfway across the world, director Kore-eda Hirokazu (“Shoplifters”) focuses on the alternative for mothers who carry their pregnancies to term, but can’t raise the children on their own. A warm and unexpectedly nonjudgmental look at the Korean gray market for adoption, “Broker” was inspired by the idea of “baby hatches” — essentially, a donation station for unwanted infants — and follows the director’s natural curiosity through to its most humanistic conclusion, as audiences unexpectedly come to empathize with practically everyone involved in the buying and selling of a little bundle of joy.What is Kore-eda, who is Japanese, doing making a film in South Korea, you might ask? It’s not his first time working abroad.

Kang Daniel is here!

Hirokazu Kore-eda‘s next directorial effort is the baby-napping (kidnapping for babies) drama “Broker” which stars Song Kang-ho, who previously played the patriarch in the Best Picture winner “Parasite” and is a fixture of South Korean cinema. Kore-eda, a Japanese filmmaker, made waves in the film awards circuit with his fantastic 2018 drama “Shoplifters” which won the Palme d’Or at the Cannes Film Festival and even etched out a Best Foreign Language Film Oscar nomination.

South Korea may have made big inroads on American TV recently with “Squid Game” and “Pachinko,” and the country’s intriguing film and television industry also has a stronger-than-usual presence at this year’s Cannes Film Festival. “Squid Game” star Lee Jung-jae’s political thriller “Hunt” premiered as a midnight screening early in the festival; Davy Chou’s “Return to Seoul” landed a pre-Cannes deal with Sony Pictures Classics and is one of the hits of the Un Certain Regard sidebar; and Japanese director Hirokazu Kore-eda is in the main competition with “Broker,” his first film shot in South Korea in the Korean language.