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‘Broker’ Film Review: Hirokazu Kore-eda Continues to Explore What Makes a Family

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The Palme d’Or can be a blessing and curse, a gold-plated sword of Damocles hanging over the heads of filmmakers lucky enough to claim it.

After the first waves of shock and joy recede, and their subsequent year-long victory lap reaches the finish line, those same filmmakers are left alone with one troubling thought: What’s next?

Director Hirokazu Kore-eda offers a fine case study in how that question might trip someone up. In so many ways, his win for 2018’s “Shoplifters” showed the system working as intended.

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