Cannes Film Festival Latest Celebrity News & Gossip

Winner of the Caméra d’Or for the best first feature film last month at the Cannes Film Festival, writer-director Pham Thien An’s “Inside the Yellow Cocoon Shell” is a deeply felt three-hour spiritual odyssey about grief in its many forms.  READ MORE: ‘You Sing Loud, I Sing Louder’ Review: A Vulnerable Ewan McGregor Can’t Save This Father-Daughter Addiction Drama [Karlovy Vary] An impressive tracking shot moves from a nighttime soccer game through a lively street in Saigon before settling on friends having send-off drinks for a member of the group who is forsaking the city for a simple life in the mountains.

Let’s catch up on all things Cannes Film Festival. For one, if you haven’t seen it, Cannes recently revealed its 2024 poster, featuring a scene from “Rhapsody in August,” directed by the great Japanese master Akira Kurosawa, 81 at the time (see it below in full).

The 55th edition of the Cannes’ Directors’ Fortnight, the parallel section of the main Cannes Film Festival, has announced its 2024 line-up. Running from May 15 to 23, the Fortnight, or the Quinzaine Des Cinéastes, in French, will debut 21 feature films and ten short films.

The Cannes Film Festival is around the corner next month, so all the satellite sidebar festivals that orbit it are preparing their line-ups. The latest is Cannes Critic Week, organized by France’s Film Critics Union, which will run May 15-23.

Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.

The 2024 Cannes Film Festival was unveiled this morning, meaning there will be many first looks at some of the year’s most anticipated films. The most notable of the day is a first-look image of Sebastian Stan as Donald Trump and Jeremy Strong as his legal enforcer Roy Cohn in Ali Abbasi’s “The Apprentice.” Screening in competition at Cannes, “The Apprentice,” is a dive into the underbelly of the American empire.

Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.

Rumored to be in the mix for several festivals, Francis Ford Coppola’s expensive, long-gestating “Megalopolis” is expected to premier at the Cannes Film Festival this May. According to Deadline’s The Dish, Coppola’s film, which he funded himself to the tune of over 100 million, will play in competition on the Croisette on May 17.

Already a big, ambitious bet as a two-part offering, Kevin Costner and Warner Bros. are going even bigger with his Western epic “Horizon,” which will make its world premiere at the upcoming Cannes Film Festival in May.

Already a big, ambitious bet as a two-part offering, Kevin Costner and Warner Bros. are going even bigger with his Western epic “Horizon,” which will make its world premiere at the upcoming Cannes Film Festival in May.

Helen received her own Barbie doll in honor of National Women’s Day— and it comes with a miniature Oscar. “I am absolutely blown away by my Barbie,” Mirren, 78, said in a statement posted to her website on Wednesday.

It’s been quite a while since there has been significant discussion about a Netflix film appearing at Cannes. The reason being that Cannes’ rules claim that a film that plays in competition at the event has to have a theatrical rollout in France.

In one of the earliest announcements in recent memory, the Cannes Film Festival announced early Thursday morning Paris time the president of the jury for 2024. And, in something of a surprise, this year’s president is Greta Gerwig, a soon-to-be multiple Oscar nominee for the 2023 blockbuster “Barbie.” Gerwig is the first woman to lead the jury since Cate Blanchett in 2018 and the second American this decade after Spike Lee presided over the first post-pandemic jury in 2021.

Congratulations are in order for Claire Holt and her husband Andrew Joblon! The couple welcomed their third child together.

Ben Croll International production spending in France hit record highs in 2022, resulting in 2,220 shooting days that crested above $1 billion in promised investment — and public initiatives had a major role to play. In early 2020, for example, France updated its Tax Rebate for International Production scheme, supplementing a 30% across-the-board rebate with an additional 10% — applicable on all eligible expenses — for productions that spent $2.2 million with local VFX and post houses.

It’s been a good year for Aki Kaurismäki and his latest film “Fallen Leaves” so far. After the movie’s world premiere, it won the Jury Prize at the Cannes Film Festival back in May.

Given all the sections at the Cannes Film Festival, when you tally it all up, there are probably some 70 or 80 films reviewed in total (in some years, we’ve reviewed over 50 movies). So, how do you stand out at all? Well, dazzle them, obviously, but it helps when you win a big award, too, especially if you’re an unknown commodity.

Elsa Keslassy International Correspondent After braving a massive backlash over her fiery political speech at the Cannes Film Festival, French director Justine Triet has succeeded in luring wide audiences in local theaters with her Palme d’Or winning film “Anatomy of a Fall.” A courtroom drama exploring the collapse of a marriage and a mother-son relationship, “Anatomy of a Fall” has scored the best B.O. score at the French box office for a Palme d’Or winner since “Blue is the Warmest Color,” the 2013 erotic drama starring Lea Seydoux and Adele Exarchopoulos.

What is an arguably privileged actor-turned-filmmaker doing making a story about Lakota men on the Pine Ridge Reservation as they grapple with a world built against them and navigate unique paths to manhood? Well, having made lifelong friends in South Dakota’s Pine Ridge Reservation when shooting the Andrea Arnold film, “American Honey,” actress Riley Keough felt compelled to tell one of their stories in the film “War Pony.” READ MORE: Gina Gammell & Riley Keough’s ‘War Pony’ Is Overstuffed, But Admirable [Cannes Review] Enlisting the help of filmmaker (and her half-sister) Gina Gammell, a screenwriter and producer on such films as the upcoming “Sweet Lamb of Heaven” and “Welcome the Stranger” (2018), “War Pony” made its debut at the Cannes Film Festival last year, where it was included in the aspiring Un Certain Regard Category.

Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.

wearing flip-flops on the red carpet at the Cannes Film Festival last month, Jennifer Lawrence is setting the record straight about the fashion statement that had the internet abuzz.«Ok, thank you for bringing this up. I would really like to straighten this out,» Lawrence told ET's Nischelle Turner while promoting her new film,  alongside co-star, Andrew Barth Feldman.

2023 Tribeca Festival in June, Robert De Niro made a splash at the 76th annual Cannes Film Festival, where the Oscar-winner's 45-year-old girlfriend, Tiffany Chen, made her debut on the carpet. Additionally, the actor's latest film,, made quite the impression on audiences during its world premiere. «It was great,» De Niro told ET's Rachel Smith about walking the carpet at the Cannes event with Chen in May.

Quentin Tarantino is no stranger to violence on screen. This is a filmmaker who loves to be pretty shocking when it comes to the gore associated with death, and it’s a staple of his work dating back to his first feature, “Reservoir Dogs.” And apparently, his depiction of violence on screen was enough to force Cannes to introduce a new warning label for some films.

Kate Beckinsale may have the internet beat with her Keanu Reeves story! On Monday, the actress took to her Instagram to share a throwback picture from her first appearance at the Cannes Film Festival with the cast of in 1993. Along with the pic, which was found by her mother, Beckinsale shared the story about how her male co-stars, Keanu Reeves and Robert Sean Leonard, stepped in to help after her bodysuit took on a mind of it's own ahead of her moment on the carpet.«So my mum DID find one of the original Cannes pictures but unfortunately it’s not full length so you can’t see the Dr Martens.

the “Book Club: The Next Chapter” actress said at the Cannes Film Festival.“It is a tragedy that we have to absolutely stop. We have to arrest and jail those men — they’re all men [behind this].”The two-time Oscar winner added that climate change would not be possible without racism or the patriarchy, in which “white men,” she said, are at the top.“It’s good for us all to realize, there would be no climate crisis if there was no racism.

Cannes Film Festival, Beckinsale posted an Instagram photo Monday that captures her between the leading men of the 1993 flick.Sharing a “fun fact” about the event, the 49-year-old actress reflected on her gray and green tie-dye-colored bodysuit with a matching shawl.“I had bought the bodysuit in the Sock Shop at the airport and when I got in the car to drive to the premiere with Denzel and Pauletta Washington, all the poppers in the crotch popped themselves open and it flipped up like a roller blind,” she confessed.The “Pot-au-Feu” star recalled that she felt it would be inappropriate to adjust her garment in front of the Washingtons, so she “quietly panicked” instead. “Walked out onto the biggest red carpet of my life and whispered to Keanu and Robert Sean Leonard what had happened.

Jane Fonda took matters into her own hands over the weekend at the 2023 Cannes Film Festival. The 85-year-old veteran actress introduced the Palme d'Or Award to French director Justine Triet.Fonda introduced the historic moment, noting that seven female directors were nominated for the prestigious award for the first time and applauding the festival for its progress.She then gave Triet the award for her film.

It would be nice to think that desires are nothing more than preferences, springing organically from a fixed identity and unaffected by outside circumstances such as personal history and societal norms. The reality is, of course, much thornier, and trying to disentangle the many different factors influencing our tastes and longings can quickly cause a lot of suffering.

Chinese author Yu Hua is no stranger to Cannes. The famed postmodernist writer’s work first graced the silver screens of the Palais back in 1994 with director Zhang Yimou’s masterclass adaptation of his seminal novel, “To Live.” A searing portrait of a single family’s struggle through China’s mid-century upheaval and the Cultural Revolution, “To Live” would go on to win the festival’s coveted Grand Prix award, Prize of the Ecumenical Jury, and the Best Actor Award.

Alice Rohrwacher’s “La Chimera” flits between languages (English, Italian, French, German) as fluidly as it does mediums (35mm, Super16mm, and 16mm cinematography) and styles (jerkily sped up Chaplin-esque scenes, clinical CCTV footage, audacious 180-degree camera flips). Rohrwacher uses this mosaic of disparate approaches to hone in on other kinds of incongruous and unpredictable interplay: modern Italy and its ancient past, heartbreak and new love, and the real world and its spiritual mirror realm.

The official synopsis for Wim Wenders’ “Perfect Days” is one of those rare occasions when a tightly-described premise encapsulates the immensity of a film: a janitor in Japan drives between jobs listening to rock music. In this case, the janitor is Hirayama (Koji Yakusho), an older man whose job is cleaning Tokyo’s elegantly designed public toilets.

sting.Jane Fonda revealed Friday she “was in love with” Robert Redford, her on-screen partner for four films — but the “Ordinary People” director, 86, “did not like to kiss” and “has an issue with women.”“He’s always in a bad mood, and I always thought it was my fault,” said Fonda, 85, but added that “he’s a very good person.”The two-time Oscar winner dropped tidbits about her famous male co-stars during an interview at the Cannes Film Festival. Fonda and Redford co-starred in “The Chase” (1966), “Barefoot in the Park” (1967), “The Electric Horseman” (1979) and “Our Souls at Night” (2017).“The last movie I made with him was six years ago,” Fonda said, referring to the Netflix film “Our Souls at Night.”“What was I, about 80 years old or something like that? And I finally knew I had grown up.

Heidi Klum inadvertently became part of the "free the nipple" movement, when her titillating gown couldn't hold her together. The 49-year-old judge attended the  premiere Wednesday at the 76th annual Cannes Film Festival and, while walking the red carpet at Palais des Festivals, all eyes were on Klum, who looked stunning in an aurora yellow Zuhair Murad gown with a hip-high leg slit, crossed neckline and bejeweled sleeves.With her trademark blonde locks flowing, Klum smiled as she raised her arms, and therein lay the problem — when she raised her arms to extend her long cape she suffered a bit of a wardrobe malfunction with a nip slip. Not that she's ever been shy about nudity.Back in February, Klum and her husband, Tom Kaulitz, appeared to have stripped down to their birthday suit to celebrate their four-year wedding anniversary.«Love of my life ❤️,» Klum wrote in her celebratory post.A post shared by Heidi Klum (@heidiklum)The model's dedication to her husband led with a video of her and Kaulitz sharing a kiss in bed.

Queen Latifah enjoyed a star-studded date night with Eboni Nichols in France on Thursday. The star walked the blue carpet with her longtime partner at this year's amfAR gala, held during the Cannes Film Festival.Latifah served as host for the annual gala fundraiser at Hotel du Cap-Eden-Roc — which benefits the American Foundation for AIDS Research — and she shared a sweet moment on the carpet while posing for photos ahead of the event.Latifah owned the carpet in a chic, modern reimagining of an all-white tuxedo, complete with a long, flowing white tuxedo jacket over a white shirt, white tie and white slacks.As she walked the carpet, she held hands with Nichols, who lit the place up in a stunning, fiery crimson ensemble, featuring a flowing, scarlet satin dress adorned with a flurry of red and black feathers, which she paired with black heels.Meanwhile, Latifah's white tux wasn't her only stylish look for the night.When she took to the stage inside the lavish fundraiser gala, Latifah wowed with her wardrobe change, ditching her first look for diametrically different duds — a gorgeous black strapless gown with a full pleated skirt.Latifah and Nichols, a dancer and choreographer, reportedly met in 2009 on the set of in 2009, where Latifah made an appearance as a guest performer.The pair reportedly sparked a romance in 2013, although the famously private actress didn't publicly confirm their romance until 2021, at the BET Awards, during her acceptance speech when honored with the Lifetime Achievement Award.

In 2008, Kléber Mendonça Filho released “Crítico,” a documentary building upon his years of experience as a film critic to weave a rich chronicling of cinephilia that gathered over 70 critics and filmmakers to discuss cinema in all of its joys and contradictions. Fifteen years later and following great acclaim as a fiction feature director, Filho returns to documentary to investigate some of the themes he first prodded upon in his debut with “Pictures of Ghosts.” READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch  As with Godard and Paris, Fellini and Rome, Scorsese, and New York, Filho is a filmmaker whose craft is deeply intertwined with his love of a city, in this case, the Pernambuco capital of Recife, in the north-east of Brazil.

Having previously won the Palme d’Or in 2001 for “The Son’s Room” and premiered the majority of his films in competition, Italian filmmaker Nanni Moretti has been a mainstay at the Cannes Film Festival for several decades.